MEDIA KIT 2021 - TL Magazine
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
MEDIA KIT 2021
Ethos
Founded in 2008 by Lise Coirier and her Brussels-
based creative consultancy Pro Materia, TLmag
celebrated its 10-year anniversary in 2018. Now
VDW_TLMAG_MAY_19.pdf 1 6/05/19 09:31 VDW_TLMAG_MAY_19.pdf 1 6/05/19 09:31
www.tlmagazine.com
entering into a new era, the magazine is a widely-
Îles de la création /Islands of Creation
recognised high-end, art and design biannual
publication that captures and contextualises
art & design, and connects them to the vibrant
Printemps-été / Spring-Summer 2019
FR / EN
France/BE/LUX/ES/GR/IT/NL: 15€
China: CNY 110; Singapore: SGD 20
I SSN 2 2 9 5 - 9 7 6 9
ISSN 2295 9769 / X P47002
HK: HKD 110; Taïwan: NT$ 430
Japan: ¥ 1700; Brazil: REAL 45
31
AU/DE: 15,00€; GB: £10,00
US: $ 15; Canada: CA$ 20
9 772295 976001
Mai / May 2019
Suisse: CHF 15,00
31
contemporary collector culture. Published in
French and English, each edition focuses on a
specific theme, while TLmag Online Magazine
mirrors the ethos and structure of print issues with
daily interviews and features which are deepening
the biannual magazine’s content and enriches
its critical eye and perspective. Extraordinary,
diverse and abundant, TLmag advocates for
authenticity, transcending different disciplines,
from the contemporary applied arts, to design
and photography and revealing their
hidden intersections and narratives. TLmag is
an essential resource for an ever-growing
creative community – art and design-driven
readers, creative professionals, artists, designers,
architects, landscape and urban planners,
philosophers, students, brands, art and design
museums and institutions in search of precise,
exceptional and unequalled creations.
TLmag is curated by:
Publisher & Editorial Team
Lise Coirier
Publisher & Editor-in-Chief
Graduated in management and art history, Lise Coirier lives and works in Brussels for more than 25 years. For 20 years she
has run her Creative Design Creative Design Consultancy Pro Materia, which actively promotes contemporary art and design.
Founder, publisher and editor-in-chief of TLmag, she is running for a decade her international biannual print (bilingual FR/EN)
and continuous online magazine dedicated to curating and capturing the collectible culture. TLmag has evolved with creative
influencers that have shaped the contemporary art and design scene. Lise Coirier is also the driving force behind many specialist
projects in her field of expertise such as Human Cities and Glass is Tomorrow. She has also authored numerous books including Le
Guide des Métiers d’Art à Bruxelles et environs (ed. Best of Publishing/Fondation pour les Arts, 1998 - 2000), Design in Belgium -
1945-2000 (ed. Racine, 2002), Label-Design.be, Belgium is Design (ed. Stichting Kunstboek, 2015 - 2010), the monographs of
Xavier Lust (ed. Stichting Kunstboek, 2008) and Anne Derasse (ed. Betaplus, 2014), Glass is Tomorrow (ed. Pro Materia / Archibooks,
2015). She opened Spazio Nobile Gallery in Brussels in 2016, with her partner Gian Giuseppe Simeone that is specialized
in contemporary applied arts, design and photography. Spazio Nobile has organized around forty exhibitions and has
actively participated to local and international fairs such as Art Brussels, Collectible Design Fair, Art On Paper, Design
Miami/Basel, Révélations at Grand Palais, and PAD Paris and PAD London. The gallery represents a selection of around 40
emerging and renowned artists and designers and develops a curated collection of unique and limited editions of sculptural
furniture and objects with a particular sensibility to everything connected to nature and minerality.
promateria.org
tlmagazine.com
spazionobile.com
Blaire Dessent
Editorial Manager
Since 2018, Blaire Dessent is involved as editorial coordinator and art / design contributor for TLmag as well as travel/lifestyle
writer for Essentialist, a start up travel company that works with writers who are specialists in places around the world to create
destination guides for their clients. She has started working with both platforms which involves connecting with editors and writers
around the globe. In 2020 she co-founded Alameda, a creative lifestyle shop in Mallorca that works with contemporary artists and
makers.
blairedessent.com
Web Editors
Mechteld Jungerius
Mechteld studied Cultural Heritage at the Amsterdam University of the Arts, where she also attended the minors Postcolonial- and
Gender Studies. After completing her Bachelors she moved to Eindhoven where she is currently following the Master’s program
Design Curating and Writing at Design Academy Eindhoven. She also works as a freelance writer and focuses on museology,
inclusivity, design and everything in between.
Rachel Morón
Rachel Morón was born and raised in the small, multicultural island of Curaçao. Four years after moving to the Netherlands, she re-
ceived her BA in Photography from the University of Arts Utrecht. She is a freelance writer, editor and photographer based in Utrecht,
and is particularly interested in the ways in which images are used – as well as influence – today’s (visual) culture. She is currently
attending the master’s program Design Curating and Writing at Design Academy Eindhoven.
Zeniya Vreugdenhil
Zeniya Vreugdenhil is a curator, writer, and designer. Born in Aotearoa (New Zealand), she has lived and worked in various countries
around the world. She is currently based in the Netherlands. With a background in industrial design and ceramics, she holds a MA in
Design Curating and Writing from Design Academy Eindhoven. She is interested in the role of design in geopolitical systems and in
shaping narratives, and seeks to investigate critical issues of design, media, and semiotics in multidisciplinary projects.
TLmag Print Issues Copies ID Biannual Print Magazine
International: 20,000 Bilingual: FR / EN
For over a decade, bilingual, French / English book-
Benelux: 5,000 304 pages
like issues explore specific cultural places, territorial
France: 5,000 Digital Issue: 8.99 €
regions, or the correlation between different
(cafeyn.co)
creative and multidisciplinary scenes. Strategic Circulation: 30,000
France / EU: 20 €
themes reveal the connection that link leading
UK: 18£
creatives beyond their culture or practice. Each
Switzerland: 22 CHF
TLmag issue is divided into six or seven chapters.
US: 22 $
Special Guest interviews profile r ecognised a nd
Hong Kong: 170 HKD
emerging figures while Stories spotlight leading
China: 160 CNY
brands. Excellence & Creation surveys up-and-
Japan: 2200 ¥
coming talents working in various disciplines. Mix
& Match features full-page photo portfolios and
historical highlights to offer f urther i nspiration.
