ONLINE PROGRAMME 12-16 JULY 2021
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ONLINE
PROGRAMME
12-16 JULY 2021
12 th INTERNATIONAL
IAWIS/AIERTI CONFERENCE
WATER AND SEA
IN WORD AND IMAGE
Essential ■ Organisation of the sessions: Opening and presentation of the speakers by the chair;
each talk lasts a maximum of 20 minutes (15 minutes for young scholars) and is carried out
Information either in English or in French; the discussion, in English and in French, takes place at the end
of the session.
■ Link to join the conference: https://unilu.webex.com/unilu/j.php?MTID=m374082b03260146f7394603b0c079bf7
Click on the link or copy-paste it to your browser.
■ For the best experience, please ■ The present programme is using the
■ For speakers: use the Share
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button to display your documents
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■ For all: use the Chat button for questions the world
and interventions during discussions, as
□ USA (HST): UTC -10
■ Except when there is only one main well as your microphone and camera □ USA (PDT): UTC -7
event, sessions are divided into different □ Canada (MDT): UTC -6
our 12 time zones!
Rooms, as indicated in this programme □ USA (CDT) & Peru: UTC -5
■ In case of technical problems, you can
□ USA & Canada (EDT): UTC -4
Please join by yourself the Room (number write to armand.erchadi@uni.lu
□ Canada (ADT), Argentina, Brazil: UTC -3
1, 2, 3 or 4) of your choice during each □ Senegal: UTC +0
session □ UK & Portugal: UTC +1
■ The sessions will not be recorded ■ Luxembourg, France, Italy…: UTC +2
Having trouble finding your breakout
□ Romania, Greece, Russia, Israel: UTC +3
session? Click on Participants, then View
□ Australia: UTC +10
all breakout sessions and finally on the ■ All abstracts, information on art events, □ New Zealand: UTC +12
Room (1 to 4) that you wish to join performances and more on our website
https://waterandsea2021.uni.lu ■ Some examples of local times are
provided in this programmeMonday 12.07 14:00-15:30 ROOM 2 Re-Viewing, Re-Imagining
Regional Waters in Word and
Image (Northern Atlantic Arc)
16:00-17:30 ROOM 1
00-11:30
Water, Knowledge and
Agency in Scientific and
Technical Illustration…
in the USA (EDT): 10:
NATURE/ENVIRONMENT/HEALTH
Lindsay Blair: The Ring Net: Angus Martin and Will Maclean Lauren Beck: Water in Seals and Coats of Arms of the
11:00-12:00 OPENING CEREMONY Industrial Age and the Politics of Identity and Place in the
Philippe Laplace: Picturing St Kilda: Tourism and the Evolution Americas
Nathalie Roelens of Visual Representation of the Archipelago from the 19th to
the 21st Century Jeanne Britton: Visualizing Historical Knowledge: Giovanni
Georg Mein (Dean) Piranesi’s Layered Images of Roman Aqueducts
Monika Szuba: Reimagining Marine Energy: Tidal Rhythms in
Peter Gilles (Head of Department) Alec Finlay’s Collaborations Catherine J. Lewis Theobald: Picturing Canals, Arteries of
Liliane Louvel (President of IAWIS) a Changing Body Politic in 18th Century France and
England
12:00-13:00 KEYNOTE Marah Hardt
14:00-15:30 ROOM 3 Fluid Boundaries: Water as 16:00-17:30 ROOM 2 The Seventh Art Explores the
An Intimate Act: Sex, Sustainability, Metaphor and Material Seventh Continent: New
and the Future of Our Planet Ocean Mirror of Our Future
Ashley Mason: Drip/Drip/Intercede Charlotte Bank: The Sea as a Metaphor for Critique in
13:00-14:00 BREAK (1 hr) Contemporary Middle Eastern Art
Pierre-Emmanuel Perrier de La Bâthie: L’eau et le corps chez
Bruce Nauman : la fontaine comme forme artistique Francesca Gallo: Entre symbole et territoire : l’eau, les rivières
contemporaine et les mers dans l’art vidéo italien
14:00-15:30 ROOM 1 Water, Knowledge and
