Joaquín Segura October, 2021 - Webflow
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Joaquín Segura October, 2021
Joaquín Segura October, 2021 Mexico City, 1980 Lives and works in Mexico City Joaquín Segura has built his artistic imaginary through a symbolic dismantling of grand notions such as history, truth, and power in the context of diverse ideological systems from the 20th and 21st Centuries. He channels his obsessions through propaganda objects, memorabilia and the iconographic legacy of the radical as a starting point for the development of new readings on the contradictions that permeate geopolitical structures in the contemporary world. His artistic practice constitutes a reflection on the phenomenology of violence and its contextual relations to notions such as sociopolitical microclimate, asymmetrical history, and the role of ideology in the contemporary world. Some of the most relevant concerns in his recent production revolve around the nature of power and its self-regulating mechanisms, identity conformation processes in highly-unstable en- vironments and the ontological significance of dissent and failure, with a particular emphasis on its materiality. Formally diverse and ex- tremely personal, his oeuvre strives to meditate about the fissure, understood from an encompassing perspective in intimate relationship with the ideas of crisis and the present moment. His work has developed through platforms such as installation, photography, action or video and has been shown in diverse venues such as: Sala de Arte Público Siqueiros, Museo de Arte Carrillo Gil, La Panadería, Museo Tamayo Arte Contemporáneo in Mexico City; El Museo del Barrio, Anthology Film Archives, White Box and apexart in New York; LA>
Joaquín Segura Project selection October, 2021 Wage Labour and Capital Color field abstraction of a pamphlet edi- tion of Marx’s homonymous work, pub- lished in 1982 by the disappeared Editorial Cartago, the propaganda imprint of the Ar- gentinian Communist Party which became instrumental in its cultural offensive seeking to freely distribute Marxist literature in Latin America.
Joaquín Segura Project selection October, 2021
Wage Labour and Capital, 2020
Oil on canvas
220 x 150 cm
Joaquín Segura Project selection October, 2021 Five States A recovered .223 cartridge is used to draw the outlines of the five Mexican states which, according to the 2017 Mexico Index published by the Institute for Economics and Peace, have experienced the most dramatic increase in violence and crime rates, mostly attributed to organized crime and institu- tionalized corruption.
Joaquín Segura Project selection October, 2021
Five States, 2017
From the series Bellum Omnius Contra
Omnes, 2016 - ongoing
Recovered bullet & intervened wall
Variable measures
Joaquín Segura Project selection October, 2021 Blackouts & Whitewashes #4 Blackouts & Whitewashes #2 Textile rendition of a formerly classified Handwoven rendition of a highly censored 1987 CIA document released under the page from the KUBARK interrogation proto- agency’s Chile Declassification project. The col for subjects of interest. This manual is a original document outlines the unstable po- 1963 document detailing methods of torture litical climate in Chile after the implementa- to extract information, later used by CIA tion of Project FUBELT, the intelligence op- operatives in various Latin American coun- eration through which the US prepared the tries between 1982 and 1987, according to grounds for the 1975 military coup in Chile declassified intelligence reports from the era. and Pinochet’s rise to power. The aftermath of this intervention and its continued support to the military regime reached a critical point with the Leteli- er-Moffitt murders, in which the former Chil- ean minister and an American citizen were fatally car-bombed in Washington, DC. All of the content of the document has been removed by the artist except the miscella- neous seals, markings and scribbles that remain after the original document circulat- ed through the intelligence circuit before its declassification.
Joaquín Segura Project selection October, 2021
Blackouts & Whitewashes #4, 2019
Handmade Haute-lisse tapestry
220 x 160 cm
Joaquín Segura Project selection October, 2021
Blackouts & Whitwashes #2, 2015
Handwoven Haute-lisse tapestry
200 x 149 cm
Joaquín Segura Project selection October, 2021 Pyre Installation composed by the accumulation of the exact amount of specific materials needed to reduce a human body to ashes in an open field setting. The quantities of wood, rubber and com- bustible used in this work -25 tires, 1675 lb of wood and 71 liters of gasoline or similar flammable liquids- were determined by di- verse reports of forensic research teams cur- rently working to solve recurring episodes of violence-related episodes of mass disap- pearances in various regions of Latin Amer- ica.