Living with Art & Design reveals private and public
collections in exclusive description and image. Last Subscriptions Sales Points & Stockists
but not least, Real Life translates how research and
France & Benelux
experimentation are put into practice. City reports France & Benelux:
1 year: 60 € IPS & Exportpress
include in-depth looks at major events, culinary and 2 years: 100 €
travel experiences. 3 years: 140 € Press shops and Bookstores :
Austria, Belgium, Canada, Denmark, France,
International Finland, Germany, Hong Kong, Italy, Japan,
1 year: 100 €
TLmag Editorial Calendar 2021 2 years: 140 €
Luxemburg, Netherlands, Norway, Portugal,
Singapore, Spain, Switzerland, Sweden,
3 years: 180 € Taiwan, UK, US
TLmag 35 PE/SS 2021 (release in May) On tablets: : Galleries and cultural venues
Tactile / Textile / Texture - Guest Editor: Anniina Koivu https://www.cafeyn.co/fr/ Design & Art fairs and events
publication/tl-mag/21659116 Spazio Nobile Gallery, Brussels
TLmag 36 AH/AW 2021 (release in November)
Paysages /Landscapes - Guest Editor: Bas Smets
TLmag Special Editions
TLmag Special Editions join Pro Materia cultural
projects, workshops and curatorial commissions as
unique publications spotlighting creatives and/or
brands. Printed in custom batches and distributed
at specific events and/or venues, TLmag Special
Editions are often later integrated into biannual
issues. Pro Materia and TLmag continuously
review and accept potential publication and
exhibition proposals. Past Special edition projects
have included Glass is Tomorrow, Nasza Polska,
TLmag Istanbul, Norwegian Crafts, Cassina
Authentic Icons, Atomium Intersections, Sèvres
Cité de la Céramique, Stellar Works, NEARCH on
Archæology and Contemporary Art, Studio MVW
Shanghai...
Special Editions Rates
(inclusion in biannual issue + 5000€)
www.tlmagazine.com
20 pages: 10.000 €
32 pages: 15.000 €
48 pages: 18.000 €
64 pages: 22.000 €
96 pages: 30.000 €
Hospitality: Nature as Connection
酒店餐饮空间﹕以大自然联结
Haute Couture & Life yle Vision
高级订制时装与时尚生活品味
Retail: Experiential Aesthetics
零售空间﹕体验式美学
Sculptural Furniture Design
雕塑风格的家具设计
TLmag Online Magazine
TLmag Online Magazine expands on our biannual
printed issues by following the same chapter format.
Daily articles feature the latest in art and design.
TLmag Online Editions are well curated and track
a wide range of topics and destinations. Visitors
are able to order the latest print and digital issues
or subscribe. In addition, they are able to explore
Pro Materia / Spazio Nobile Online Gallery Store,
featuring the various pieces and editions available
at the gallery and studiolo in Brussels.
Monthly Visits : + 30.000, Yearly Visits: 360.000
24% Other
13.5% France
1.3% Australia
1.5% Taiwan 12.6% United States
1.6% Canada
2.8% Spain
3.6% Switzerland
4.6% Italy 9.3% Belgium
4.9% Netherlands 7.5% UK
6.9% Russia
5.9% Germany
Newsletters & Social Media
TLmag sends out Monthly Digest newsletters,
featuring top web and social media content.
TLmag and Pro Materia issues and projects match
announcements of upcoming design weeks, art and
design events and fairs. TLmag also reserves space
for commercial and cultural partnerships. Visitors
can subscribe to our Monthly Digest newsletters
online.
TLmag Monthly Digests +25.000 subscribers
Facebook: facebook.com/TLmagazine +18K
Instagram: @tlmag +12,1K
28%
58% 72%
Returning
Opens New Visitors
Visitors
Contributors TLmag would be nothing without its network of talented contributors: journalists, editors, art directors and photographers. Together, they are instrumental in the curation of every new issue. TLmag contributors are essential resources in an ever-growing creative community – design-driven readers, creative professionals, designers and brands in search of precise, exceptional and unequalled creations. From top left to bottom right: Oliver Basciano, Martina Björn, Tracy Lynn Chemaly, Y-Jean Mun Delsalle, Formantasma, Marc Feustel, Vincent Fournier, Sybille Grandchamp, Amy Hilton, Marie Honnay, Ringo Gomez, Mélanie Huchet, Petra Lafond, Christian Larsen, Keiko Sumino Leblanc, Rebecca Lewin, Adrian Madlener, Henriette Noermark, Petr Nový, Cécile Poignant, Ananda Pellerin, Costanza Rinaldi, Eliseu Cavalcante, Hans Ulrich Obrist, Baudouin Oosterlynk, Angela Rui, Sarah Schug, Marek Torcik, Frederik Vercruysse & Danica Wilcox , etc. View more contributors on tlmagazine.com
Readers
TLmag attracts a vast international audience –
from a French, Belgian and international vantage-
point – tapping a rich community of contributing
editors, journalists, photographers, art directors,
groups urban and culturally engaged readers. As
both an informative and inspirational resource,
TLmag is appreciated by professional creatives,
collectors, gallerists, influential taste makers,
active trend watchers but also aspiring creatives
and students.
9%
Students, Art amateurs
10%
26%
Professionals
Galleries
11%
Institutions
18%
Entrepreneurs 26%
CollectorsSpazio Nobile Gallery By opening Spazio Nobile in 2016 in the very lively and cosmopolitan district of place Brugmann in Brussels (Belgium), Lise Coirier and Gian Giuseppe Simeone have united their passions for creation and art history, initiating a dialogue between contemporary applied arts, design and photography. Without putting boundaries between disciplines, the visual arts interact with the fine arts. By commissioning a collection of unique pieces, limited editions and installations both experimental and artistic, with a sensitivity particular to everything related to nature and minerality, the gallery organizes each year five exhibitions and several events in art and heritage venues (Maison Louis Carré, Yvelines, France, arch. Alvar Aalto ; Ancienne Nonciature, Grand Sablon, Brussels; Le Châlet de la Forêt, Soignes forest, Belgium, …). Spazio Nobile also takes part in Belgian and international fairs such as Art Brussels, Luxembourg Art Week, Collectible Design Fair, PAD Paris and PAD London, Design Miami / Basel, Unique Design Shanghai… The gallery represents around twenty emerging and renowned artists and designers on an international scale while promoting high-end craftsmanship and cultures of East and West. PR & Press : Sophie Carrée, sophie@sophiecarree.be sophiecarree.com Spazio Nobile Gallery & Spazio Nobile Studiolo Rue Franz Merjay 142 & 169, Brussels, Belgium spazionobile.com @spazionobilegallery