Agency in Scientific and Astrid Zenkert: Ocean without a Shore: Water as Fluid Border
Technical Illustration from 14:00-15:30 ROOM 4 Water Carrier of Images: How
:30 and Zone of Transformation in Bill Viola’s Video Installations
DT): 07:00-08 the Age of the Industrial to Surpass the Uncatchable
in the USA (C
Revolution
Marc Courtieu: De la vague
in Greece: 15
:00-16:30 16:00-17:30 ROOM 3 Picturing the End of the
Kevin L. Cope: When Watercolor Meets Waterfall – Or World: It’s Time to Pay
Sophia Felopoulou: Mots et images de l’eau et de la mer dans Attention
Geyser: Illustrating (and Occasionally Explaining) Extreme
l’œuvre théâtrale de Samuel Beckett
Aqueous Environments
Pamela Krause : Ode à l’amertume du monde chez
Armand Erchadi: L’épopée de l’eau : à propos des Lusiades Saint-John Perse
Leigh G. Dillard: The Contemplative Man’s Recreation:
de Camões
Illustrating the Human Element in The Compleat Angler
Laurence Petit: From the “Shipwreck of Knowledge” to the
Necessity of “Being-in-the-World”: John Banville’s Ghosts
Laurence Roussillon-Constanty: Spas, Watering-Places
and Health in the 19th Century Visual Imagination: 15:30-16:00 BREAK (30 min) Silvia Riccardi: Apocalypse at Shore: Water and Punishment
Voyage aux Eaux des Pyrénées
in Blake’s Illustrations of Dante’s InfernoMonday 12.07 Tuesday 13.07 14:00-15:30 ROOM 2 The Biblical or Mythical
Imaginary of Water and
Sea
NATURE/ENVIRONMENT/HEALTH HISTORY/PHILOSOPHY/RELIGION
Jacques Athanase Gilbert: L’immersion n’est pas une
16:00-17:30 ROOM 4 Figuration of Water: lustration : de la purification à la conversion
11:00-12:00 KEYNOTE Jean-Jacques
Women and Aquatic
): 07:00-08:30 Wunenburger Alex Kiefer da Silva: Oxum femme, mère et reine : le culte
Polymorphisms in the Arts
in the USA (PDT de la déesse de l’eau douce, de l’amour et de l’or dans
les traditions religieuses afro-brésiliennes, symbole de
Poétique de la mer, l’autonomisation des femmes aujourd’hui
Timothy Erwin: Jane Austen’s Oceans l’impensé bachelardien
Divya Kumar-Dumas: Shapes of Water: Confronting
Béatrice Laurent: The Woman-in-a-shell Motif in 19th Sculptural Reliefs at Mamallapuram
Century Western Art 12:00-13:00 KEYNOTE Massimo
Venturi Ferriolo 14:00-15:30 ROOM 3 At the Whim of Water: Texts
Catriona MacLeod: Women Underwater in Nazi Cinema
Introduction by Paola Capone and Images
Sanda Badescu: Image de la mer comme mystère humain
Fons vitae. chez Proust
17:00-18:00 BREAK (30 min) The Water Source of Landscapes
Carlo Lavoie: La rivière et l’appel de la région : appartenance
acadienne et poésie du Madawaska
18:00-19:00 PROJECTION
Sandy Flinto & Pierrick Grobéty 13:00-14:00 BREAK (1 hr)
Corina Sandu : Images de la mer dans la conscience troublée
d’un opiomane amoureux
Ecological Anxiety Disorder
14:00-15:30 ROOM 1 The Sea in the Hagiography
and Iconography of the
Link to the video: 08:30 14:00-15:30 ROOM 4 Waves that Makes Us
in Peru: 07:00- Christian Saints Enjoy and Teach Us
https://vimeo.com/568965744 0-10:30 how to Desire
Vincent Grégoire: Marie de l’Incarnation ou l’iceberg in Brazil: 09:0
miraculeusement évité
Kathleen Maxymuk: Water: Mirror and Mediator in the Films
Password: of Jean-Luc Godard and Éric Rohmer
Cécile Michaud: Entre le ciel et les eaux. La Vierge, la mer et
EAD_2022 la figure de la sirène dans la prédication, la poésie et
Palmireno Neto: In Search of the Ultimate Soul: the Sea in
l’iconographie au Vice-royaume du Pérou
Mário Peixoto’s Cinema and Poetry
Celia Rubina: L’univers aquatique en image et paroles : de la
Jean-Marie Weber: Se jeter à l’eau, même si on ne sait pas
gravure européenne à la peinture coloniale des Amériques
nagerTuesday 13.07
16:00-17:30 ROOM 3 Liquidity Incorporated:
Wednesday 14.07