Joaquín Segura Project selection October, 2021
Pyre, 2016
Wood, recovered tires, combustible fluid
Variable measuresJoaquín Segura Project selection October, 2021 We demand justice for Francisco Ramirez, José Luis Ramirez and Alvaro Jacinto, who were killed by MULT-PUP - UBISORT-PRI Work from an ongoing collection of ban- ners recovered on-site in various protest sites and political rallies in Mexico City. These are then erased by the application of white paint over the original inscriptions, completely nullifying its content and then arranged specifically in the exhibition space as sculptural objects.
Joaquín Segura Project selection October, 2021
We demand justice for Francisco
Ramirez, José Luis Ramirez and Alvaro
Jacinto, who were killed by MULT-PUP -
UBISORT-PRI, 2012
From the series Exercises on Selective
Mutism, 2012 - ongoing
Synthetic polymer paint onrecovered ban-
ner
206 x 120 cm (Variable)Joaquín Segura Project selection October, 2021 Notes on Mexico Mixed media sculpture composed by an un- binded copy of Notes on Mexico (1822), by J.R. Poinsett, polemic American politician that served as the first diplomatic minister of the US in Mexico until his departure from Mexican territory in 1830, and a rock col- lected in an urban riot scenario in Mexico City during the late 2013 recurrent civilian protests.
Joaquín Segura Project selection October, 2021
Notes on Mexico, 2014
Recovered projectile and paper
15 x 20 x 15 cmJoaquín Segura Project selection October, 2021 G8 Sculptural installation composed by the re- mains of charred flags. The selection of the countries alluded correspond to the nations that constitute the Group of Eight, an inter- national forum that brings together the gov- ernments of the world´s largest national economies.
Joaquín Segura Project selection October, 2021
G8, 2013
Synthetic fabric & wood
480 x 241 x 300 cmJoaquín Segura Project selection October, 2021 Ideological Clearance (Marx, Lenin, Mao) Handwoven renditions of intervened pro- paganda material edited by the Soviet Min- istry of Propaganda during the Communist era, sourced through different channels: an- tique dealers, second-hand bookstores and flea markets.
Joaquín Segura Project selection October, 2021
Ideological Clearance (Marx, Lenin,
Mao), 2015
Site-specific installation
Handwoven Haute-lisse tapestries
Variable measuresJoaquín Segura Project selection October, 2021
Ideological Clearance (Marx), 2015
Handwoven Haute-lisse tapestry
300 x 250 cmJoaquín Segura Project selection October, 2021 The Battle of Hamburger Hill Mixed media sculpture alluding to the infa- mous Vietnam War-era Battle of Hamburg- er Hill, in which the invading US military fought against North-Vietnamese forces in May 1969. The highly questionable military command during the battle caused extreme controver- sy, also due to Richard Nixon´s Vietnamese policy, considered bloody and senseless at the time. This high-casualty 10-day inci- dent was originally just planned as a diver- sionary tactic, instead leading to a signifi- cant loss of human lives in order to achieve doubtful strategic superiority in the overall armed conflict.
Joaquín Segura Project selection October, 2021
The Battle of Hamburger Hill, 2008
Mixed media
Variable measuresJoaquín Segura Project selection October, 2021 Untitled (Pipe Bomb) Series of photographic works portraying common household items used in the prepa- ration of various homemade incendiary agents and explosives used by an assort- ment of radical groups from different coun- tries and contexts.
Joaquín Segura Project selection October, 2021
Untitled (Pipe Bomb), 2014
From the series Homemade, 2010 - ongo-
ing
Pigment print on dibond
150 x 74 cmJoaquín Segura Project selection October, 2021 Material Study on Revolt #1 Photographic polyptych portraying diverse materials used as projectiles by civilians in urban riots mainly associated with political instability, collected in disturbance scenar- ios in Mexico City throughout the recurrent protests of 2013.
Joaquín Segura Project selection October, 2021
Material Study on Revolt #1, 2014
Pigment prints on cotton paper
Polyptych (6 pieces)
45 x 68 cm / eachJoaquín Segura Project selection October, 2021 Like a Long Magnolia BlosLike Blossom Bending to the Windsom Wind Found-object sculpture consisting on an in- tervened newspaper upon which a magno- lia tree branch has been placed on top. The newspaper page has been intervened with a hangul transcription of a poem written by South-korean dictator Park Chung-Hee, af- ter the death of his wife during in attempt- ed magnicide in August 1974. The newspa- per used was published the day after Park Geun-Hye, daughter of the dictator and former South Korea president until March 2017 was impeached and ousted from pow- er due to charges of corruption, causing strong upset among the South-korean peo- ple.