Season 1 Season 11 Season 111 Season 1v Season v Season v1 23 - 27 October 2017 Season v11 22–25 February 2018
20.4 – 11.9.2016 15.9 – 20.11.2016 25.11.2016 – 19.2.2017 23.11.2017 – 15.4.2017 20.4.2017 – 23.7.2017 29.9.2017 – 4.2.2018
Art Elysées, 9.2 – 16.5.2018 Into The Stockmans Blue
Post Natural History Forest of Lights Silver Edition Blauw. Ceci n’est pas Art & Design Die Werkstatt at Collect
Crystallized Chronosophia
Group exhibition with, Jörg Bräuer, Group exhibition with, Chen Chen & Tomáš Libertíny une couleur, Damien Gernay
Kaspar Hamacher
London, Saatchi Gallery, UK
Kaspar Hamacher, Nathalie Dewez Kai Williams, Marie Dessuant & Philip
Bone, Studio GGSV, Taeg Nishimoto,
Piet Stockmans & Jonas Loellmann
Valentin Loellmann
Marlène Huissoud, Tom Joyce, Antonio Frederik Vercruysse Fabian von Spreckelsen
Lampecco, Richu Lacquer Art Co, Isaac
Monté, Frederick Vidal, Philipp Weber,
Tomáš Libertíny
7–11 March 2018 19–22 April 2018 Season v111 12–17 June 2018 Season 1x 12 .9– 4. 11. 2018 6–9 September 2018 18–22 October 2018 Season x
Phantasmagoria The Random Collection 24.5 – 9.9.2018 A New Layer Taiwan 14.9 – 18.11.2018 Between Art & Design. Dream Stones The Random Collection 23.11.2018 –17.2.2019
at Collectible at Art Brussels Meisenthal at Design Curio on Botanic Psyche The Belgian Scene by Amy Hilton at Interieur Biennale Land/Scapes
Group exhibition with Carine Boxy,
Vanderborght Building, Brussels Tour & Taxis, Brussels L’Âge du Verre Design Miami/Basel Marlène Huissoud at Kanal - Centre Pompidou, on Art On Paper Xpo Kortrijk
Kaspar Hamacher, François Moret,
Group show with Laetitia Bica, Chen with Piet Stockmans, Damien
& Williams, Alexia de Ville, Kaspar / The Age of Glass Hall 1, Messeplatz, Basel (CH) & Marcin Rusak BOZAR, Brussels Bela Silva and Piet Stockmans
Gernay, Kaspar Hamacher
Hamacher, Isaac Monté, Kustaa
Saksi, Bela Silva, Frederik Vercruysse
17–25 November 2018 9 December 2018 14 - 17 March 2019 Season XI 25 - 28 April 2019 17.5 - 15.7.2019 22 - 26 May 2019 23.5 - 13.7.2019 5 - 8 September
IIDE, The International TLmag Africas with Blooming Blossom 21.3–16.5.2019 Art Brussels Kustaa Saksi Keep Your Garden Alive Keep Your Garden Alive Subtles Bodies
Interior Design Exhibition Spazio Nobile at Collectible Formosa: Kustaa Saksi - Bela Silva First Symptoms At Révélations Biennial, at l’Insitut Finlandais, Laura Laine
at Hôtel de la Poste, Brussels featuring Olaw-Dele A New Layer Taiwan Grand Palais, Paris (FR) Paris (FR) Brussels Gallery Weekend
with Gert Voorjans (BE)
Kuku and Aimé Mpane meets Yii
Private House, Tervuren, with the
AfricaMuseum
2016
— 2021
Season XII Season XIII 3.3 - 15.10.2020 5 - 8.3.2020 Season XIV Season XV Season XVI
13.3 - 23.8.2020
20.9 - 21.12.2019 9.1 - 8.3.2020 Le Sacre de la Matière Ikebana 4.9 - 8.11.2020 12.11 - 14.3.2021
The Finnish Season Insel der Zeit, solo show Jörg Bräuer, Sébastien Caporusso,
at Collectible Despierta Corazón Dormido Lionel Jadot & Serge Leblon The New Age of Humanism
Anne Derasse, Kaspar Hamacher, Bela Silva, solo show
Keep Your Garden Alive Jörg Bräuer Silvano Magnone Les ignorants
& Fabian von SpreckelsenArt & Design Exhibitions Spazio Nobile Gallery, rue Franz Merjay 142, Brussels Season XVI - The New Age of Humanism 12.11 - 14.3.2021 Group Exhibition with Jörg Bräuer, Sébastien Caporusso, Alexandre Chary, Manon Daviet, Anne Derasse, Jesper Eriksson, Vincent Fournier, Ernst Gamperl, Garnier & Linker, Kaspar Hamacher, Amy Hilton, Katherine Huskie, Pao Hui Kao, Eva Le Roi, Silvano Magnone, Bela Silva, Lucile Soufflet, Piet Stockmans, Ann Beate Tempelhaug, Adi Toch, Fabian von Spreckelsen & Rain Wu Season XVII - Threads of Nature 18.3 - 29.8.2021 Group Exhibition with Ernst Gamperl, Kaspar Hamacher, Nathalie Campion & Roosmarijn Pallandt Season XVIII- Silent Objects, Still Interiors 9.9-14.11.2021 Frederik Vercruysse, solo show Vernissage 9.9.2021, Brussels Gallery Weekend Spazio Nobile Studiolo, rue Franz Merjay 169, Brussels François Azambourg, Carine Boxy, Chen & Williams, Alexandre Chary, Marie Corbain, Cheng Tsung Feng, Marlène Huissoud, Vincent Fournier, Sebastian Herkner, Lionel Jadot, Jin Kuramoto, Laura Laine, Benoit Maire, Valériane Lazard & Paul Brissonnet, Serge Leblon, Tomáš Libertiny, Mathieu Peyroulet, Päivi Rintaniemi, Marcin Rusak, Kustaa Saksi & Frederik Vercruysse, etc...
Art & Design Fairs & Events BILY- Brussels I Love You, Contemporary Art Walk Spazio Nobile & in the city, 27.3-3.4.2021 within Season XVI-The New Age of Humanism Sunday brunch on 7.2.2021, 12-6pm PAD Paris 7-11.4.2021 Jardin des Tuileries Collectible Design Fair Monte Carlo 30.4 - 2.5.2021 Grimaldi Forum Monaco Collectible Design Fair 27 - 30.5.2021 Vanderborght Building, Brussels (BE) Brussels Gallery Weekend, 9-12.9.2021 & Brussels Design September, 9.2021
Pro Materia Consultancy As a creative consultancy, Pro Materia has developed – over the past 20 years of local and international practice – its skills and expertise towards art & design thinking and branding, content production with a strong visual and editorial impact and communication strategy. Projects are connected to the design-led development and branding of premium design companies: art direction for Limited Edition and 2tec2 (BE), editorial content and communication strategy for Stellar Works (JP-FR-CH), Studio MVW (China), design consultancy and focus on limited editions and bespoke designs for premium brands: Thonet (DE), Lasvit (CZ), Maison Vervloet (BE), etc.
