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1
002
triest-verlag.ch
Dies ist ein Typoblindtext. An ihm kann man sehen, ob alle Buchstaben da sind und wie
sie aussehen. Manchmal benutzt man Worte wie Hamburgefonts, Rafgenduks oder Hand-
gloves, um Schriften zu testen.
New Titles
Spring 2021
2 Content Architecture Design Typography 3 Editorial Architecture Design Typography
Dear avid readers
and booksellers
Content
03 Editorial
It is with great pleasure that we are now able to
04 Olivetti Identities. present our spring program. We have included a
Spaces and Languages 1933–1983 variety of wonderful books we hope will enthuse
06 Aesthetics of Sustainability. you and your customers.
Material Experiments in Product Design With Olivetti Identities. Spaces and Languages
08 Bauen ist Weiterbauen. Imprint 1933–1983, Davide Fornari and Davide Turrini
Lucius Burckhardts Auseinandersetzung mit Editor: Triest Verlag GmbH, Zurich, provide impressive insights into the branding stra-
Architektur triest-verlag.ch tegies of Olivetti as a global company.
10 Figurationen von Öffentlichkeit. Design concept: Wessinger und Peng, The book Aesthetics of Sustainability. Material
Herausforderungen im Denken und Stuttgart / Zurich, wessingerundpeng.com Experiments in Product Design is yet another title
Entwerfen öffentlicher Räume Picture credit cover images, below: “Olivetti in following Upcycling that clearly highlights the pos-
12 Stadt und Landschaft denken. the World”, King & Miranda, Mailand, courtesy of sibilities of a circular economy, this time focusing
Anthologie zur Baukultur Associazione Archivio Storico Olivetti, Ivrea; on product design.
14 Roger Boltshauser. middle: from Figurationen von Öffentlichkeit; Bauen ist Weiterbauen. Lucius Burckhardts Aus-
Sketches above: Info graphic material production from einandersetzung mit Architektur discusses how
Aesthetics of Sustainablity. sustainable building strategies were already being
16 Backlist Price information: Prices quoted in Swiss francs propagated in the 1960s.
are recommended retail prices valid in Switzerland How are public spaces created and how do we use
20 Contact / Distribution including VAT. Prices quoted in Euros are fixed them? What is the role of design in this context?
retail prices valid in Germany including VAT. Stefan Kurath, Philippe Koch and Simon Mühle-
For all other countries: please contact us for an bach investigate these questions in Figurationen
individual offer. von Öffentlichkeit. Herausforderungen im Denken
We espressly disclaim any liability with respect und Entwerfen öffentlicher Räume.
to changes, errors or omissions related to descrip-
tions, release dates and prices. Kerstin Forster, Andrea Wiegelmann und Andrea
Shipping costs apply additionally. Woods wish you inspiring moments.
4 Architecture Design Typography 5 Architecture Design Typography
Olivetti – The Corporate
• On visual identity and branding at
Olivetti Identity Strategy
• Examples from showrooms, trade fairs,
and world exhibitions
Olivetti’s world-famous typewriters best embody
• Cultural activities and advertising the company’s industrial legacy and visible identity,
measures of a globally unique company which was both innovative and complex, material
and immaterial. These identities are at the heart of
an interdisciplinary research project carried out by
ECAL/Ecole cantonale d‘art de Lausanne and the Davide Fornari, Davide Turrini (eds.)
Università degli Studi di Ferrara in collaboration Olivetti Identities.
with the Association for the Historical Archives of Spaces and Languages 1933–1983
Olivetti in Ivrea. This publication includes contri-
butions from 36 authors. Book design: Federico Barbon
Also available: Olivetti Identities. Spaces and Languages ca. 360 pages, ca. 230 images,
Davide Fornari, Robert Lzicar (eds.), Mapping 1933– 1983 presents the results of this research 16 × 24 cm, softcover
Graphic Design History in Switzerland → p 17 with the aim of analyzing the Olivetti phenome-
ECAL Series «Visual Archives» → p 17 non as a whole, paying particular attention to the SFr. 39.–, Euro (D) 39.–, Euro (A) 40.–
context of corporate evolution and the approaches
of designers such as Xanti Schawinsky, Renato → June 2021
Zveteremich, Ettore Sottsass, Hans von Klier, Egi-
dio Bonfante and Walter Ballmer, among others. English edition: ISBN 978-3-03863-060-9
ISBN 978-3-03863-060-9 ISBN 978-3-03863-061-6
The research analyzed the corporate identity Italian edition: ISBN 978-3-03863-061-6
journey of Olivetti from the establishment of the
Olivetti advertising office in 1933 to the opening
of the permanent Olivetti pavilion at the Hanover 9 783038 630609 9 783038 630616
Fair in 1983, which was intended as the final English edition Italian edition
step in a particularly efficient corporate identity
strategy. About the editors:
Davide Fornari is associate professor at ECAL/Ecole canto-
The volume is organized in four sections dedicated nale d’art de Lausanne and Head of the Applied Research
to the design of showrooms and exhibition design and Development department. He has authored, edited
at trade fairs and expos, the analysis of languages and served as art director for a number of publications
that have shaped corporate vocabulary as well as on design, including Mapping Graphic Design History in
visual communication and interaction design, and Switzerland, Bianca und Blu Monica Bolzoni (2019), Carlo
cultural and promotional activities, respectively. Scarpa: Casa Zentner a Zurigo (2020).
