AER Product Catalogue 2019
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AER Product Catalogue 2019
Join the acoustic family:
Sound-Solutions for nearly every instrument.
Mouth Harp, Clarinette, Saxophone, Acoustic Guitar,
Trombone, Violin, Double Bass, Electric Bass, Electric
Guitar, Harmonica, Percussion, Keyboard, Voice,
Mandoline, Ukulele, Marimbaphone, Xylophone, Trumpet,
2
Oud, Harpischord, Harp, Lute, Cister, Bouzuki, Tzouras,
Saz, Kemence, Banjo, Dulcimer, Sitar, ErHu, BanHu, Cello,
Electric Violine, Horn, Fagot, German Flute, Bassoon,
and much more.
3 For more information, please refer to: www.aer-music.de
Alpha
The Alpha defines the starting point of professional Open sounding and quick in response, this amp
acoustic amplification at AER. Based on the success masters different ranges and is thus not afraid of
and the experience with the Compact 60 we develo- bigger instruments.
ped an even smaller lightweight model that has no
difficulties living up to the rigors of the road.
Input one combined XLR/6.3 mm (1/4”) Effects digital reverb
input jack socket as high-quality
Power amp 40W / 4 ohms, dynamic control
line- or balanced microphone
input stage, 48 V phantom power, Speaker system 8” (200 mm) twin cone speaker
gain control Features headphones, line out, DI-out,
Input two 6.3 mm (1/4”) input jack socket as external effect loop via send and
high impedance line input stage return, footswitch
with pad (high/low attenuation) (internal/external effect on/off )
9 V phantom power and gain control Dimensions 260 mm x 265 mm x 235 mm
Equalizer three band tone controls (10.24“ x 10.43“ x 9.25“) HxWxD
Colour ‘mid-cut-treble-boost’-filter Weight 6,2 kg (13.7 lbs)
input line gain input high gain colour bass middle treble efx level master
mic low clip power
input 1 input 2 alpha
IF_Alpha_20110621
4 For more information, please refer to: www.aer-music.de
Alpha Plus
The Alpha Plus is a complement to our Alpha, still 40 Watts poweramplifier, 8“-twin-cone speaker-
as professional and versatile as the Alpha itself, but system, 3-band equalization and reverb, the Alpha
provided with a bigger cabinet. Plus is applicable for the enhancement of a wide
With one channel but two independant input stages variety of instruments just as well as vocals.
(line and microphone/line), a dynamically controlled
Input one combined XLR/6.3 mm (1/4”) Effects digital reverb
input jack socket as high-quality Power amp 40W / 4 ohms, dynamic control
line- or balanced microphone input
Speaker system 8” (200 mm) twin cone speaker
stage, 48 V phantom power,
gain control Features headphones, line out, DI-out,
external effect loop via send and
Input two 6.3 mm (1/4”) input jack socket as
return, footswitch
high impedance line input stage
with pad (high/low attenuation) (internal/external effect on/off )
9 V phantom power and Dimensions 260 mm x 325 mm x 235 mm
gain control (10.20“ x 12.80“ x 9.25“) HxWxD
Equalizer three band tone controls Weight 7,0 kg (15.4 lbs)
Colour ‘mid-cut-treble-boost’-filter
input line gain input high gain colour bass middle treble efx level master
mic low clip power
input 1 input 2 alpha plus
IF_AlphaPlus_111217
Emil Ernebro 5 For more information, please refer to: www.aer-music.de
Compact 604
The Compact 604 is a professional, compact and po- songwriter who requires outstanding reproduction of
werful amplifier system. Especially developed for the his/her instrument and vocals yet needs a handy unit
enhancement of acoustic instruments it is nonetheless with gigbag which is easily portable (even via public
suitable for other instruments, even electrical ones. transport).