Joaquín Segura Project selection October, 2021
Like a Long Magnolia BlosLike Blossom
Bending to the Windsom Wind, 2017
Intervened newspaper and magnolia in-
tervened branch
40 x 61 x 10 cmJoaquín Segura Project selection October, 2021 The Anarchists and the Bombs Single-channel video in which a sign-lan- guage interpreter translates a 1907 text ex- tracted from the persecuted anarchist jour- nal Tierra y Libertad, active in Barcelona in the early 20th century at the height of the Spanish anarchosyndicalist movement.
Joaquín Segura Project selection October, 2021
The Anarchists and the Bombs, 2013
HD Video
11:51 min
https://vimeo.com/62087289Joaquín Segura Project selection October, 2021 The Messiah Complex Ongoing charcoal drawing series of impro- vised explosive devices (IEDs) either confis- cated or disarmed before its intended use by radical groups in various locations of armed conflict throughout the world.
Joaquín Segura Project selection October, 2021
The Messiah Complex, 2012 - ongoing
Charcoal on cotton paper
51 x 69 cm / eachJoaquín Segura Project selection October, 2021
The Messiah Complex, 2012 - ongoing
Charcoal on cotton paper
51 x 69 cm / eachJoaquín Segura Project selection October, 2021
The Messiah Complex, 2012 - ongoing
Charcoal on cotton paper
51 x 69 cm / eachJoaquín Segura Project selection October, 2021 Essay on Reconstruction (José Martí) Site-specific project developed in El Pan- tanal, an under-developed settlement in process of regularization, located in the out- skirts of Granada, Nicaragua. It consisted in the full reconstruction of an architectur- al element, formerly in ruins, placed in the middle of this former swamp area. Although its real origin remains unclear, it apparent- ly constituted the remains of a monument erected for Jose Martí after the fall of the Somoza dictatorship. The reconstruction process was executed with active participation of the local com- munity.
Joaquín Segura Project selection October, 2021
Essay on Reconstruction (José Martí),
2014
HD Video, 3 channels
9:29 min
https://vimeo.com/103838129Joaquín Segura Project selection October, 2021 Casa Poporului Multi-channel video shot in location at an abandoned marble quarry in Borsec, a small town in the Eastern region of Transyl- vania, Romania. According to its inhabitants, a vast quanti- ty of the marble used in the construction of Nicolae Ceauçescu’s People’s Palace comes from this location in the middle of the Car- pathians. This building is notorious for a number of reasons, among them, its massive size and the enormous economic and human cost of its edification, executed by a team of 700 architects and 20,000 workmen, then abruptly interrupted by the Romanian Revo- lution in December 1989.
Joaquín Segura Project selection October, 2021
Casa Poporului, 2014
HD Video, 9 channels
4:52 min
https://vimeo.com/125997479Joaquín Segura Project selection October, 2021
On Practice, 2018
Intervened pamphlet. Intervened copy of
a vintage Maoist publication
94 x 74 cmJoaquín Segura Project selection October, 2021
Four Philosophical Thesis, 2014
Photorrealist oil rendition of the cov-
er page of a vintage copy of Mao Tse-
Tung´s Four Philosophical Thesis.