Photographic Portfolios
Poetic Escape Il ha G ra nde — B ra zi l 153
Excellence & Creation Amy Hilton 149
© Margaux Nieto
« Quelle pierrerie, le ciel fluide ! »
Stéphane Mallarmé,
« Conflit » dans Divagations, 1897
Roger Caillois comprenait les « peintures de la nature » Roger Caillois perceived the “art of nature” not as an
non comme une projection a nthropomor ph ique, anthropomorphic projection, but as “one of the secret
mais bien comme « un des chiffres secrets de l’uni- cyphers of the universe”. He also greatly admired the
vers ». Il ajoutait qu’il admirait grandement le peintre Chinese painter K’iao Chan and his act of simply append-
Ilha Grande,
chinois K’iao Chan lorsqu’il avait simplement apposé ing his signature to a fragment of marble. Within this « Pour distinguer les hommes, il a fallu les isoler. Mais “To know people, we have to isolate them. But after
sa signature sur une plaque de marbre sur laquelle fragment of marble would appear mountains; with their après une longue expérience, il est juste de remettre en experiencing them for a long time we have to put these
apparaissaient des montagnes avec leurs sommets, cas- peaks and waterfalls, caves, paths and hidden chasms. rapport les contemplations isolées et d’accompagner d’un isolated observations back into a relationship with
Pierres Brésil /Brazil
cades, grottes, chemins et précipices cachés. The manner of regarding stones as active objects with regard parvenu à maturité leurs gestes plus amples. » each other, and follow their broader gestures with a
La croyance selon laquelle les pierres sont des objets a capability of awakening the imagination has been fully ripened gaze.”
actifs et capables d’éveiller l’imagination est avérée recognized since antiquity. In China, the ability to
de rêve
Assise seule et immobile sur le sable de l’île brésilienne
depuis l’Antiquité. En Chine, la recherche de formes perceive forms in the involuntary drawings of marble
d’Ilha Grande, je plonge dans le délicieux ouvrage de Sitting still, alone on the sand of Ilha Grande, I am
dans les courbes accidentelles du marbre était consi- surfaces was considered to be an exercise of aesthetic
dérée comme un exercice d’expression esthétique. Les expression. Geological treasures, which were (and to Rainer Maria Rilke intitulé « Notes sur la mélodie des reading from a cherished book, “Notes on the Melody
trésors géologiques étaient (et sont encore) sélectionnés this day still are) selected for their ability to stimu- choses ». À la lecture de cette phrase, je m’arrête pour of Things” by Rainer Maria Rilke. This last sentence
/Dreamstones pour leur capacité à stimuler la pensée, l’imagination et late thought, imagination and wonder. The subtle and promener mon regard sur l’horizon et m’imprégner de makes me pause and extend my own gaze out to the
l’émerveillement. Les motifs subtils et ambigus de ces ambiguous patterns of these dreamstones were be- ces mots. Cette contemplation m’inspire une réflexion : horizon, letting the words sink in. I contemplate that
pierres étaient considérés comme une source de savoir lieved to be a source of knowledge and insight for any si nous partagions tous un même paysage personnel, il if we all share a common personal landscape, it could
pour les sages capables de les étudier patiemment. sage who was able to study them patiently. As Callois pourrait s’agir d’une île entourée d’eau. Nous vivons be that of an island, surrounded by water. We live on
Comme l’écrit Roger Caillois dans « L’Écriture des
pierres », « ces objets réduisent l’espace et condensent
writes in ´The Writing of Stones’: “such objects… re-
duce space, they condense time. They are the object of Lundi 18 février 2019 sur le roc de la conscience de soi, ballottés par un inces-
sant remous d’idées et d’objets infiniment plus anciens
the solidity of our own self-awareness, buffeted by
constantly swirling ideas and objects infinitely more
/Monday 18 February 2019
le temps. Ce sont des objets de rêverie et de méditation prolonged reverie and meditation… The sage contem-
La pierre de rêve chinoise de Dali et sa poétique prolongées. Le sage les contemple et s’y aventure. » plates them, he ventures into them…”. And the more
que nous l’imaginons et, comme l’eau, tout ce qui nous ancient than we imagine, and like the water, every-
Contemplations et recherches récentes Plus l’image est inhabituelle et incontestable, plus la unusual and undeniable the image, the more the stone entoure est engagé dans un flux perpétuel. thing around us is in a constant state of flux.
d’Amy Hilton
pierre est précieuse. is prized. « Que ce soit le chant d’une lampe ou bien la voix de la W hether it be the singing of a lamp or the voice of
Essai d’ /Words by Amy Hilton
/Amy Hilton draws upon her recent contemplations La rêverie réconcilie le monde et le sujet, le passé et le Reverie reconciles the world and the subject, past and All photos courtesy of Amy Hilton tempête, que ce soit le souffle du soir ou le gémissement de a storm, whether it be the breath of an evening or the
and research revolving around the poetics présent, la solitude et la communication, le matériel et le present, solitude and communication, material and la mer, qui t’environne – toujours veille derrière toi une groan of the ocean — whatever surrounds you, a broad
of the Chinese ‘dali’ dreamstone.
spirituel. La rêverie embrasse l’univers tout entier dans spiritual. By assuming the whole universe in its im- ample mélodie, tissée de mille voix, dans laquelle ton solo melody always wakes behind you, woven out of a thou-
ses images ; à la fois naturelle et créative, elle présente ages; simultaneously creative and natural, the value of n’a sa place que de temps à autre. Savoir à quel moment sand voices, where there is room for your own solo only
une valeur indissociablement esthétique et ontologique. reverie is indissolubly aesthetic and ontological.
c’est à toi d’attaquer, voilà le secret de ta solitude : tout here and there. To know when you need to join in: that is
La rêverie nous ouvre un cosmos. À l’époque de l’An- R e ve r ie g i ve s u s a c o s m o s . I n t h i s a g e of t h e
comme l’art du vrai commerce c’est : de la hauteur des the secret of your solitude: just as the art of true interac-
thropocène, à l’heure de la négligence spirituelle Anthropocene, in an age of widespread spiritual ne-
généra lisée, où nous avons développé une vision glect, where we have developed a fragmented vision of
mots se laisser choir dans la mélodie une et commune. » tions with others is to let yourself fall away from high
fragmentée de l’univers en relâchant notre lien avec the universe, loosening our connection to nature, I have Nos sensations, même les sensations non éprouvées, words into a single common melody.
la nature, j’en arrive à penser que ces pierres de rêve come to believe that these dreamstones can function constituent-elles les états les plus secrets et profonds de Are feelings, even our undeveloped feelings, the most
peuvent servir à réveiller notre spiritualité et notre as a tool to reawaken the sense of the spiritual, aspir- notre être intérieur, indépendamment de tout paysage secret and most profound states of our inner being, not
aspiration à l’harmonie et au devoir pour revenir à des ing to harmony and unity. A way of returning to those et de toute saison ? Des paysages infinis, comme l’es- intertwined with a landscape and a season? Landscapes
sociétés archaïques, où l’homme considérait autrefois archaic societies where man once viewed himself, as a pace et le temps, dont l’apparence fait naître en nous that are infinite like space and time, whose appearance
qu’il faisait partie de la nature et que la nature faisait part of nature, and nature, as a part of himself, where un sens profond d’unicité. gives rise, within us, to a deeper sense of oneness.