A final section summarizes the credentials of Davide Turrini is associate professor at the Department of
designers Santiago Miranda and George Sowden, Architecture of the University of Ferrara, where he teaches
as well as former Olivetti collaborators in sales design theory and sustainable design. He has conceived and
and training. coordinated research projects on Italian product design and
Two visual essays featuring published and pre- craftmanship. His publications include Giuseppe Terragni.
viously unpublished documents from the Olivetti Album 1925 (2018), Creativa produzione. La Toscana e il
historical archives complete the book. design italiano 1950–1990 (2015).
6 Architecture Design Typography 7 Architecture Design Typography
Developing
• Printed on resource-saving paper made
from algae and kiwi peels Sustainable Materials
• New and sustainable materials for
product design
This volume summarizes the results of “The
• Transfer of knowledge on how new Aesthetics of Sustainability”, a research project
materials are tested and used led by ECAL / Ecole cantonale d’art de Lausanne.
It brought together master’s students of product
design, established materials specialists, manu-
facturers and researchers with the aim of exploring Thilo Alex Brunner, University for Art and
and defining the aesthetic potential of a new Design Lausanne ECAL (eds.)
generation of sustainable materials. Aesthetics of Sustainability.
Material Experiments in Product Design
The result of this research-through-design project
is a series of fourteen case studies involving the Book design: Federico Barbon
development of materials made from textile waste, English, 272 pages, ca. 150 images,
recycled paper, rubber granulate or vegetable 19 × 26 cm, softcover with flaps
fibers such as algae, rice husks, hemp, flax and
wood. The resulting new materials can be shaped, SFr. 39.–, Euro (D) 39.–, Euro ISBN
(A) 40.–
978-3-03863-062-3
pressed, woven or welded. A selection of these
Also available: materials will be presented through experiments → February 2021
ECAL Series «Visual Archives» → p 17 and prototypes of products.
Material Advantages constantly seeking innovative and sustainable solutions.
Daniel
To reduce the significant environmental Stockhammer (ed.), Upcycling → p 18
impact of paper, The aim is to offer future designers a range of ISBN 978-3-03863-062-3 9 783038 630623
☑ Helps remove excessive nutrients from water, designers can work to bridge the physical and digital
thereby contributing to cleaning fragile marine areas
☑ Innovative solution to deforestation and global
worlds as part of an increasing move to prevent the
waste of paper. Creating functional and aesthetically
practical tools and applied knowledge about the
warming
Solid Textile Board
☑ Smooth surface
appealing paper from renewable sources alternative to
wood can reduce paper pollution and waste, and raise
methods of analyzing and processing seminal
☑ Opaque awareness among consumers. With the application
☑ Pleasant aesthetic of the right manufacturing processes, paper can be a materials, utilizing their advantageous qualities About the editor:
☑ Highly absorbent great substitute for plastic and other harmful materials
☑ Suitable for all printing, embossing, punching, die in a wide array of uses such as packaging. and developing functional, yet aesthetically
cutting, creasing, laminating and UV varnishing
methods Possible Techniques for Experiment intriguing objects. Thilo Alex Brunner is a Swiss product designer based in
☑ Recyclable
Material Disadvantages
➀ Add other natural sources to the mixture to produce
The core of Solid Textile Board is made of recycled white cotton
without additional dyes. Colours are added as an outer layer
different aesthetic qualities and paper performances
and joint with the core layer offering four colour variants: cotton
The materials further aim to provide proof that Zurich and co-founder of several design firms. He served
white, cotton blue, wool slate and wool natural.
➁ Increase the algae percentage to 30% to emphasize
╳ Due to its hygroscopic nature, it can curl if not the speckle and natural effect, and also to alter the sustainable materials are a great market opportu- a ten-year term as lecturer at ECAL / Ecole cantonale
conditioned properly mechanical properties of the paper
╳ Becomes whiter over time due to chlorophyll ➂ Experiment with making paper pulp making in order nity for manufacturers and consumers alike. d’art de Lausanne and chaired the master’s degree pro-
to create a series of tests and a swatch book
Opportunities
Introduction coating are also possible. Its non-woven composition
➃ Further
allows kerf experimentation
bending without
Material Advantages
breakage. Solid Textilewith the embossing
Possible Techniques for Experiment
gram Product Design until 2018.
