THE BEAUTY OF THE BANAL - RAW
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
THE
BEAUTY
OF THE
BANALA trip to the supermarket
RAW
workshop
Curated by RARE Collective
8th May at 12:00
Workshop online
RARERARE THE BEAUTY OF THE BANAL - WORKSHOP
Primitive Tools by RARE Collective WE ARE RARE
Everyone is invited to the The Beauty of the Banal Workshop.
RARE is the value that describes the uncommon
Workshop date
8 MAY 2021
/ a value that cannot always be seen / It
12:00-13:30
Enrollment deadline
represents the nuanced idea / an expression
1 MAY 2021 unique and extraordinary / the everyday and
Location
ONLINE the banal / the primitive tool and the violent
struggle / the space in between / the mortar
Number of participants
20
2
3
between memories / the marking on the ground
/ the rigour of process / in the pursuit of /
a recognition of value in the individual and
collective / interdisciplinary work and extra-
disciplinary action /
RARE is open / in discussion and in communityRARE THE BEAUTY OF THE BANAL - WORKSHOP
THE BEAUTY OF THE BANAL
WORKSHOP AIMS
The beauty of the Banal Workshop aims to further
explore the exhibition curation and content, and question
how is design process relatable to the everyday.
While looking at design projects, we find that we
miss the layer of recognition and information about the
precedents of certain ideas. We believe broadening
the knowledge about ways of approaching projects
Spatial Drawing, By, Sanne Sophie Hoogkamer
will allow for a better understanding of values in a
1:50@A1
Ground floor plan
behind
and contempory concrete structure
Highlighting the retained facade
Proposed street elevation sketch
design process.
5
4
During everyday informal talks, we realize the number of
1:200
Model photo
approaches to process - from purely design based analyses
to insights into individual thoughts and processes. In this
workshop we aim to bring everyday uncouncious ideas
and processes into a conscious conversation. Route Plan, Sketch By William Guild
business.
a goat farmer; using the height of the maturing chamber as a physical sign for the
building back off the street. The internal layouts are based on the lifestyle and routines of
Retaining the original facade to keep the historical context of the town, pushing the new
supporting frame for the stone wall.
the old stone wall in order to allow the new building to support itself and provide a
Street Section through the original wall and new structure, creating new foundation behind
Not to scale
Section A
The exhibition will be a milestone in the larger research
project. The workshop aims to create an open stage, a
wall
Original stone
place where a dialogue can be held to broader audiences,
Anchor bolts
to reach all communities, all ages, all workforces, all
creative industries.
Insulation
Section1:50
1:50@A1
Ground floor plan
behind
and contempory concrete structure
Highlighting the retained facade
Proposed street elevation sketch
Section
detail
@ A1
18
1:200
Model photo
Memories, Sketch By Holly Dale
Collage of site visit
Proposed section
Section A
Analytical sketch, pen on paper, By Damian Wachonski
business.
a goat far
building b
Retaining
supporting
the old st
Street Sec
Not to sca
Section A
StreeRARE THE BEAUTY OF THE BANAL - WORKSHOP
THE BEAUTY OF THE BANAL
WORKSHOP AND OUTPUTS
The workshop will start a dialogue with the public about Participants can choose the technique used to express The workshop will be recorded, the process drawings and
their everyday and banal routines - creating a discussion their route. These actions aim to encourage personal conversations will feed into the wider research project,
about the physical and metaphysical impacts of their reflection through two different interpretations of the 2 0 2 1 the results at Thursday Night Live Talks by
exploring
LEAD UP
environment - revealing everyday and unconcious ideas world around us. RARE, and subsequent publications by RARE to explore
JAN
from their neighbourhood to home. Exhibition announcement
what is the value in process.
public call for work . open
FEB
The participants will have 30 minutes for both pieces, curation . stage 1 . conceptual direction
Participants will be asked to draw their route from their which will leave the process unfinished; the short time MAR WEEK
curation . stage 2 . spatial development
home to the supermarket, in both a plan and a cartoon period encourages dirty and instinctive processes which
public call for work . close
APR 01
strip. The two processes will explore memory, personal allow participants to explore and convey ideas quickly. curation . stage 3 . execution
build up
experiences and intimate relationships to 02
RAW_ virtual opening ceremony
EXH IB IT IO N P H AS E
PROJECT PHASE
everyday routines. The workshop will promote group discussions such as:
7
6
03
- Why did they choose this route? exhibition workshop . #1
04
- What is your favorite part of the route?
STAGE virtual talk series . Talk #1
- How would you improve the route? MAY 01
exhibition workshop . #2
02 RAW_ virtual closing ceremony
build down
The workshop will explore values within the process 03
P U B ICAT ION P H AS E
summary of exhibition
asking:
04
- Did creating the plan and the cartoon strip allow you to development of exhibition booklet
JUN 01
reflect differently on the route?
- How did the process allow people to reflect upon where 02
editing stage
they live and daily activities?
03
- Were you surprised about the unconscious thoughts booklet printing
RAW_ exhibition booklet publication
you revealed? 04
FUTU RE PR OGR AM
- What were the common values in this process? RARE Journal: Public call for work
JUL
STAGE virtual talk series . Talk #2
AUG
SEP
RARE Journal . Publication . Issue #1
OCT
Leisure Territory, By Ian Omumbwa Perspective to Square By William Guild
NOV
DECRARE THE BEAUTY OF THE BANAL - WORKSHOP
9
8
Process work
By Lucija Grofelnik, Francesco Mainette, William Guild, and
Antonio Paoletti,You can also read