Our design concept was focused on the singer-/
Channel 1 6.3 mm (1/4”) input jack socket Digital effect processor with 4 presets:
as high impedance line 2 x reverb, delay, chorus
input stage with pad (high/low Power amp 60W / 4 ohms, dynamic control
attenuation) 9 V phantom Speaker system 8” (200 mm) twin cone speaker
power (switchable) and gain control
Features headphones, line out, pre/post effect
Channel 2 combined XLR/6.3 mm (1/4”) input switchable DI-out,
jack socket as high quality line or external effect loop via send and
balanced microphone return, footswitch
input stage 48 V, gain control (internal/external effect on/off ),
Equalizer three band tone controls 3,5 mm aux in jack socket
for channel 1 and Dimensions 260 mm x 325 mm x 235 mm
two band tone controls for channel 2 (10.20“ x 12.80“ x 9.25“), HxWxD
Colour ‘mid-cut-treble-boost’-filter Weight 7,1 kg (15.6 lbs)
Compact 604
Tommy Emmanuel Photo: Simone Cecchetti 6 For more information, please refer to: www.aer-music.de
Compact 604 Slope
Full functionality of the Compact 604 in • 8“ twin cone speaker system
a wedge design cabinet. • twin channel, 3 and 2 band EQ
• monitor-plus design • digital effect processor with 4 presets
• 60 watts, dynamic control • 7,2 kg (15.9 lbs)
Channel 1 6.3 mm (1/4”) input jack socket Digital effect processor with 4 presets:
as high impedance line 2 x reverb, delay, chorus
input stage with pad (high/low Power amp 60W / 4 ohms, dynamic control
attenuation) 9 V phantom‘ Speaker system 8” (200 mm) twin cone speaker
power (switchable) and gain control
Features headphones, line out, pre/post, effect
Channel 2 combined XLR/6.3 mm (1/4”) input switchable DI-out,
jack socket as high external effect loop via send and
quality line or balanced microphone return, footswitch
input stage 48 V, gain control (internal/external effect on/off ),
Equalizer three band tone controls 3,5 mm aux in jack socket
for channel 1 and Dimensions 259 mm x 311 mm x 137/235 mm
two band tone controls for channel 2 (10.19“ x 13.03“ x 5.39“ x 12.84“)
Colour ‘mid-cut-treble-boost’-filter HxWxD
Weight 7,2 kg (15.9 lbs)
Compact 604
Christina Lux Photo: Sebastian Niehoff 7 For more information, please refer to: www.aer-music.de
Compact Mobile 2
Musicians often asked us for a system for acoustic play without the mains for three to four hours, the
instruments that provides AER sound and quality intelligent power control gives a warning and saves
everywhere … independent from the mains. you from lack of power during performance.
This is exactly what the Compact Mobile has been Moreover it prevents the batteries from being comple-
developed for. Based on the Compact 60, thus iden- tely discharged.
tical in sound, but with adapted technology, you can
Channel 1 6.3 mm (1/4”) input jack socket as Power amp 60W / 4 ohms, dynamic control
high impedance line input stage Analog signal subsonic filter, low distortion
with pad (high/low attenuation) 9 V processing RMS limiter
phantom power and gain control Battery type two high–power sealed–acid
Channel 2 combined XLR/6.3 mm (1/4”) input batteries 6 V, 12 Ah for 3 – 4 hours of
jack socket as high-quality line- or independant performance, battery
balanced microphone input stage power control
with switchable 48 V phantom power, Speaker system 8” (200 mm) twin cone speaker
gain control Features adj. aux-in, headphones, line out, DI-
Equalizer three band tone controls for out, external effect loop via send
channel 1 and and return, footswitch (internal/
two band tone controls for channel 2 external effect on/off )
Colour ‘mid-cut-treble-boost’-filter Dimensions 320 mm x 326 mm x 282 mm
Effects digital effect processor with (12.60“ x 12.90“ x 11.10“)HxWxD
4 presets: 2 x reverb, delay, chorus Weight 13,0 kg (29.0 lbs)
Shaun Hopper 8 For more information, please refer to: www.aer-music.de
Compact Classic pro
The Compact Classic pro is aimed at classical players All the features combine perfectly for the finer tonal
and their instruments. Compared to the Compact 60, texture of a classical instrument throughout the full
the Compact Classic pro benefits from an improved audio band. It enhances the low frequency response
2-way speaker system, a more complex three band EQ without increasing feedback risk and creates beautiful
with parametric bass and digital effect processor with ambiences that enrich the tone.
carefully designed presets for classical instruments.