partie de lui, où tous les éléments étaient liés les uns all elements of existence were interlinked. The scared
« Si nous voulons être des initiés de la vie, nous devons If, then, we want to be initiates of life, we must keep two
aux autres. Le craintif symbolisme de la pierre de rêve symbolism of the dreamstone can enable us to journey
considérer les choses sur deux plans : D’abord la grande things in mind: First, the great melody, in which things
peut nous permettre de nous rapprocher à la fois du towards a deeper connection with the cosmos itself;
cosmos et de ce qui est profondément ancré en nous. towards something that is deeply embedded within us. mélodie, à laquelle coopèrent choses et parfums, sensa- and scents, feelings and pasts, twilights and desires, all play
tions et passés, crépuscules et nostalgies. » their parts; —
Assise ici, je comprends que ces sensations précises Being here, I realise that it is precisely these feelings
1 — Amy Hilton dans son atelier entourée de ses œuvres récentes /in her atelier surrounded by some of her recent works, photo d’isolement et de solitude figurent parmi les clés d’une of isolation and solitude that are among the keys to
courtesy of Spazio Nobile créativité débordante. Seule cette capacité élémentaire gaining a sense of unrestrained creativity. Only by
à affronter en tête-à-tête notre propre expérience nous cultivating the basic capacity to be alone with our own
permet en effet de percevoir les profondes transforma- experience are we able to notice those otherwise un-
tions qui interviennent dans notre cœur, autrement seen but utterly transformative shifts in the heart. I
Natural Landscapes PH OTO G RAPH IC JO URNEY Jö rg B räuer — Ic ela n d 169 Architectural Landscapes PHOTOGRAPHI C JOURNEY Vi nc ent Fo urni er - Bra sí l i a 89
Jörg Bräuer Larsen, Conservateur adjoint au
Dans cet entretien avec Christian
Metropolitan Museum of Art à New
York, l’artiste photographe Vincent
L’Islande ou le chemin de soi / Fournier s’exprime au sujet de la vision
futuriste de la capitale brésilienne :
Iceland: Beautiful and Sublime
Brasília.
TLmag : Comment est né votre intérêt
All photos courtesy of Jörg Bräuer pour Brasília ? S’inscrivait-il dans un
plus vaste projet visant à photographier
des villes utopiques, ou vous intéres-
siez-vous à la capitale brésilienne en
Brasília
elle-même ?
Vincent Fournier : Brasília est une ville
unique. C’est magnifique et fascinant
la façon dont la ville entière a été pen-
sée et crée avec la même esthétique, la
même cohérence. Quelle rigueur et quelle
Attiré par les sites reculés et épargnés par l’activité
humaine, le photographe et peintre allemand Jörg
Jörg Bräuer is a German-born photographer and
painter who has travelled the world drawn by places
Freeze Frame of a Future Past folie ! C’est aussi un cas très particulier
puisqu’en seulement trois ans, l’archi-
tecte Oscar Niemeyer et l’urbaniste Lucio
Bräuer a sillonné le globe à la recherche de paysages that are remote and less altered by humans. He seeks Photos de /by Vincent Fournier Costa, ont littéralement fait naître cette
Interview de /by Christian Larsen ville en plein désert. Enfin il s’agit d’abord
irradiant une beauté particulière liée à la fugacité, au out landscapes that reveal a special type of beauty
vide ou au silence. La série de photographies qui suit that relates to impermanence, emptiness, and silence. du Plan pilote, la partie administrative
a été prise en 2016, pendant son voyage en Islande. In 2016, he visited Iceland where the following pho- de Brasilia, mais 3 ans c’est comme un
Jörg Bräuer observe, écoute et tisse en silence des liens tographic series was made. W hile photographing instantané à l’échelle de la construction
avec ces paysages isolés avant de les photographier, these isolated landscapes, it’s important for Bräuer d’une ville. Le plan pilote de la ville est
un processus proche de la méditation. Il explique son to observe, listen, connect to the place in silence be- ainsi resté inchangée, gelée dans le temps
attirance pour les îles de la façon suivante : « J’aime fore taking any pictures, a process that is almost en raison de son inscription au patrimoine
la possibilité de voyager dans le temps qu’offrent les meditational. About his attraction to islands Bräuer mondial de l’UNESCO. Brasilia montre la
îles, qui entretiennent à mon sens un rapport dif- explains, “I like the idea of travelling in time when I
nostalgie de l’âge d’or du futur des années
60. C’est un temple moderniste fossilisé
férent au temps. Chacune d’entre elles possède son visit an island. I find islands maintain time differently
dans un avenir utopique qui n’a pas eu
propre rythme, qui ajoute à son caractère et tranche and each island develops a particular rhythm, which
lieu. Mon intérêt pour Brasilia vient aussi
avec le mode de vie du pays auquel elle se rattache. adds to its character, and is mostly very differently
de ma fascination pour les mythes et les
Séjourner sur une île, c’est aussi accepter des limites to what happens to the rest of the country it belongs
histoires qui interrogent et explorent le
qui contraignent à regarder de plus près, à exalter sa to. Also going to an island is about accept limitations.
futur ; de la science à l’architecture, en
sensibilité et à démultiplier sa créativité : sur une île, on These limits force me to look closer, to sense more and passant par la technologie. Tous mes
fait plus avec moins. » to become more creative inside the given limits — the projets : l’exploration spatiale, les robots
islands less becomes more.” humanoïdes, la transformation du vivant
www.jorgbrauer.com par la technologie ou encore l’architec-
@jorgbrauer www.jorgbrauer.com ture utopique ont en commun d’imaginer
@jorgbrauer
www.spazionobile.com le futur dans une perspective historique,
www.spazionobile.com comme un archéologue qui daterait dif-
férentes strates de temps. Il peut s’agir
du futur du passé, ou bien d’un futur très
proche, presque parallèle à notre pré-
sent, ou bien encore d’un futur possible,
une anticipation fantasmée. L’esthétique
et la forme de ces univers « futuristes »
me fascinent, tout comme leur façon de
1 — Vesturland #14– Islandiya repenser les frontières du possible. Je
1 — Le Palais d'Itamaraty (palais des arches), ministère des Affaires suis allé à Brasília avec cette idée en tête.
étrangères, escaliers /Itamaraty Palace, Stairs, 2012 En découvrant la ville, j’ai décidé de n’enPhotographic Portfolios
Portfolios Le Ge s te – Daniel A ron 331
STORIES
Le Geste Photos de /by Daniel Aron
Silent Objects,
Still Interiors
Photos & text by Frederik Vercruysse
2.
Real Life Ins el Hombrio ch 295
E XC E L L E N C E & C R E AT I O N
Kosmic
Memories
Vincent Fournier
Insel Hombroich Insel Hombroich est à la fois une fondation et un musée à Neuss, en Allemagne, qui a été créé à
Pierres & Jardins /Stones & l'origine par le collectionneur Karl-Heinrich Müller.
Insel Hombroich compte 21 hectares de paysages idylliques au sein desquels se trouvent
Gardens dix pavillons qui jalonnent la promenade. C'est un espace où l'art et la nature sont subtilement
liés l'un à l'autre, en parfaite symbiose.