Currently only 25% of the 95% of textiles that can be Board responds technique
very well to gluing due to its fibrous ☑ High density ➀ Combine craft wood-joinery processes with CNC
With contributions from: Christophe Guberan,
recycled actually are: In response to this urgent global nature and porous surface. For most gluing purposes, ☑ Can be layered to increase thickness and stiffness milling
Even thoughissue paper does
of waste face
Really competition
upcycles from
textiles to create digital
mate- standard PVA wood glue is recommended. Screws ☑ Can be paired with other materials ➁ Investigate mechanical and wood joinery and
tools it is stillrials
everywhere—from
that challenge the designnewspapers to paper
and architecture indus- and bolts Producer
sit securely in the material due to its high ☑ Easy to process with most common wood-working assembly
tries to rethink their use of resources and to design their density and can be used both for assembling boards tools ➂ Explore three-dimensional shapes and harmonious
wrappings—and
a staggeringBoard
most of it ends up in landfills, creating
products with a circular economy in mind. Solid Textile or fastening other materials to the board. An edge
amount of paperengineered
is a high-quality waste, material
with deforestation
made from profile can Favini
be made Srlwith a router or a table saw due
☑ Easy application of detailed designs
☑ Easy application of surface treatments
curvatures Chris Lefteri, Ala Tannir and graduates of the
end-of-lifeeffect
being the primary cotton andof wool sourced mindless
humans’ from the fashionuse toofthe layered
via construction
Alcide DeofGasperi
Solid Textile
26Board. ☑ Holds screws Producer
and textile industries, industrial laundries and house- Precision engraving is also possible.
paper. Apartholds. from Thecommunication
manufacturing processand does packaging,
not involve the pa- 36028 Rossano Veneto
☑ Appealing and warm aesthetic
☑ Smooth top surface and cut edges Really
Master’s Program Product Design of École canto-
per is still used for a variety of other applications such
use of dyes, water or toxic chemicals and it generates Typical Italy
Applications ☑ Recyclable Skudehavnsvej 1, 2. Tv
only recyclable waste. The material can eventually be
as cleaning re-granulated
(paper towels, facial tissue, toilet paper),
and formed into new felt and boards. It Solid Textile Board is a composite that, through its prop- Material Disadvantages
2150 Copenhagen
Denmark nale d’art de Lausanne (ECAL).
for construction (papier-mâché,
is Really’s mission to promote origami paper,
the circular economyhoney- Contact
erties, can replace or even bring additions to existing
by creating materials that close the loop by upcycling materials. With the mechanical properties the board ╳ Available only in one thickness Contact
comb, used as a core
end-of-life material in composite materials),
textiles. can be used as a substitute for wood and compos- ╳ Limited range of colour
for representing value (paper money, voucher and tick- ites in both favini.com
the fields of furniture and architecture. Its ╳ Heavy reallycph.dk
Technical Description tactility and unique aesthetics make it a decorative al- ╳ Harmonious curvature hard to achieve with kerf info@reallycph.com
ets), for storing information and more. Different refining rossano@favini.com
ternative to a variety of materials such as stone, wood, binding
and manufacturing
Solid Textileprocedures
boards are madecan of 70%impart
textile anddifferent
30% plasterboard and masonry. The material’s aesthetic
bicomponent
qualities to paper, its binder:
possible the patented
uses for non-woven
it seem pro-end-
multifunctionalism has been recently confirmed by the Opportunities
cess includes milling used textiles into small fibres work of many designers: drawing on its own distinct
less, for the paper
and mixing industry
them with and designers
a special alike
binder that doeswho
not are
qualities, they have employed it for set is of chairs, ta- Solid Textile board offers the possibility of combining
degenerate through reuse. The mixture is processed bles and shelf systems, as well as exploring curving, classic craft wood-joinery processes with CNC milling
and pressed to obtain a s thick mat. The core of the which allows the production of wavy, curtain-like stor- to achieve unlimited opportunities to process the mate-
board is made of recycled white cotton without addi- age systems and acoustic room dividers. rial. It would be particularly interesting to fully explore
tional dyes. Colours are added as an outer layer and the flexibility of the board and create three-dimensional
45 joint with the core layer offering four colour variants: structures. Also, different joints and assembly methods
Cotton White, Cotton Blue, Wool Slate and Wool Nat- can be further tested.
ural. At the end of their lifecycle Solid Textile Boards
can eventually be re-granulated and formed into new
material. In general, Solid Textile Board can be pro-
cessed with the most common wood-working tools.