HISTORY/PHILOSOPHY/RELIGION Early Capitalism on the LITERATURE/MYTHS/ART/HERITAGE
High Seas in Contemporary
Text and Image
15:30-16:00 BREAK (30 min) 11:00-13:00 ROOM 1 Young Scholar
Holger Kuhn: The Forgotten Space and 4 Waters: Deep Round Tables
:00-12:00
Implicancy: Liquidity and Flows in Contemporary Video in Portugal: 10
and Film Florian Breitkopf: Polyphonic Critical Ekphrasis: Clemens
16:00-17:30 ROOM 1 The Sea in the
Brentano’s Dialogs on Caspar David Friedrich’s The Monk by
Hagiography… Elisabetta Rattalino: Sizing the Blueness of the Italian Sea: the Sea (1810)
The hydraulic practice of Pino Pascali in 32 mq di mare
Massimo Leone: The Semiotics of Waves in Religious circa Dominika Bugno-Narecka: Neobaroque Image of Water in A
Cultures
History of the World in 10 ½ Chapters and The House that
Jack Built
Silvia Marin Barutcieff: From the River to the Sea. Swimming 17:30-18:00 BREAK (30 min)
against the Stream in the Alpine Iconography of Saint
Polina Pavlikova: How the Film Industry Made “Water City“ a
Christopher (1350-1530)
Key-Image of Joseph Brodsky’s Identity Myth: Saint-
Mia Nakayama: Reimagining Santa Maria della Strada 18:00-19:30 EXHIBITION Petersburg – New York – Venice
through Kannon: Resonances of Buddhist Patroness of the Jean-Marie Ghislain David Pinho Barros: The Swimming Pool Graphic Novel:
Sea in Japan’s Christian Imagery & Leina Sato Developments of an Intimist Subgenre in Franco-Belgian
Comics
16:00-17:30 ROOM 2 The Biblical or Mythical Water,
Imaginary of Water… towards Reconciliation 11:00-13:00 ROOM 2
0-12:00
in the UK: 10:0
Daniel Laliberté: « Faire parler le rite » – Tensions entre and Joy Célia Jerjini: La mer Méditerranée comme puissance
symbolisme universel, désirs de ritualité et tradition créatrice chez Jean-Daniel Pollet
croyante particulière
Link on our website
Nicolas Piedade: Espaces anthropophages : une
Kathi Lentz: Métaphores de l’eau dans l’enseignement https://waterandsea2021.uni.lu archéologie culturelle fluviale ? Assimilation et restitution
sapientiel de Ben Sira identitaire dans Macunaíma de Mário de Andrade (1928) et
Joaquim Pedro de Andrade (1969)
Daphné Vignon: La mer dans l’imaginaire politique ou la
pensée d’une impossible frontière Wassim Seddik: Le navigateur carthaginois dans la bande
dessinée, le cinéma et la littérature
Amanda Tavares: (Re-)Mapping Mediterranean Crossings:
Migrant Stories and Systems of Visibility in the Work of
Bouchra KhaliliWednesday 14.07 14:00-15:30 ■ GENERAL ASSEMBLY
(FOR ALL IAWIS MEMBERS)
16:00-17:30 ROOM 3 Seas and Oceans in Book
Illustration from the 17th
LITERATURE/MYTHS/ART/HERITAGE Century to the Present Day
– Perilous Journeys
■ Max-Nänny-Prize for the Best
11:00-13:00 ROOM 3 Article in Word and Image Xavier Fontaine: Agitation maritime et rendu
Studies kaléidoscopique. Les récits de voyage de Charles De Coster
dans Le Tour du monde
Camille Adnot: Where Monsters Wander in the Foamy
Paths’: The Chaotic Waterscape of Blake’s The Four Zoas Jean-Michel Galland: La mer démontée : un décryptage
15:30-16:00 BREAK (30 min) bourdieusien de l’œuvre de Jean-Gabriel Daragnès
Simon-Gabriel Bonnot: Les mots aiment bien faire trempette
Nicolas Hebbinckuys: Traverser l’Atlantique au début du
Astrid Fizyczak: La mer et le dépassement du stade du XVIIe siècle : Poétique du « franchissement transocéanique »
miroir 16:00-17:30 ROOM 1 Sensible Perception of dans le genre viatique
Water – Poetics of
Movement and of the
11:00-12:30 Infinite
in Argentina: 16:00-17:30 ROOM 4 Verbal and Visual
11:00-13:00 ROOM 4 Stefano Maria Casella: “Where All the Waters Meet”: Seas
Representations of the
Pacific Ocean and Its
0
Lakes Rivers in T.S. Eliot’s Poetry rg: 17:00-18:3 Islands
in St. Petersbu
Rebekah Cochell: Rivers and Lakes in Medieval Folklore as