Oil on canvas
170 x 109 cmJoaquín Segura Project selection October, 2021
Untitled (White Dove), 2008
Taxidermied dove, hand grenade and safety
pin
Variable measuresJoaquín Segura Project selection October, 2021
The Inaugural Address, 2009
Mixed media
18 x 10 x 23 cmJoaquín Segura CV October, 2021
Joaquín Segura Must Be Silent, Alkovi/Ingredientes, Hel- 2010 Victoria, Melbourne, Australia
(Mexico City, 1980) sinski, Finland Deceive, Inveigle & Obfuscate, Yautepec
Gallery, Mexico City, Mexico 2020
STUDIES El mundo es la totalidad de los hechos, no Good Trouble: Artists Respond to the 2020
Curatorial Studies Teratoma Program, CA- de las cosas, Nueva Vitrina, Exconvento del 2009 Presidential Elections, WhiteBox, New York,
NAIA, Mexico City, Mexico Carmen, Guadalajara, Mexico Your False Rebellions Mean Nothing, Arena USA
México Arte Contemporáneo, Guadalaja-
Bachelor in Comunications: Subsystem of 2015 ra, Mexico XIX Bienal de Pintura Rufino Tamayo, Mu-
Film and Video, Universidad Iberoameri- La tradición de todas las generaciones seo de Arte Contemporáneo de Oaxaca,
cana Campus Santa Fe, Mexico City, Mexi- muertas, Ex Teresa Arte Actual, Mexico Botched Messiah, LArVa, Guadalajara, Oaxaca, Mexico
co City, Mexico Mexico
Colapso, MAM Chiloé, Chiloé, Chile
Photography / Alternative Media, Centro Batiente 0.8: ¿Qué ha creado Dios?, Casa 2008
de la Imagen, Mexico City, Mexico del Lago, Mexico City, Mexico Botched Messiah, Ex Convento Dieguino Exodus II: Mexico in New York – From
(durante el 36º Festival Internacional Cer- Orozco to Orozco, WhiteBox, New York,
SOLO SHOWS 2014 vantino), Guanajuato, Mexico USA
Upcoming Estado de excepción, Espacio Mínimo, Ma-
Pequod Co., Mexico City, Mexico drid, Spain 2007 2019
Feelings, Trolebús / Galería, Mexico City, Generation W(ar), Torrance Museum of
2018 2013 Mexico Art, Los Angeles, USA
Pyre, Cushion Works, San Francisco, USA A Glimpse of All Things Gone Wrong, Kost-
ka Gallery, Prague, Czech Republic 2006 Signs Taken for Wonders, Jonas Mekas Vi-
2017 Acapulco Golden, O-Lamm, Mexico City, sual Arts Center, Vilnius, Lithuania
Nueva narrativa metropolitana, Artere-a, 2012 Mexico
Guadalajara, Mexico A Brief History of Breakdown, Yautepec La emancipación de la disonancia, Instituto
Gallery, Mexico City, Mexico GROUP SHOWS Cervantes Roma, Rome, Italy; Gran Canar-
2016 2022 ia Espacio Digital, Las Palmas, Spain
Una guerra tal que es la de todos contra to- 2011 14th Havana Biennial, Havana, Cuba
dos, La Ene, Buenos Aires, Argentina Poéticas del deshonor, Sala de Arte Público The Cure of Folly, Galleria Contempo, Tren-
Siqueiros, Mexico City, Mexico 2021 to, Italy
Whereof One Cannot Speak, Thereof One We Change The World, National Gallery ofJoaquín Segura CV October, 2021
2018 Barrios), Fundación CALOSA, Irapuato, A Certain Urge (Towards Turmoil), EFA Now? NOW!, Biennal of the Americas
Teatro de operaciones (in collaboration Mexico Project Space, New York, USA 2015, Museum of Contemporary Art Den-
with Enrique Jezik), Galería Hilario Gal- ver, Denver, USA
guera, Mexico City, Mexico Old Glory, Mulherin New York, New York, Beyond the Tropics, Museau d’Història de
USA Catalunya, Barcelona, Spain; Teatrin 2 Fe- There Is Only One Catch and That Is Catch
Gangwon International Biennale 2018: The rala, Bol, Croatia; Centro Cultural de Es- 22, Y Gallery, New York, USA
Dictionary of Evil, Gangwon, South Korea La naúsea, Museo de Arte de Zapopan, paña, Mexico City, Mexico
Guadalajara, Mexico Paisatges: L’estigma d’allò social, Palmado-