Most common processes are cutting, milling, drill-
ing, sanding, routing and kerfing. A series of surface
treatments such as sanding, lacquer, PU, UV and wax
78 79
8 Architecture Design Typography 9 Architecture Design Typography
Why Are Buildings
• Highlights the so far undocumented crea- Ausgangslage:
tive period of Lucius Burckhardt for the .A Als
9-
\ M
Die Krise des Never Completed?
frischfröhlichen Bauens
Swiss architecture journal werk <
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/ pi
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i
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i Wr "i
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10 Architecture Design Typography 11 Architecture Design Typography
001
Public Space in the
• How is public space created in everyday
life? Focus of Everyday
• Interactions between people and objects Research
in the creation of public spaces
• What realistic potential does architecture,
urban planning and social work have to How do the public and public space actually come
influence and design public spaces? about? The answer to that question will normally
involve placing either the space or the person at
the center of the discussion. ZHAW Institut Urban Landscape, Philippe
This book focuses on the interactions between Koch, Stefan Kurath, Simon Mühlebach (eds.)
spatial elements and their appropriation by people Figurationen von Öffentlichkeit.
using four specific urban spaces. Herausforderungen im Denken und
Dies ist ein Typoblindtext. An ihm kann man sehen, ob alle Buchstaben da sind und wie
It highlights the constant need to transform Entwerfen öffentlicher Räume
007
sie aussehen. Manchmal benutzt man Worte wie Hamburgefonts, Rafgenduks oder Hand-
gloves, um Schriften zu testen. al benutzt man Worte wie Hamburgefonts, Rafgenduks
oder Handgloves, um Schriften zu testen.
space into public space in order to enable various
configurations of the public to simultaneously Book design: Atlas Studio, Zurich
and sequentially establish the public character of German, ca. 100 pages, ca. 160 images,
Also available: a space, additionally illustrating the role that the 19,5 × 31,4 cm, softcover
Räumliche Leitbilder erarbeiten → p 19 design, arrangement and the charm of things play
and further titles on urban and spatial design by in that process. SFr 39.–, Euro (D) 39.–, Euro ISBN
(A) 40.–
978-3-03863-065-4
Institut Urban Landscape → p 19
Figurationen von Öffentlichkeit discusses the → April 2021
008 manifest, latent and integrative effects of public
space, and explains the significance of media influ- ISBN 978-3-03863-065-4 9 783038 630654
ence – daily newspapers and social media – on the
formation of public space. An additional chapter
sheds light on the influence of the COVID-19 About the editors
lockdown on the intensity of use of the squares Philippe Koch (*1977) works as a political scientist and
and parks examined, and what lessons can be urban researcher at the Institut Urban Landscape of the
learned from it. ZHAW. For more than ten years, he has been involved in
theoretical and applied research as well as teaching on the
The book refers to the relational spatial theory as interactions between politics and urban space.
well as the assemblage and actor-network theory Stefan Kurath (*1976) works as an architect and urbanist
and conveys how complex relationships can be re- from his office in Zurich and Graubünden, and serves as
presented and discussed with superimpositions of Head of the Institut Urban Landscape of the ZHAW to-
different methodological approaches. It addresses gether with Regula Iseli. He thinks, writes, researches and
architects, landscape architects, urban sociolo- teaches on the subject of urban landscapes. His research
gists, spatial researchers and all those involved in include questions on how a city is created and what role
Dies ist ein Typoblindtext. An ihm kann man sehen, ob alle Buchstaben da sind und wie
sie aussehen. Manchmal benutzt man Worte wie Hamburgefonts, Rafgenduks oder Hand- social work dealing with everyday processes in a architects and spatial structures play in this.
gloves, um Schriften zu testen. al benutzt man Worte wie Hamburgefonts, Rafgenduks
oder Handgloves, um Schriften zu testen. city who wish to have an effect on them. Simon Mühlebach (*1985), M.Sc. Arch ETHZ, is an
architect and partner in the architectural firm Bach Mühle
Guest contributions by Antonia Steger and Fuchs in Zurich. He works as a research assistant at the
Roland Züger. Institut Urban Landscape of ZHAW. His research efforts
focus on building culture and public space in the urban
24
landscape of the 21st century.
Dies ist ein Typoblindtext. An ihm kann man sehen, ob alle Buchstaben da sind und wie
sie aussehen. Manchmal benutzt man Worte wie Hamburgefonts, Rafgenduks oder Hand-
gloves, um Schriften zu testen. al benutzt man Worte wie Hamburgefonts, Rafgenduks
oder Handgloves, um Schriften zu testen.
12 Architecture Design Typography 13 Architecture Design Typography
For A New Stadt und Landschaft denken
• Volume 2 of the anthology series
Anthologien zur Baukultur Building Culture Stählernes Treibgut am Bildungsufer. Einheimisches und internationales Flair.
Mit der Strasse die Welt verbessern. Zwei Steine hier – eine Perlenschnur da.