Presented Through the Medium of Illustrated Books with Ana Lía Gabrieloni: The “laisse de mer” as a Poetic Emergent
Daniel Gane: Describing the Ocean and the Journals of 18th
Disfluent Fonts Image of Natural History
Century Pacific Exploration
Diana Requena Romero: L’étanchement de l’eau et la fin Miriam Vieira: The Water Under the Bridge (Brooklyn Bridge)
Richard Hobbs: Time and Place in Gauguin’s Avant et après
de la vie dans Les Poissons morts de Boris Vian
Aurélien Lorig: Octave Mirbeau : une représentation littéraire
Rym Sellami: L’eau, signe d’une conscience malade ou
d’un processus de guérison ? Le cas de Jérôme de Jean- 16:00-17:30 ROOM 2 Water as Material et artistique des eaux au service de l’écriture réfractaire
Pierre Martinet and Medium in
0 Contemporary Art Andrey Kostin: Puddle, Path and Poetry: Lomonosov’s Verbal
DT): 10:00-11:3
in Canada (E Imagination of Transcontinental Navigation
Ágnes Tóth: La Mer du Nord sous la plume de Maurice
Carême et l’esquisse de Henri-Victor Wolvens Frances Guerin: Energy into Art: The Repurposing of Water in
Ruhr Valley, Germany
Janna Schoenberger: Ger Van Elk’s Ludic Canal Cruise 17:30-18:00 BREAK (30 min)
13:00-14:00 BREAK (1 hr) Carla Taban: Water Marks: Water as Material in Two
Beckettian Site-Specific InstallationsWednesday 14.07 18:00-19:30 ROOM 4 All Is Lost: Shipwrecks in the
Contemporary Imagination
Thursday 15.07
LITERATURE/MYTHS/ART/HERITAGE LITERATURE/MYTHS/ART/HERITAGE
Roy Grundmann: Goebbels’ Ghost in History’s Anteroom:
18:00-19:30 ROOM 1 Sensible Perception Titanic (1943) 11:00-12:00 KEYNOTE Bertrand Westphal
of Water…
Ronit Milano: Visualizing the Invisible: Damien Hirst’s Treasures
Anikó Ádám: La perception sensible de l’eau – la poétique from the Wreck of the Unbelievable Le liquide et l’effroi
du mouvement et de l’infini
Vega Tescari: Shipwreck with Spectator: Claudio
Anikó Radvánszky: « Que fais-tu pour apaiser une mer en Parmiggiani’s Oeuvre 12:00-13:00 ARTISTIC EVENTS
fureur? » Sur l’imagination de l’eau violente (Swinburne et
Bachelard) ROOM 1 Adília Carvalho, introducing artist
Françoise Sammarcelli: Perceiving Water, Inscribing Wonder: Marco Godinho
Aspects of Thoreau’s Poetics of Movement and the
Unsayable in Walden ROOM 2 Sébastian Thiltges, introducing
novelist and poet
18:00-19:30 ROOM 2
Water as Material Jean Portante
:00-03:30 and Medium…
in Sydney: 02
ROOM 3 Simone Grossman, introducing artist
Bill Balaskas: A “Poor” Material: Water in Arte Povera and the
Work of Jannis Kounellis Hervé Massard
Frederico Câmara: Gift: Attempts to Sweeten the Population
of a City
13:00-14:00 BREAK (1 hr)
Fabiana Senkpiel: Life is a River in a Constant State of Flux:
Curriculum (2004/2008) by Isabelle Krieg
18:00-19:30 ROOM 3 Seas and Oceans in Book 14:00-15:30 ROOM 1 Northern Seas in
Illustration from the 17th Word and Image
Century to the Present
Davide Finco: On Freedoms, Dreams, Wisdom, Life: Björn
19:00-20:30 Day – The Sea from
in Romania: Larsson’s Northern Sea(s)
Cartography to Poetics
Christelle Serée-Chaussinand: Of Whales and Men: Caitríona
Sophie Aymes: “A Little Deeper into the Sea”: William Hyde’s
O’Reilly’s Septentrional Voyage in The Sea Cabinet (2006)
Illustrations to Ford Madox Ford’s the Cinque Ports
Monica Tilea: Le punctum poïétique d’une mer indéfinieThursday 15.07 14:00-15:30 ROOM 4 Water in All Its Forms: Seas,
Tsunamis, Thunderstorm in
LITERATURE/MYTHS/ART/HERITAGE 0-14:30
Contemporary Japanese
in the UK: 13:0 Popular Culture
Aneesh Barai & Nozomi Uematsu: Tsunamis, Nuclear Power
and Animations by Studio Ghibli
14:00-15:30 ROOM 2 The River: Reality, Myth,
and Metaphor
Filippo Cervelli: Sea and Knowledge: The Secret of Blue Water
in Senegal: 12