White Anxieties, WhiteBox, New York, USA The Enemy Within, Area / Lugar de Proyec- tze, Barcelona, Spain
Structural Disparities, Seoul Art Space_Ge- tos, Caguas, Puerto Rico
Postrauma, Sala Gasco Arte Contemporá- umcheon, Seoul, South Korea Beyond the Tropics, Università IUAV di
neo, Santiago, Chile Punk Povera, WUHO, Los Angeles, USA Venezia; Palazzo Ca’ Tron, Venice, Italy
Thin Air, Galería Emma Molina, Monterrey,
Nacido en casa. Devenires y porvenires del Mexico Nosotros ya no somos los mismos (Seres de Bienal de las Fronteras, Museo de Arte
oficio de la tapicería Alto Liso en Jalisco, luz del trabajo inmaterial), Centro Cultural Contemporáneo de Tamaulipas, Matam-
1968-2018, Museo Amparo, Puebla, Mexi- 2016 Matucana 100, Santiago, Chile; Museo de oros, Mexico
co Shut Up and Paint, NGV Collection, Nation- Arte Zapopan, Guadalajara, Mexico
al Gallery of Victoria, Melbourne, Australia 1ª Bienal Nacional del Paisaje, Museo de
Utopía y deriva: relatos en tránsito, Cen- Políticas del polvo, Galería Emma Molina, Arte Carrillo Gil, Mexico City, Mexico
tro de Arte Bernardo Quintana, Queretaro, Acts of Sedition, WhiteBox, New York, USA Monterrey, Mexico
Mexico Self-Organized – Aesthetic Politics of the
Resonancias desde el jardín de las delicias, Kozmic Blues: entre control/descontrol, Artist Run, Guest Spot The Reinstitute, Balti-
2017 Museo de Arte Carrillo Gil, Mexico City, Complejo Cultural Universitario BUAP, more, USA
a revolution from my bed, Young Artist Proj- Mexico Puebla, Mexico
ect ’17, EXCO, Daegu, South Korea Motley Mexico, De Balie, Amsterdam, The
#MakeAmericaGreatAgain, WhiteBox, Ser sensible, La Quiñonera, Mexico City, Netherlands
Repertoires of Contention (in collaboration New York, USA Mexico
with Tony Garifalakis), Gertrude Contem- Mexico: The Future is Unwritten, Fondazi-
porary, Melbourne, Australia DIY Fiction, Espacio de Arte Careyes, Car- Pintura, Artere-a, Guadalajara, Mexico one Giorgio Cini, Venice, Italy
eyes, Mexico
Tres golpes (in collaboration with Javier 2015 Reactivación, Object Not Found, Monter-Joaquín Segura CV October, 2021
rey, Mexico co Wherever you roam, MoLAA, Long Beach, tro, Guadalajara, Mexico
USA
2014 2013 Under the Volcano, Andrómeda Contem-
Micro-acciones de emergencia #2, ADN Mexico: Inside Out, Modern Art Museum of Celebrity Skin, WhiteBox Contemporary, poráneo, San Jose, Costa Rica
Platform, Barcelona, Spain Fort Worth, Fort Worth, USA San Diego, USA
2011
IX Bienal Nicaragüense de Artes Visuales, South of the Border, Anthology Film Ar- Still Lifes: Invitation to a beheading, Diablo XV Bienal de Pintura Rufino Tamayo, Museo
Fundación Ortiz-Gurdian, Managua, Nica- chives, New York, USA Rosso, Panama, Panama de Arte Contemporáneo de Oaxaca, Oax-
ragua aca, Mexico
The Name, The Nose, Museolaboratorio y X Bienal Monterrey FEMSA, MARCO,
The Lady with the X-ray Eyes, Varna City Ex Manifattura Tabacchi, Città Sant’Angelo, Monterrey, Mexico How to Philosophize With A Hammer,
Art Gallery, Varna, Bulgaria Italy WhiteBox, New York, USA
Body Snatchers, WhiteBox, New York, USA
Les Rencontres Internationales in Berlin, X Bienal Monterrey FEMSA, Antiguo Cole- Four Minutes, Thirty-three Seconds, Le-
Haus der Kulturen der Welt, Berlin, Germa- gio de San Ildefonso, Ciudad de México, La Quebradora, Mission Cultural Center for galArt, Miami, USA
ny Mexico Latino Arts, San Francisco, USA
Alarma!, Death be Kind, Melbourne, Aus-