Eine bessere Landschaft modellieren. Eine Brücke, die das Auge schärft. Dorf-
park gegen Wachstumsschmerzen. Neuhausen bricht auf in die Zukunft. Land-
quarts langer Weg zur Kleinstadt. Patina und Atmosphäre. Bräteln unter dem
Verkehrsdenkmal. Megatrend und Mikroverdichtung. Haus für Gastfreundschaft
und Vielfalt. Vom Kellerkind zum Musterknaben. Bautradition als Ideenreser-
voir. Anwalt der stummen Mauern. Ein Garten ist vor allem Atmosphäre. Ver-
mählung zweier Künste. Am eigenen Werk weiterbauen. Der Wandel ist etwas
Vertrautes. Handwerklich gedacht, digital gefertigt. Badestelle wird zum Fa-
milienplatz. Ein Bienenhaus ganz aus Beton. Wohnen in Zeitzeugen. Wenn der
• Contributions to questions of dealing
Dorfbach das Korsett sprengt. Die Dorfbeiz wird zum Kleinod. «Eine Stadt ist
wie eine Wohnung». Das Sprachencafé im Ausländerquartier. Ausverkauf des
Untergrunds. Das Frondienststadion. Die Grossen im Zentrum behalten. Klein-
od am See. Wenn die Natur zur Attraktion wird. Urbane Grandezza. Was vom
Wohnen übrig bleibt. Dank Fernwärme gut gerüstet. Sinnstiftende Irritationen.
with our architectural heritage using the
Verdichtung am richtigen Ort. Reise zu den Appenzeller Bahnhöfen. Der Garten
ist des Kindergartens Kern. Lattich und Filetstück. Vom langsamen Werden eines
Ortes. Öffnung im doppelten Sinn. Lob der Raumplanung. Die anderen Denk-
mäler. Kleinode im Zwischenraum. Gesetzte machen keine Baukultur. Die Denk-
fabrik im Stickereiquartier. Mit altem Wissen zum Vorzeigeprojekt. Architektur
example of Eastern Switzerland Growing public interest in building activity could
ist mehr als Rendite. Herr Klausers Gespür für Gärten. Der Kreis von Leben und
Tod. Aus «Hasenställen» wird «Prosa». Schattenseiten und Chancen von Pop-
ups. Der Durchbruch zum Klostergarten. Subtiler Dialog zwischen alt und neu.
encourage the maintenance and preservation of a
Anthologie zur Baukultur
• Perspectives on current building challenges high-quality building culture and lead to the im-
Architektur Forum Ostschweiz (Hg.)
reflected on by sociologists, economists, plementation of courageous, imaginative projects.
historians, theologians and architects But how do you invite the population to debate?
How do you open the technical discourse to Architektur Forum Ostschweiz,
everyone? The Architektur Forum Ostschweiz Elias Baumgarten (eds.)
has launched a series of articles together with the Stadt und Landschaft denken.
St. Galler Tagblatt to discuss contributions on Anthologie zur Baukultur
building issues on a monthly basis.
In 2016, the first volume was published and Book design: Samuel Bänziger, Rosario Florio, Larissa
aimed to classify the negotiated content. Raum Kasper, St. Gallen
Zeit Kultur. Anthologie zur Baukultur was award- German, ca. 400 pages, ca. 200 images,
ed as one of the Most Beautiful Swiss Books. 13 × 19,5 cm, softcover
Also available: In this second volume, the articles are contextu- SFr 39.–, Euro (D) 39.–, Euro ISBN
(A) 40.–
978-3-03863-063-0
Architektur Forum Ostschweiz (eds.), alized by means of a classifying essay and two
Raum Zeit Kultur. Anthologie zur Baukultur → p 18 interviews. More easily accessible than academic → April 2021
essays, they are intended to further advance and
open up the discourse beyond newspaper articles. ISBN 978-3-03863-063-0 9 783038 630630
The volume discusses questions about the state
of building culture and the future of planning as
well as ways of overcoming the climate crisis and About the editors:
achieving the densification of historically valuable
villages and districts. Architektur Forum Ostschweiz
A photo essay by the photographer Katalin → www.a-f-o.ch
Deér provides an independent examination of the
building culture of Eastern Switzerland. Elias Baumgarten is editor-in-chief of the online journal
Swiss Architects and Austrian Architects, and also works
Authors of the arcticles (St. Galler Tagblatt): as a freelance architecture journalist for NZZ, among
Marcel Bächtiger, Deborah Fehlmann, Susanne others. He studied architecture at the University of Inns-
Koeberle, Tina Mott, Caspar Schärer, Rahel bruck and worked as a research assistant at the Depart-
Schweizer Hartmann, Ruedi Weidmann, Andrea ment of Theory and History of Architecture there. From
Wiegelmann, Christoph Wieser; 2015 to 2019 he was part of the editorial team of the
Interviews and talks with Werner Binotto, Nina architecture journal archithese. In addition to digitization,
Cattaneo, Pascal Marx, Christina Schumacher, he is particularly interested in maintaining Swiss building
Christine Seidler, Bernhard Rothen and Astrid culture and the work of young Swiss architects.
Staufer;
Introduction by Marko Sauer, photo essay by
Katalin Deér.