Input 1 combined XLR/6.3 mm (1/4”) input Analog signal subsonic filter, low distortion
jack socket to access an input mat- processing RMS limiter
rix with six different presets for the
pre-amp section (e.g. sources with Speaker system 2-way speaker system, 8” (200 mm)
microphone-, line-, piezo- or piezo/ twin cone speaker plus tweeter.
electret-level), switchable 9 or 48 V Features adjustable aux in, headphones,
phantom power and gain control
tuner out, insert, line out, left/right
Input 2 6.3 mm (1/4”) input jack socket as
high impedance line input or AER- out, send/return, footswitch (switch
piezo input stage, gain control internal to external effect and mute
Equalizer three band tone controls with bass channels), adjustable DI-out (pre/post
parametric and bandwidth-switch effect switchable), presence control
(Q-factor).
Dimensions 260 mm x 325mm x 235 mm
Effects digital effect processor with
16 presets. (10.20“ x 12.80“ x 9.25“), HxWxD
Power amp 60W / 4 ohms, dynamic control Weight 7,7 kg (16.9 lbs)
input 1 clip gain mute input 2 clip gain mode mute bass freq. band- middle treble pan level program power master
width
16 1 2
15 3
14 4
piezo 13 5
12 6
line
60 Hz 400 Hz 11 7
48 9 10 8
9
Classic professional
L M equalizer effect
P P/M
Compact
Katona Twins 9 For more information, please refer to: www.aer-music.de
Compact XL
Still a part of the Compact family. A discrete power A beautiful sounding powerhouse for those who need
amp design for additional dynamic headroom. more volume, a more defined tone and yet the loved
A speaker configuration for additional tonal range straightforwardness of the Compact 60.
and the continuation of the well proven features and
functionality of the Compact 60.
Channel 1 6.3 mm (1/4”) input jack socket as Power amp 200 W / 8 ohms, dynamic control
high impedance line input stage Analog signal subsonic filter, low distortion
with pad (high/low attenuation) and processing RMS limiter
switchable 9 V phantom power, gain Speaker system 2-way speaker system, 8” (200 mm)
control polypropylen low-midrange +
Channel 2 combined XLR/6.3 mm (1/4”) input 1” dome tweeter, light-weight
jack socket as high-quality line or neodymium alloy magnets
balanced microphone input stage Features ground lift, switchable 9 V phantom
48 V phantom power, gain control power, adjustable aux in, footswitch
Equalizer three band tone controls for (effects on/off ), tuner, line out,
channel 1 and adjustable DI-out, external effect loop
two band tone controls for channel 2 via send/return, headphones
Colour ‘mid-cut-treble-boost’-filter Dimensions 320 mm x 326 mm x 282 mm
Effects digital effect processor with 12.60“ x 12.90“ x 11.10“), HxWxD
4 presets: 2 x reverb, delay, chorus Weight 9,8 kg (22.6 lbs)
Eric Johnson 10 For more information, please refer to: www.aer-music.deDomino 2A
The Domino started out as multi-channel acoustic we decided to multiply the soundsystems. Thus the
solution for bigger stages. It allows 4 signals at the Domino is equipped with two 8“ twin-cone speakers
same time and is fully equipped to work as an or- plus dome tweeter and two combined 60 watt amps
chestersystem for small and medium sized venues working as a power unit (limited to 100 watts). This
especially in combination with the active extensions gives him the accuracy in the midrange and the attack
AS 281. To maintain almost the same sound quality for a realistic and vivid sound.