:00-13:30 and Jules Verne Watch Alexis Vanderweerd’s digital
Véronique Plesch: The River of Life: Drawing Lessons from installation realized for the Congress:
Thomas Cole in Images and Words
15:30-16:00 BREAK (30 min) L'Eau-delà des villes
Bocar Aly Pam: Poétique d’espaces charnières : le pont et
les fleuve symboles de passage, de rencontre et de liaison https://youtu.be/nTWIaC6965I
intercommunautaires dans le roman Un Pont de lumière
pour le fleuve (Sada Weïndé Ndiaye) 16:00-17:30 ROOM 1 Northern Seas…
Kirsty Bell: Le fleuve comme procédé littéraire et Maria Hansson: L’eau et les rêves. Blommér vu par Victoria
interartistique dans les essais de Louise Warren
Benedictsson
Anders Löjdström: Le Kattegat dans les glaces : la mer dans
Les Écus du messire Arne de Selma Lagerlöf
14:00-15:30 ROOM 3 Rivers, Lakes and Ponds
in Book Illustration from Roger Marmus: « Till Havs ! Till Havs ! » Appel du large et retour
the 17th Century to the au rivage dans le manuel scolaire suédois Läsebok för
Present Day folkskolan (1868)
Brigitte Friant-Kessler: Lignes d’eau et de formes : Stanley
William Hayter, Ophelia et l’abstraction 16:00-17:30 ROOM 2 Representing Numen Aquae
in Literature, Folklore and
Pouneh Mochiri: « Le dessein d’un jardin autant délectable Modern Popular Culture
et d’utile invention » : l’évocation des jeux d’eau dans
quelques recueils descriptifs à la Renaissance Hanna Chuchvaha: Sea Monsters and Popular Imagination in
Russian Popular Prints and Chapbooks: Bogatyr Eruslan
Gabrielle Thierry: L’esthétique musicale de l’eau. Comment Lazarevich and His Adventures
la synesthésie agit sur l’Ophelia de Shakespeare pour en
réaliser sa partition colorée Eloy Martos Núñes, Estíbaliz Barriga Galeano, Mar Campos
Fernándes-Fígares, Aurora Martínez Ezquerro: Représenter les
numen aquae dans la littérature, le folklore et la culture
populaire moderne : l’état de la questionFriday 16.07
14:00-15:30 ROOM 3 Mare Nostrum: Word
MIGRATION/GEOGRAPHY/TOURISM and Image and the
“Mediterranean Proof”
12:00-13:00 KEYNOTE Olivier Francis Marta Carraro: À l’eau – Contestation et hybridité chez Toni
Maraini
Freezing Days in Antarctica:
Embarking on a Journey Albert Göschl: The Metaphor of the Shipwreck in the ‘Last
Mediterranean Age’
Towards the End of the World
Cecilia Piantanida: Representing Mediterranean Migration in
Contemporary Italian Fiction
13:00-14:00 BREAK (1 hr)
14:00-15:30 ROOM 4 The Sea: Infinity
14:00-15:30 ROOM 1 Diasporic Narratives on
and Limitation
00-10:30
Sea Borders and Migration in Canada (ADT) : 09:
Adília Carvalho: La Ville d’Ulysse de Teolinda Gersão
00-07:30
Kim Huynh: Elastic Memory in Canada (MDT) : 06:
Blanca Navarro Pardiñas: L’écriture et la mer : le cas
d’Antonine Maillet Our partner Brill Publishers offers a selection of
Christa-Maria Lerm Hayes: Vivisective and Forensic
Mapping: Brian O’Doherty’s Northern Irish books for a special price with a 35% discount code
Luc Vigneault: La mer et l’éthique de la limite. Réflexion sur that you will find on this PDF document, along with
Mathilde Savard-Corbeil: L’incroyable épave de Damien l’œuvre de Thierry Hentsch a list of publications. Please order through
Hirst : fictionalité, narrativité, matérialité https://brill.com before 1 September 2021 in order
to benefit from the discount.
14:00-15:30 ROOM 2 Symbolic, Sociocultural
15:30-16:30 CLOSING REMARKS
and Spatial Impact of
the Ocean Crossing and
in Wellington: 04:00-05:
30
of the Net Navigation
Laurence Roussillon-Constanty
Charles Rice-Davis: Droves: Representing Overseas Mass FREE ATTENDANCE
Migration
BUT REGISTRATION COMPULSORY
Lauren Weingarden : Hijacking the Seine: Stéphane Thidet’s
Détournement
CONTACT
nathalie.roelens@uni.lu
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