1a Bienal Nacional del Paisaje, MUSAS Trama y urdimbre, Museo de Arte Raúl An- The Revelation of What Has Already Been tralia
- Museo de Arte de Sonora, Hermosillo, guiano, Guadalajara, Mexico Destroyed, Object Not Found, Monterrey,
Mexico Mexico Everything Must Go, Casey Kaplan Gallery,
Visible Invisibilización: Aproximaciones en New York, USA
Delirios de Declive, Curro & Poncho, Gua- torno a la violencia, Museo de la Ciudad, Take S, Centro de Artes de Sines, Sines,
dalajara, Mexico Queretaro, Mexico Portugal Cosmopolis, Pristine Galerie, Monterrey,
Mexico
Èdra: Connecting Landscapes, Istituto Po- 2012 West Is More, Upstairs at the Market Gal-
lacco di Roma y Ambasciata del Messico, XV Bienal de Pintura Rufino Tamayo, Museo lery, Los Angeles, USA Círculos de Confusión: Caos social y Fic-
Rome, Italy Tamayo Arte Contemporáneo, Mexico City, ciones dominantes, Centro de la Imagen,
Mexico Oído Enfático, La Quiñonera, Mexico City, Mexico City, Mexico
Visible Invisibilización: Aproximaciones en Mexico
torno a la violencia, Museo de Arte Con- Crisis Complex, Tin Sheds Gallery, Sydney, Endism, 24hrArt y Northern Territory Centre
temporáneo Alfredo Zalce, Morelia, Mexi- Australia DFSAKJLÑAS:)DHKFLAJDHS, Trama Cen- for Contemporary Art, Darwin, AustraliaJoaquín Segura CV October, 2021
Fuerzas básicas: Formas del dibujo reciente Winzavod Centre for Contemporary Art, 2010, Centro de las Artes y Nave Genera- es París, Paris, France
en Jalisco, Museo de la Ciudad, Guadala- Moscow, Russia dores, Monterrey, Mexico
jara, Mexico 2008
Nice & FUBAR, Jaus, Los Angeles, USA Creación en Movimiento: Jóvenes VIBA, ThisIsNotAGallery, Buenos Aires, Ar-
Todo en mi cabeza está padrísimo, Piso 51, Creadores 2009-2010, Casa de Cultura de gentina
Mexico City, Mexico Carry On or Stow Away, Gambia Castle, Morelia, Morelia, Mexico
Auckland, New Zealand The Use of Video in a WC, Gato Vadio,
V Bienal Nacional de Artes Visuales de Yu- Marea de Nudos: Tapices contemporáneos Porto, Portugal
catán, Centro de Artes Visuales, Merida, The Billboard Project, Portugal Arte 10, Lis- del Taller Mexicano de Gobelinos, Galería
Mexico boa, Portugal Jesús Gallardo, Leon, Mexico Hacia/Desde México DF, Instituto Cervant-
es Estocolmo, Stockolm, Sweden
Sobre ética y obscenidad, La Quiñonera, Omega, Margaret Lawrence Gallery, Mel- 2009
Mexico City, Mexico bourne, Australia The Man who Fell to Earth, 798 Beijing Bi- ID-entity, Transformer and Mexican Cultur-
ennale 2009, T Art Center, Beijing, China al Institute, Washington, USA
2010 Bad Moon Rising 5, UKS, Oslo, Norway
The road to hell is paved…, Las Cienegas Asesinos, Live with Animals, Brooklyn, USA Intransit, Moti Hasson, New York, USA
Projects, Los Angeles, USA Creative Tensions, NCCA Yekaterinburg,
Yekaterinburg, Russia Names and Places, Firstdraft, Sidney, Aus- Qui Vive? I Moscow International Biennale
Efecto Drácula. Comunidades en transición, tralia for Young Art, National Center for Contem-
Museo Universitario del Chopo, Mexico (Ready)Media: Hacia una arqueología de porary Art, Moscow, Russia
City, Mexico los medios y la invención en México, Labo- Last Day of Magic, 53º Biennal de Venecia,
ratorio Arte Alameda, Mexico City, Mexico ScalaMata Gallery, Venice, Italy Is an artist allowed to do anything?, Dom
Chewbacca to Zapata: Revisiting the Myth Umenia y Display, Bratislava, Slovakia
of the Mexican Revolution, Morono Kiang Mexicali Biennial 09/10, Ben Maltz Gal- I can’t get no Satisfaction: Contemporary