14 Architecture Design Typography 15 Architecture Design Typography
Sketches and
• Sketches is the first publication to show
the architect‘s graphic work Drawings by
• Supplementary volume to the previously Roger Boltshauser
announced monograph Works, which
introduces his architectural work
• Monographic exhibition of the works The architecture of Zurich architect and ETH
in the Architekturgalerie Berlin: July 2 – professor Roger Boltshauser has its roots in the
August 7, 2021; Vernissage July 1, 2021 examination of the material and its constructive
and structural possibilities. Construction and Roger Boltshauser (ed.)
construction material reality therefore play a Roger Boltshauser.
formative role in Boltshauser’s work. It is part of Sketches
the different currents of contemporary architec-
ture, which, in search of commitment, are once Book design: Atelier Andrea Gassner, Feldkirch
again focusing on tectonics, thus opposing the German / English, ca. 100 pages, ca. 200 images,
abstractness of modernist and neo-modernist 21,9 × 30 cm, cloth-bound hardcover
architecture as well as the arbitrariness of free
forms. Boltshauser’s architecture is integrative SFr 39.–, Euro (D) 39.–, Euro ISBN
(A) 40.–
978-3-03863-066-1
and open to complexity, especially when it comes
to construction itself. → July 2021
This is impressively demonstrated by the
projects presented in the previously announced ISBN 978-3-03863-066-1 9 783038 630661
first volume, Works, in which sustainability
issues are considered to be just as important as
compositional and interior design aspects. The About the editor:
climate factor plays a role on all scales and in
all planning phases, and influences the urban Roger Boltshauser, Architect ETH BSA SIA, founded
development, the organization of floor plans and Boltshauser Architekten in Zurich in 1996. In addition
facades, the choice of materials and the technical to his work at the architecture firm, Boltshauser taught
equipment. at ETH Zurich and the École polytechnique fédérale
With a foreword by Jonathan Sergison of Sergi- de Lausanne as well as at HTW Chur (today Chur
son Bates architects, London and Zurich. University of Applied Sciences) and the Chur Institute
of Architecture CIA between 1996 and 2009. He was
The second volume, Sketches, showcases the visiting professor at the École polytechnique fédérale de
development of Boltshauser’s thoughts and Lausanne and the Technical University of Munich and is
concepts, documenting the architect‘s intensive currently a visiting professor at ETH Zurich.
graphical examination of the respective designs.
Already announced: Also available: Often literal back-of-the-envelope considerations,
Martin Tschanz (ed.) Roger Boltshauser et al. (eds.), the sketches and studies show his graphic
Roger Boltshauser. Works Pisé / Stampflehm / Rammed Earth research process.
ISBN 978-3-03863-057-9 → p 18 With a foreword by Jan de Vylder of architecten
→ July 2021 jan de vylder inge vinck, Ghent.
→ new: in German / English
(ISBN 978-3-03863-058-6 dropped)
16 Architecture Design Typography 17 Architecture Design Typography
Graphic and Type Design, Teaching Materials ECAL – “Visual Archives”, Graphic Design
Rudolf Barmettler (ed.) U. Borinski, R. P. Gorbach (eds.) ECAL, Anniina Koivu (eds.) ECAL, Anniina Koivu (eds.)
Zurich Type Design. Ein Fach- und Lesbar. Typografie in der Wissens- Vico Magistretti. Vico Magistretti.
Lesebuch für alle an Schrift vermittlung Stories of Objects Storie di oggetti
ISBN 978-3-03863-039-5 ISBN 978-3-03863-049-4 ISBN 978-3-03863-050-0
ISBN 978-3-03863-043-2 Interessierten
SFr 39.–, Euro [D] 39.–, [A] 40.– English Italian
SFr 55.–, Euro [D] 49.–, [A] 50.10 ISBN 978-3-03863-039-5 SFr 29.–, Euro [D] 25.–, [A] 25.70 SFr 29.–, Euro [D] 25.–, [A] 25.70
ISBN 978-3-03863-043-2 ISBN 978-3-03863-049-4 ISBN 978-3-03863-050-0
9 783038 630432 9 783038 630395 9 783038 630494 9 783038 630500
Elias Riedmann Rosmarie Tissi ECAL, Giliane Cachin (eds.), ECAL, Giliane Cachin (eds.),
Othmar Motter – Meister der Extrabold. Rosmarie Tissi. Bobst Graphic. 1972–1981 Bobst Graphic. 1972–1981
Ein Streifzug durch das Archiv der Graphic Design
ISBN 978-3-03863-033-3 ISBN 978-3-03863-034-0 ISBN 978-3-03863-040-1 ISBN 978-3-03863-041-8
«Vorarlberger Graphik» English French
German / English SFr 29.–, Euro [D] 25.–, [A] 25.70 SFr 29.–, Euro [D] 25.–, [A] 25.70
SFr 55.–, Euro [D] 47.40, [A] 49.– SFr 39.–, Euro [D] 39.–, [A] 40.– ISBN 978-3-03863-040-1 ISBN 978-3-03863-041-8
ISBN 978-3-03863-033-3 ISBN 978-3-03863-034-0
9 783038 630333 9 783038 630340 9 783038 630401 9 783038 630418
Nora Stögerer Martin Sommer ECAL, Sarah Klein (eds.) Davide Fornari, Robert Lzicar (eds.)