Text(e) & Photos par /by Martina Björn Ces sculptures en pierre sont l'œuvre de l'artiste allemand Anatol Herzfeld.Photographic Portfolios
Ken
Schluchtmann La Norvège et ses paysages
à couper le souffle
/Journeys Through Norway
— Landscapes That Take
Your Breath Away
All photos courtesy of Ken Schluchtmann
1 — Villa Cavrois
2 — Muller Van Severen
3 — Villa Cavrois
4 — Jardin de la Villa Cavrois /garden, banc Alltubes bench, 2020, aluminium, Wire S #6, 2015, acier inoxydable thermolaqué
/powder coated stainless steel
5 — Chambre principale avec Bended Mirror #3 (miroir courbé), 2013, acier inoxydable poli et Carpet, 2016, laine bleue/verte, soie cachemire,
laine pashmina /Master bedroom with Bended Mirror #3, 2013, polished stainless steel and Carpet, 2016, blue/green wool, cashmere silk, pashmina wool 6
— Cuisine avec First Chairs, 2012, châssis en acier laqué blanc avec assise et dossier en polyéthylène /Kitchen with First Chairs, 2012, lacquered
white steel frame with polyethylene seat and back
7 — Salle de bains avec First Rocking Chair, 2012, cadre en laiton, acier thermolaqué et tissu /Bathroom with First Rocking Chair, 2012, powder
coated steel brass frame with fabric
8 — Couloir /Hallway
9 — Salon avec Carpet, 2019, laine bleu/jaune, soie cachemire, laine pashmina, Duo Seat + Lamp, 2011, acier laqué et cuir naturel, Strangled Rack,
2012, structure en acier non laqué avec étagères en polyéthylène, First Chair, 2012, structure en acier laqué blanc avec siège et dossier en
polyéthylène et Crossed Double Seat, 2012, châssis en acier non laqué avec cuir naturel /Living room featuring Carpet, 2019, blue/yellow wool, cashmere
Villa
silk, pashmina wool, Duo Seat + Lamp, 2011, lacquered steel and natural leather, Strangled Rack, 2012, unlacquered steel frame with polyethylene shelves,
First Chair, 2012, lacquered white steel frame with polyethylene seat and back and Crossed Double Seat, 2012, unlacquered steel frame with natural leather
10 — Terrasse avec Wire s #1, 2015, acier inoxydable thermolaqué vert /Terrace with Wire s #1, 2015, green powder coated stainless steel
11 — Chambre d'enfant avec Low Round Table, 2014, cadre en acier rouge laqué et plateau en polyéthylène /Children’s bedroom featuring
Low Round Table, 2014, lacquered red steel frame and polyethylene top
12 — Série Alltubes Series, 2020, aluminium, 2020
Cavrois
13 — Cuisine avec Table + Lampe, 2011, structure en acier laqué noir et plateau en polyéthylène, et chaise de Mallet-Stevens
/Kitchen featuring Table + Lamp, 2011, lacquered black steel frame and polyethylene top, and chair by Mallet-Stevens
14 — Installation S, 2012, cadre en acier non laqué avec étagères en polyéthylène et siège en cuir naturel, et First Chair, 2012, cadre en acier
blanc laqué avec siège et dossier en polyéthylène /Installation S, 2012, unlacquered steel frame with polyethylene shelves and natural leather seat, and
First Chair, 2012, lacquered white steel frame with polyethylene seat and back
15 — Chaise 2, 2015, structure en aluminium avec assise et dossier en aluminium ou en cuivre laiton peint à la main, Table + Low Table, 2014,
structure en acier rouillé et plaques en acier laqué brillant, Double Desk, 2014, structure en acier rouillé et plaques en acier laqué brillant
/Chair 2, 2015, aluminium frame with high gloss hand-painted aluminium or brass copper seat and back, Table + Low Table, 2014, rusted steel frame
& high gloss lacquered steel plates, Double Desk, 2014, rusted steel frame and high gloss lacquered steel plates
16 — 3 Pieces Desk, 2014, cadre en acier rouillé et plaques d'acier laquées haute brillance /rusted steel frame & high gloss lacquered steel plates
17 — Writing Desk, 2012, cadre en acier non laqué avec étagères en polyéthylène /unlacquered steel frame with polyethylene shelves
CROIX, FRANCE 18 — Robert Mallet-Stevens
A R C H . R O B E R T M A L L E T- S T E V E N S (F R )
M U L L E R VA N S E V E R E N , VA L E R I E T R A A N G A L L E RY (B E )
Photos par /by Frederik Vercruysse
Maison Natutama
Louis Carré
La vie
B A ZO C H E S - S U R - G U YO N N E , F R A N C E
A R C H . A LVA R A A LTO (F I)
L'A P P E L D E L A N AT U R E / C A L L T O T H E W I L D
au-delà de la forêt amazonienne
S PA Z I O N O B I L E G A L L E RY (B E )
& G A L E R I E N EC - N I L S S O N E T C H I G L I E N (F R ) /Amazonian Forest
Photos par /by Frederik Vercruysse
Texte et photos de /Words and Photos by Eliseu CavalcanteBrand Partners
Print advertisement is available in TLmag.
Published two times a year, TLmag collaborates
with accessory, furniture, car, jewellery, watches,
fashion, hospitality, lighting and textile brands
appropriate for the focus of each issue. TLmag
offers different levels of exposure: interior front
cover, interior back cover, back cover, opening
pages, double spreads, single-page campaigns and WILD AT HEART
looks to integrate each artwork within the overall
flow of each issue.
Main Brand Partners
dior.com - Dior OnLine 02/620.00.00
DiorSauvage_(420x280)_TaglineEN_DiorCom_FR_v1.indd Toutes les pages 24/03/17 16:53
2tec2, Abet Laminati, Alaïa, Armaggan, Audi,
BMW, Brokis, Bulo, Chanel, Cromarbo, Delvaux,
Desimpel, Diane von Furstenberg, Dice Kayek,
Dior, Diptyque, Edra, Gaggenau, Guy Laroche
Paris, Henrik Vibskov, Hermès, Guerlain, Shang
Xia, House Hotels, Hussein Chalayan, Iittala,
Issey Miyake, Jaguar, Jean Paul Knott, Jovoy,
Karl Lagerfeld, Kenzo, Klaus K Hotel, Lampertz
Auctions, Land Rover, Lasvit, Laufen, Limited
2018-10-18_publication-diva.indd 1 18/10/18 18:11
Edition, Maison Dandoy, Maison Francis Kurdjian,
alu chair, ceiling lamp n°4/5 + wooden table by muller van severen
Maison Kitsuné, Maison Martin Margiela, Maserati,
Mini, Neotlith, Nude Glass, Nurus, Panerai, Paule Depuis quatre générations, la famille For four generations, the Croonenberghs family
Ka, Piaget, Pierre Bergé & Associés, Pulpo, Rado,
Croonenberghs partage sa passion pour le has shared its passion for marble with architects,
marbre avec les architectes, les designers et designers and lovers of noble natural materials.