Gallery, Los Angeles, USA lery en Otis College of Art & Design, Los views on the everyday, apexart, New York, Videolab Caldas 2008, Centro da Juven-
Angeles, USA USA tude, Caldas de Rainha, Portugal
Indian Summer, Arena México Arte Con-
temporáneo, Guadalajara, Mexico Environments|Videolab, Pátio da In- Bad Moon Rising 3, Boots Contemporary 2007
quisição, Coimbra, Portugal Art Space, St. Louis, USA Fissures: Works on Video from Mexico, Mu-
Crossing Boundaries, Qui Vive? II Mos- seo del Barrio, New York, USA
cow International Biennale for Young Art, Artemergente Bienal Nacional Monterrey Hacia/Desde México DF, Instituto Cervant-Joaquín Segura CV October, 2021
Return of the Art Dead, Eastern Alliance Institut Valencià d’Art Modern, Valencia, ace Adria, Prague, Czech Republic Angeles, USA
and NoD Roxy, Prague, Czech Republic Spain
Free Trade, Outpost for Contemporary Art, Abuso de conciencia, Ex Teresa Arte Actu-
Separation Perfected, National Center for Eastern Alliance: Teledivision, MNAC, Bu- Los Angeles, USA al, Mexico City, Mexico
Contemporary Art, Moscow, Russia charest, Romania; KSA:K, Chisinau, Moldo-
va Norteamericanos de tercera... Sudacas de MHN.03 recreaciones, Museo de Historia
Videolab Lagos 2007, Laboratório de Artes primera, The Art Palace, Madrid, Spain Natural, Mexico City, Mexico
Criativas y Área 55, Lagos, Portugal Próximamente..., Museo de Arte Carrillo
Gil, Mexico City, Mexico The Momentary Seduction of Now, Scope They’re Motherfuckers... Don’t You Know?,
Segundo Ciclo de Videoarte Latinoameri- Miami; Townhouse, Miami, USA Casa Frissac, Mexico City, Mexico
cano, Institut Valencià d’Art Modern, Valen- video_dumbo: Mexico, D.U.M.B.O. Arts
cia, Spain Center, Brooklyn, USA Tan lejos, tan cerca: la Arena México en Escalera al cielo, MACO México: Arte
Monterrey, Arcaute Arte Contemporáneo, Contemporáneo, Mexico City, Mexico
[PAM] VideoBox @ We are your future, 2 Les Rencontres Internationales Paris/Berlin, Monterrey, Mexico
Moscow Biennale of Contemporary Art, Cinéma l’Entrepôt, Paris, France Sábado #6, Bordermates y Revillagigedo
Winzavod Art Center, Moscow, Russia; We Are Nothing but the Nerds They Say 37, Mexico City, Mexico
WhiteBox, New York, USA Coup, Weiss Pollack Gallery, New York, We Are, Sonora 180, Condesa, Mexico
USA City, Mexico Móvil: tiempo diferido, Ex Teresa Arte Actu-
Ultramar, Instituto Cervantes, Brasilia, Brazil al, Mexico City, Mexico
Hysterical Horror: Experimental video from México 70, Casa del Lago, Mexico City,
Luz y Fuerza del Centro, Charro Negro Mexico City, UnionDocs, Brooklyn, USA Mexico Use Your Illusion, Consejo Mexicano de Fo-
Galería, Guadalajara, Mexico tografía, Mexico City, Mexico
Perpetual Art Machine, Scope New York, Retroactiva, Faro de Oriente, Mexico City,
Lo que mueve al mundo es la fuerza de New York, USA; Scope Hamptons, Wain- Mexico 2003
gravedad, Casa Las Monas, Leon, Mexico scott, USA Temps nòrdics vs acció mexicana, Panora-
Cheap & Chic, O-Itatti, Mexico City, Mexi- ma, Barcelona, Spain
2006 2005 co
Distor, Museo de Arte Carrillo Gil, Mexico Declaraciones, Museo Nacional Centro de Cámara, Museo de Arte Carrillo Gil, Mexi-
City, Mexico Arte Reina Sofía, Madrid, Spain 2004 co City, Mexico
Bordermates Vacation: For the Giant Mar-
Primer Ciclo de Videoarte Latinoamericano, Fear in the City: Prague, Underground Pal- garita, Sundown Salon and Fritz Haeg, Los Dadapsicodeli, Ex Teresa Arte Actual, Mex-Joaquín Segura CV October, 2021
ico City, Mexico Casa Wabi, Puerto Escondido, Mexico 2020, XIX Bienal de Pintura Rufino Tamayo Nuevo León Pinacoteca, Monterrey, Mexico