Bekannte Unbekannte. Typografische Grundlagen Hermann Eidenbenz’ Grafik- Mapping Graphic Design History in
Grafikdesign in Österreich unterricht. Dokumente 1926–1955 Switzerland
ISBN 978-3-03863-042-5 ISBN 978-3-03863-035-7 ISBN 978-3-03863-009-8
SFr 32.–, Euro [D] 29.–, [A] 29.80
Special edition ISBN 978-3-03863-042-5 SFr 29.–, Euro [D] 25.–, [A] 25.70 English
SFr 19.–, Euro [D] 19.–, [A] 19.50 ISBN 978-3-03863-035-7 SFr 39.–, Euro [D] 39.–, [A] 40.–
ISBN 978-3-03863-003-6 ISBN 978-3-03863-009-8
9 783038 630425 9 783038 630357 9 783038 630098
Richard Frick Werner Meier, Inez Zindel Meier P. Vetter, K. Leuenberger, M. Eckstein P. Vetter, K. Leuenberger, M. Eckstein
Satztechnische Grundlagen Arbeitsvorbereitung Text und DTP Kein Stil. Ernst Keller (1891–1968) – No Style. Ernst Keller (1891–1968) –
Lehrer und Pionier des Swiss Style Teacher and Pioneer of the Swiss Style
ISBN 978-3-03863-024-1 ISBN 978-3-03863-013-5 ISBN 978-3-03863-022-7 ISBN 978-3-03863-023-4
SFr 32.–, Euro [D] 29.–, [A] 29.80 SFr 43.–, Euro [D] 39.–, [A] 40.–
ISBN 978-3-03863-024-1 ISBN 978-3-03863-013-5 SFr 55.–, Euro [D] 49.–, [A] 50.40 SFr 55.–, Euro [D] 49.–, [A] 50.40
ISBN 978-3-03863-022-7 ISBN 978-3-03863-023-4
9 783038 630241 9 783038 630135 9 783038 630227 9 783038 630234
Fritz Maurer Richard Frick et al. Dorothea Hofmann Markus Kutter
Bildbearbeitung: Farbreproduktion Grundlagen des Zeitungs- und Die Geburt eines Stils. Der Einfluss Schiff nach Europa
Zeitschriftendesigns in 2 Bänden des Basler Ausbildungsmodells auf
ISBN 978-3-03863-014-2 SFr 43.–, Euro [D] 39.–, [A] 40.– ISBN 978-3-03863-015-9 ISBN 978-3-03863-017-3 die Schweizer Grafik Special editon
ISBN 978-3-03863-014-2 SFr 43.–, Euro [D] 39.–, [A] 40.– SFr 180.–, Euro [D] 175.–, [A] 180.–
ISBN 978-3-03863-015-9 SFr 68.–, Euro [D] 65.–, [A] 66.80 ISBN 978-3-03863-001-2
ISBN 978-3-03863-017-3
9 783038 630142 9 783038 630159 9 783038 630173
18 Architecture Design Typography 19 Architecture Design Typography
Construction Technology, Building Culture ZHAW, Spatial and Urban Design, Typologies
R. Boltshauser, C. Veillon, N. Maillard R. Boltshauser, C. Veillon, N. Maillard ZHAW, Inst. Urban Landscape (eds.), ZHAW, Inst. Urban Landscape (eds.)
Pisé. Stampflehm – Pisé. Sylvain Malfroy, Gianfranco Caniggia Räumliche Leitbilder erarbeiten.
Tradition und Potenzial Tradition et Potentiel Die morphologische Betrachtungs- Ein Vademecum in 6 Phasen und
ISBN 978-3-03863-047-0 ISBN 978-3-03863-048-7 ISBN 978-3-03863-037-1 ISBN 978-3-03863-016-6
weise von Stadt und Territorium mit 26 Fragen
German, 2nd edition French, 2nd edition
SFr 98.–, Euro [D] 89.–, [A] 91.50 SFr 98.–, Euro [D] 89.–, [A] 91.50 SFr 49.–, Euro [D] 45.–, [A] 46.30 SFr 32.–, Euro [D] 29.–, [A] 30.–
ISBN 978-3-03863-047-0 ISBN 978-3-03863-048-7 ISBN 978-3-03863-037-1 ISBN 978-3-03863-016-6
9 783038 630470 9 783038 630487 9 783038 630371 9 783038 630166
R. Boltshauser, C. Veillon, N. Maillard Oskar Emmenegger ZHAW, Inst. Urban Landscape (eds.) ZHAW, Inst. Urban Landscape (eds.)