les amoureux de matériaux naturels nobles. Cromarbo’s expertise is to supply Belgian marble
Le métier de Cromarbo est de fournir les craftsmen, being the last to provide marbles and gra-
marbriers belges, étant le dernier grossiste nites in Wallonia. Isabelle & Bruno Croonenberghs
en marbres et granits en Wallonie. Isabelle are more than ever sourcing the most exceptional
& Bruno Croonenberghs sélectionnent des slices and blocks of marbles, quartzites, granites
Serax, Serge Lutens, Shiseido, Stellar Works, TF
tranches et des blocs de marbres, pierres na- and natural stones. Some onyx stones are coming
turelles, quartzites, granits en provenance du from Iran. The last Belgian marbles are also well
Brésil, d’Espagne, de France, de Grèce, d’In- represented. Cromarbo collaborates with quarries
de, d’Italie, du Portugal, de Turquie... Certains in Brazil, France, Greece, India, Italy, Portugal,
onyx proviennent d’Iran. Plus proches, les der- Spain, Turkey... Cromarbo’s know-how is to exhi-
niers marbres belges trouvent également une bit these geological materials in its warehouse, to
place de choix. Le savoir-faire de Cromarbo est make them visible and available to private owners,
Urban, The Rug Company, Thonet, Valerie Objects,
de mettre en valeur ces matériaux géologiques architects and decorators and to be integrated –
dans son large entrepôt, les mettant à disposi- as works of art – into their unique and exceptional
tion et les exposant à la vue des particuliers, interior projects.
des architectes et des décorateurs qui les in-
tègrent – telles des œuvres d’art – dans leurs
projets d’intérieurs singuliers et d’exception.
Van den Wegh, Vipp, Vitra, Wästberg, etc.
Rue des Chapelles 58, B-5080 La Bruyère
@cromarbo Ouvert lundi-vendredi /open Monday-Friday 8.00-17.30
www.valerie-objects.comGallery & Museum Partners
TLmag maintains strong relationships with CALL TO THE WILD
design/art and art galleries throughout the world.
Exhibition of three Finnish contemporary artists
and designers at Maison Louis Carré, designed by
Alvar Aalto.
Call To The Wild is an encounter between the
iconic house and a selection of Finnish design;
combining the legacy of Aalto with contemporary
A steady presence at major gallery fairs, such as
art works, exploring different styles, materials,
and techniques.
Call to the Wild is co-curated by Lise Coirier
(Co-Founder of Spazio Nobile Gallery in Brussels)
and Kati Laakso (Director of the Finnish Cultural
Design Miami/Basel, PAD Paris & London, Art
Institute for the Benelux).
20.6.– 29.11.2020
Open during the weekends 2 –6 PM, or on request
L’APPEL DE LA NATURE
Exposition de trois artistes contemporains
Brussels, makes TLmag a strong media partner for
finlandais à la Maison Louis Carré, conçue par
Alvar Aalto.
L’appel de la nature est une rencontre entre
la maison emblématique et une sélection de
design finlandais, combinant l’héritage d’Aalto
the creative industries. Positioned at the heart of
avec des œuvres d’art contemporain, explorant
des styles, des matériaux et des techniques
variés.
Les commissaires de L’appel de la nature sont
Kati Laakso (directrice de l’Institut culturel
finlandais pour le Benelux) et Lise Coirier
a growing Brussels collectible art and design, the
(co-fondatrice de la Spazio Nobile Gallery à
Bruxelles).
20.6.–29.11.2020
Ouvert les samedis et dimanches de 14h à 18h
ou sur demande
magazine frequently collaborates with of local FOR MORE INFORMATION:
info@finncult.be
POUR PLUS D’INFORMATION:
info@finncult.be
and international galleries and art events. TLmag
also develops partnerships with major museums
Ambassade de Finlande
MAISON LOUIS CARRÉ Paris
Bauhaus-TLMag-210x280-vecto.indd 1 09/11/2016 12:58
and cultural institutions all around the world.
TLmag has worked closely with organisations
like the Finnish Cultural Institute to the Benelux,
Norwegian Craft for Révélations Paris, Polish
Cultural Institute and Culture.pl, IKSV Istanbul,
Taiwan National Craft Institute. Pro Materia has
long worked to link young creatives with potential Belgian Graphic Design
from the 1960s and 1970s
cultural and commercial platforms. as Seen by Sara De Bondt
Alena Matějka Hunting Salon
4 December 2020 to 31 January 2021
Main Gallery & Museum Partners
Galerie Kuzebauch Prague
www.galeriekuzebauch.com S A R A D E B O N D T I S A F F I L I AT E D A S
A R ESE ARCH ER I N TH E ARTS TO K ASK &
C O N S E R V AT O R I U M ( H O G E N T - H O W E S T ) .
I MAGE COR N EI LLE HAN NOSE T HER RESEARCH IS FUNDED BY
A R C H I V E S E T M U S É E D E L A L I T T É R AT U R E , B R U S S E L THE HOGENT ARTS RESEARCH FUND.
Atomium, Ammann Gallery, James Gallery,
Gallery Kuzenbauch, Galerie Laffanour-
Downtown, Galerie Maria Wettergren, MAD Paris,
National Museum Finland, Institut culturel
finlandais, Galerie Gosserez, Galerie BSL,
Galerie Mougin, Galerie Jacques Lacoste, Puls
Gallery, Galerie Daniel Templon, Triode
Gallery, Spazio Nobile Gallery, Axel Vervoordt
Gallery, Maison du Danemark, Institut suédois
MUDAM Luxemburg, MUDAC Lausanne, Axel Vervoordt Gallery
Musverre, Yigge Ceramic Arts Museum, Vessel www.axelvervoordtgallery.com
Gallery, Maison Louis Carré, Carpenters
Workshop Gallery, etc.Event & Media Partners
AG O PROJECTS/ CARPENTERS WORKSHOP G ALLERY/ CONVERSO/
CRISTINA G RAJALES G ALLERY/ D ID IER LTD/ ERASTUD IO APARTM ENT–G ALLERY/
ERIK THOM SEN G ALLERY/ FRIED M AN BENDA/ FUNCTIONAL ART G ALLERY/
THE FUTURE PERFECT/ G ALERIE KREO/ G ALERIE PATRICK SEG UIN/
G ALERIE PHILIPPE G RAVIER/ G ALERIE SCÈNE OUVERTE/ G ALERIE VIVID/
G ALLERIA ANTONELLA VILLANOVA/ G ALLERY ALL/ HOSTLER BURROWS/
JASON JACQUES G ALLERY/ JOHN KEITH RUSSELL/ LEBRETON/
M AG EN H G ALLERY/ M ERCAD O M OD ERNO/ M OD ERNE G ALLERY/ ORNAM ENTUM /
PIERRE M ARIE G IRAUD/ R & COM PANY/ SALON 9 4 D ESIG N/ SID E G ALLERY/
SOKYO G ALLERY/ SOUTHERN G UILD/ TOD D M ERRILL STUD IO/
Belgien-en
Events, Fairs and Festivals
DU: 04.10.2019
the show
2.