(selected work), Secretaría de Cultura and
MHN.01 especímenes, Museo de Historia 2013, FONCA / CONACYT Programa In- INBAL, Mexico Phillips/Yuyito, Mexico
Natural, Mexico City, Mexico ternacional de Residencias Artísticas, Meet
Factory, Prague, Czech Republic 2018, Sistema Nacional de Creadores de OTHER ACTIVITIES
MHN.02 modificaciones, Museo de Histo- Arte Emisión 2018-2021, FONCA, Mexico 2016 – Ongoing
ria Natural, Mexico City, Mexico 2013, EMARE European Media Artists in Member of the Academic Board at SOMA
Residency Exchange, Impakt Foundation, 2010, Artemergente Bienal Nacional Mon- Mexico, Mexico City, Mexico
El que se mueva no sale en la foto, Centro Utrecht, The Netherlands terrey 2010 (acquisition award), Monterrey,
de la Imagen, Mexico City, Mexico Mexico 2009 – Ongoing
2012, Programa Internacional de Residen- Founding member and member of the Art-
2002 cias Artísticas ADM, Hangar, Barcelona, 2009, Jóvenes Creadores 2009-2010: Pro- ist Board of SOMA Mexico, Mexico City,
El arte mexicano se viste de fiesta, La Spain grama de Estímulos a la Creación, FONCA Mexico
Panadería, Mexico City, Mexico and CONCULTA, México
2011, ONF Programa de Artista en Resi- Trust Artist of APT Mexico City, Mexico City,
2001 dencia, Object Not Found and CONARTE, 2006, Programa de Becas y Patrocinios Mexico
Corriendo sin ver, Alianza Francesa Centro Monterrey, Mexico 2006, Fundación/Colección Jumex, project
San Ángel, Mexico City, Mexico in collaboration with Outpost for Contem- CURATORIAL PROJECTS
2010, JAiR Programa de Artista en Resi- porary Art, Mexico 2013-2015
2000 dencia, Jaus, Los Angeles, USA Grit: Contemporary Mexican Video | An
South of North, Fototeka, Los Angeles, USA PUBLIC COLLECTIONS Arbitrary Selection 1996-2012, Meet Fac-
2009, International Artist in Residency Fun- Colección Fundación M, Mexico City, Mex- tory, Prague, Czech Republic; Goleb, Am-
RESIDENCIES dación/Colección Jumex, 18th Street Arts ico sterdam, The Netherlands; ForumBox, Hel
2021, Artist-in-Residence, Bemis Center for Center, Santa Monica, USA sinski, Finland; Museo de Arte de Zapopan,
Contemporary Art, Nebraska, USA KADIST, San Francisco, USA Guadalajara and Casa de la Cultura de
2008, ISCP/FONCA Programa Internacio- Nuevo León, Monterrey, Mexico
2017, International Artist in Residency, nal de Residencias Artísticas, International Museo de Arte Moderno of Mexico Collec-
Seoul Art Space_Geumcheon, Seoul, South Studio and Curatorial Program, New York, tion, Mexico City, Mexico 2010
Korea USA Indian Summer (curatorial collaboration
National Gallery of Victoria, Melbourne, with Jaime Ashida), Arena México Arte
2015, Programa de Residencias Artísticas, GRANTS & AWARDS Australia Contemporáneo, Guadalajara, MexicoJoaquín Segura CV October, 2021 Untitled (Latin America) (curatorial project), Arena México Arte Contemporáneo, Pinta London, London, UK 2006 Fire in the Taco Bell (curatorial collabora- tion), Outpost for Contemporary Art and G727, Los Angeles, USA 2004 They’re Motherfuckers... Don’t You Know? (curatorial collaboration with Mauricio Limón), Casa Frissac, Mexico City, Mexico MHN.03 recreaciones (curatorial collabo- ration with Mauricio Limón), Museo de His- toria Natural, Mexico City, Mexico 2003 MHN.02 modificaciones (curatorial collab- oration with Mauricio Limón and Martí Ma- nen), Museo de Historia Natural, Mexico City, Mexico
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