Pisé. Rammed Earth – Historische Putztechniken. Methodenhandbuch für das Ent- Handbook of Methods for
Tradition and Potential Von der Architektur- zur werfen in Architektur und Städtebau Architecture and Urban Design
ISBN 978-3-03863-028-9 ISBN 978-3-03863-010-4 ISBN 978-3-03863-020-3 ISBN 978-3-03863-031-9
Oberflächengestaltung
English 2nd edition SFr 29.–, Euro [D] 25.–, [A] 25.70
SFr 68.–, Euro [D] 60.–, [A] 61.70 SFr 98.–, Euro [D] 95.–, [A] 97.70 SFr 29.–, Euro [D] 25.–, [A] 25.70 ISBN 978-3-03863-031-9
ISBN 978-3-03863-028-9 ISBN 978-3-03863-010-4 ISBN 978-3-03863-020-3
9 783038 630289 9 783038 630104 9 783038 630203 9 783038 630319
Architektur Forum Ostschweiz (eds.) Ulrich Binder ZHAW, Inst. Urban Landscape (eds.) Martina Desax, Barbara Lenherr,
Raum Zeit Kultur. Physik der Farbe. Stadtlandschaften verdichten. Reto Pfenniger (eds.)
Anthologie zur Baukultur Eine praktische Farbenlehre für Strategien zur Erneuerung des verDICHTen. Internationale Low-
ISBN 978-3-03863-019-7 ISBN 978-3-03863-021-0 ISBN 978-3-03863-025-8 ISBN 978-3-03863-002-9
Architektur, Design und Handwerk baukulturellen Erbes […] rise-Wohnsiedlungen im Vergleich
SFr 39.–, Euro [D] 39.–, [A] 40.–
ISBN 978-3-03863-019-7 SFr 32.–, Euro [D] 29.–, [A] 29.80 SFr 39.–, Euro [D] 39.–, [A] 40.– SFr 78.–, Euro [D] 75.–, [A] 77.10
ISBN 978-3-03863-021-0 ISBN 978-3-03863-025-8 ISBN 978-3-03863-002-9
9 783038 630197 9 783038 630210 9 783038 630258 9 783038 630029
Martin Krammer, Mario Rinke (eds.) Daniel Stockhammer (eds.) Stefan Hartmann Cyril Veillon, Nadja Meillard (eds.)
Architektur fertigen. Upcycling. Wieder- und Weiterver- (K)ein Idyll – Das Einfamilienhaus. Isle of Models.
Konstruktiver Holzelementbau wendung als Gestaltungsprinzip in Eine Wohnform in der Sackgasse Architecture and Scale
ISBN 978-3-03863-056-2 ISBN 978-3-03863-046-3 ISBN 978-3-03863-053-1
der Architektur ISBN 978-3-03863-026-5
SFr 68.–, Euro [D] 60.–, [A] 61.70 G / E, 2nd edition in Spring 2021 SFr 39.–, Euro [D] 39.–, [A] 40.– F / G / I and all texts in Englisch
ISBN 978-3-03863-056-2 SFr 39.–, Euro [D] 39.–, [A] 40.– ISBN 978-3-03863-026-5 SFr 29.–, Euro [D] 25.–, [A] 25.70
ISBN 978-3-03863-046-3 ISBN 978-3-03863-053-1
9 783038 630562 9 783038 630463 9 783038 630531
9 783038 630265
L. Burckhardt, M. Frisch, M. Kutter Mario Rinke (eds.) HFT Stuttgart (eds.), Jan Cremers, HFT Stuttgart (eds.), Jan Cremers,
achtung: die Schriften. wir selber The Bones of Architecture. Peter Bonfig, David Offtermatt Peter Bonfig, David Offtermatt
bauen unsre Stadt / achtung: die Structure and Design Practices Kompakte Hofhäuser. Anleitung zu Compact Courtyard Housing.
ISBN 978-3-03863-018-0 Schweiz / die neue stadt ISBN 978-3-03863-044-9 ISBN 978-3-03863-051-7 ISBN 978-3-03863-052-4
einem urbanen Gebäudetyp A Guide to an Urban Building Type
English will be published in March 2021 will be published in March 2021
SFr 39.–, Euro [D] 39.–, [A] 40.– SFr 39.–, Euro [D] 39.–, [A] 40.– SFr 49.–, Euro [D] 45.–, [A] 46.30 SFr 49.–, Euro [D] 45.–, [A] 46.30
ISBN 978-3-03863-018-0 ISBN 978-3-03863-044-9 ISBN 978-3-03863-051-7 ISBN 978-3-03863-052-4
9 783038 630180 9 783038 630449 9 783038 630517 9 783038 63052420 Contact / Distribution Architecture Design Typography
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