— 11.O
7. —
Ambiente, Art Brussels, Biennale Design 2
2O S
CRAFTING A MORE HUMAN FUTURE
70146-008_AM_Image_TL_Magazine_EN_210x280 • FOGRA 39 • CMYK • bs: 23.09.2019
Sideboard/ Muller Van Severen, 2019/ Courtesy of SIDE Gallery
K
THE LIVING TREASURES OF EUROPE AND JAPAN
Internationale Saint-Etienne, Biennale Interieur, LOOOD
GO Master artisans. Exceptional objects. A new perspective.
Biennale Internationale de Vallauris, BRAFA, People design the future. Ambiente shapes the
consumer goods market. Creativity, innovation,
international know-how and expectations merge
here. The industry gains new energy at its most
Brussels Art Days, Brussels I Love You, Business of
important global trade fair. Buy your ticket on site or at homofaberevent.com
Limited admission
#ambiente20
10 Sept. - 11 Oct.
2020
Design Week Hong Kong, Collectible Design Fair, Organised by In partnership with
Design Days Dubai, Dubai Design Week, Design
DEC E M B E R 4 – 8 , 2 0 1 9
T H E GLO BA L FO R U M Experience it now: www.thespirit.video
FO R DES I GN
Junction, Design Miami/, Design September heimtextil trends 20/21
IMM-COLOGNE.COM
Brussels, Design Show Shanghai, Design Parade,
WHERE
DU: 04.10.2019
DMY Berlin, Domotex, Dutch Design Week,
FIAC, Heimtexil, Helsinki Design Week, Iconic I BELONG
House Network, imm Cologne, Istanbul Design
70295-021_HT_Trend_Anzeige_TL_Magazine_210x280 • 210 x 280 mm • FOGRA 39 • CMYK • js: 18.09.2019
Biannual, Istanbul Contemporary, London Design
Festival, London Design Biennale, Lunch With An
Architect, Maison&Objet, PAD Paris & London, THE INTERIOR BUSINESS EVENT
Paris Design Week, Paris Photo, Texworld, Design heimtextil-trends.com
#WhereIBelong
@heimtextil
13. – 19. 01. 2020
High-end, premium design!
Days Tokyo, Stockholm Furniture & Light Fair, 7–10.1. 2020
imm cologne will be presented with a new clarity in 2020 – compactly structured into two interior worlds, »Pure« and »Home«.
»Pure« centres on premium brands and big names for exquisite living spaces alongside innovative interior concepts for bathrooms,
flooring, wallcoverings and lighting. »Home« focuses on strong brands offering solutions for all living spaces.
Experience unique interior moments at the world’s most important industry meeting place.
#immcologne #discoverinteriorideas #interiormoments
Visit the Trend Space at Heimtextil // Hall 3.0
Volta...
info@belgium.messefrankfurt.com
Tel. +32 (0) 2 880 95 88
Koelnmesse GmbH, Messeplatz 1, 50679 Köln, Germany,
Tel. +49 1806 913 131, imm@visitor.koelnmesse.de
210x280_imm20_TL Magazine.indd 1 27.09.19 09:17
TAS20_Advertising.indd 42 10/17/19 11:51 AM
21-26 APRIL 2020 4th edition 2021
Media & PR MILAN DESIGN WEEK
EXPERIENCE THE BEST OF
REVOLUTIONARY, CONTEMPORARY
ART Communications, Alexandra PR, Alpha AND GROUNDBREAKING DESIGN
WWW.VENTURAPROJECTS.COM
Kilo Creative, Architonic, Arthouse, Atelier
PR, Blue Medium, Camron PR, Communicart,
Designboom, Di Palma Associati, DigitalMind, The fair for
21st century design
Duende, Fitzandco, Hello Third Eye, Hirondelle
Communication, IDEAT, M18pr, Modern
Magazine, Nadine Johnson PR, Negri Firman,
BASE Milano Central Station
via Tortona 54, Milan via Ferrante Aporti 9, Milan
Photo by Claudio Grassi at Ventura Centrale 2019 | NOROO Group
Ventura Projects is founded and produced by Organisation in Design
www.collectible.design
Susan Lewin Grant PR, Zetteler, etc.Print Themes 2021
TLmag 35 - Tactile / Textile/ Texture About Anniina Koivu
Printemps/ Été - Spring / Summer 2021 Anniina Koivu is a design writer,
Guest Editor: Anniina Koivu curator, consultant and teacher,
who divides her time between
For its Spring/Summer 2021 issue, TLmag 35 will explore Milan and Lausanne. She works
the theme of Tactile/ Textile/ Texture. Textiles have kept us across a number of fields, from
warm since the beginning of human history, draping our curation to art direction, product
bodies and our homes. Textiles are practical, utilitarian. development, and editorial
Textiles are symbols of luxury, too. Textiles have been signs and research projects, which
of revolutions, they have carried secret messages and served she develops for clients such as
as a means of espionage. Textiles started the Industrial Kvadrat, Iittala, Vitra, Camper
Revolution, and thus changed the world forever. The demand and the Shorefast Foundation of
for textiles pushed chemists to develop new production Fogo Island.
methods, rethink materials and invent colours, turning
textiles into one of the world’s largest creative industries.
Textiles have gotten smart. Flat fabric has become three Her latest publication is Vico Magistretti: Stories of Objects (Triest/
dimensional and architectural. Textiles are also the subject of Ecal, 2020), the result of an investigation of the little-considered
pioneering work when it comes to a fabric’s afterlife. Now moment in the lifespan of design products when production stops,
renewable, fabrics are being reverse-engineered into fibres, with a focus on the reasons that lead up to this end of the design
composites, and other constructive materials. Starting from object. She wrote the comprehensive monograph on Ronan and
the simple act of interlacing thread, textiles have gone on to Erwan Bouroullec Works (Phaidon, 2011) and has edited and
be ubiquitous, high-tech and nearly all-encompassing in our contributed to a number of publications such as Materialising
modern world. Colour: Journeys with Giulio Ridolfo (Phaidon, 2020), Atlas of
Furniture Design (Vitra Design Museum, 2019), BIG-GAME:
Everyday Objects (Lars Müller Publishers, 2019), Industrial Facility
(Phaidon, 2018), Arita 2016/ (Phaidon, 2017), The Walking Society
(Lars Müller Publishers, 2015) and Pierre Charpin’s Entre Les Vases
(Birkhäuser, 2009), among others. Serving as editor-in-chief,
Anniina launched the first print issue of Interwoven (Kvadrat,
2020), an (online) magazine on contemporary culture and
independent criticism. Among her recent curatorial works are
Tehdas–Fabrik–Factory (Fiskars Village Art & Design Biennale,
2019), an exhibition exploring the diversity of contemporary design
production, and Typologie: the wine bottle and the cork stopper
(Milan, 2019). She has been a speaker, moderator and juror at
international design competitions and events. She is Head of
Master Theory at ECAL/ University of Art and Design Lausanne,
Switzerland.You can also read