Input 1 and 4 6.3 mm (1/4”) input jack socket as Analog signal subsonic filter, low distortion
high impedance line input stage with processing RMS limiter
pad (high/low attenuation)
Input 2 and 3 combined XLR/6.3 mm (1/4”) input Speaker system 2 x 8“ twin cone speaker system
jack socket as high-quality line- or plus dome tweeter
balanced microphone input stage
Features rec out, aux in, headphones, tuner,
48 V phantom power, gain control
Equalizer three band tone controls L/R out, insert, line out, DI-out, send,
Colour ‘mid-cut-treble-boost’-filter return, footswitch (internal/external
Effects digital effect processor with effect on/off, mute channels)
16 presets, individual effect sends Dimensions 360 mm x 410 mm x 290 mm
per channel
(14.20“ x 16.20“ x 11.40“), HxWxD
Power amp 2 x 60 W / 4 ohms (limited to 100 W),
dynamic control Weight 13,2 kg (29.1 lbs)
input mute attn. clip gain colour bass middle treble eff. send input mute line/mic clip gain colour bass middle treble eff. send
Domino 2.A
channel one channel two
input mute line/mic gain input mute attn. clip gain colour bass middle treble eff. send 48V stereo sim. select return aux effect 2 pre power master
return return master
16 1 2
15 3
14 4
13 5
12 6
11 7
channel three + four 10 9 8
effect master
John Goldie 11 For more information, please refer to: www.aer-music.deDomino 3
What was supposed to be an update turned into a amps. Two independent effect units, with 16 presets
different class – Domino 3. Now partial* stereo, with each, separately address pairs of the four equally
two twin cone speakers and high performance power equipped channels (1, 2 and 3, 4).
Channel 1 – 4 combined XLR/6.3 mm (1/4”) input processing RMS limiter
jack socket switchable for instru- Speaker system 2 x 8“ twin-cone speaker system
ments, line-level or phantom
powered sources (e.g. microphones) Features switchable phantom power, ground
lift, rec out, aux in, return, send, head-
Equalizer three band tone controls
for each channel phones, tuner, footswitch (internal/
Colour ‘mid-cut-treble-boost’-filter external effect on/off ), adjustable
DI-out, 4 channel mute
Effects digital effect processor with
16 presets Dimensions 365 mm x 420 mm x 300 mm
Power amp 2 x 100 W / 4 ohms, dynamic control (14.4“ x 16.6“ x 11.8“), HxWxD
Analog signal subsonic filter, low distortion Weight 15,5 kg (34.2 lbs)
16 1 2
15 3
14 4
13 5
12 6
11 7
10 9 8
16 1 2
15 3
14 4
13 5
12 6
11 7
10 9 8
Lionel Loueke Photo: Jimmy Katz 12 For more information, please refer to: www.aer-music.deAcoustiCube 3
This is where it all started and it is undoubtedly response and much lighter, more sparkling reproduc-
regarded the reference system for acoustic instru- tion of the complete range up to finest texture.
ments and the best that we can do in a small box like Cube 3 is a full two channel version now allowing
this – the ultimate solution for a soloist. In its 3rd identical features on both channels. It needed a face-
generation now we have implemented advanced lift for more operational clarity and to allow additional
dynamic control technology and extended the important controls on the front panel.
dynamic range substantially. In essence we have combined all the suggestions of
The new 2-way speaker system is an incredible impro- Cube enthusiasts over the years with all our know-
vement too! It allows a much clearer and defined bass ledge and experience– without compromise –
and we are more than pleased.
Input 1, 2 6.3 mm (1/4”) multi-purpose input Speaker system 2-way speaker system with
jack socket with mode select (piezo, 8“- diecast neodymium, kevlar® cone
line, mic, E/P mode) bass and neodymium tweeter
Equalizer three band tone controls for Features tuner, headphones, sub, line out, L/R-
both channels out, record, master insert, adjustable
Colour ‘mid-cut-treble-boost’-filter aux in, presence, adjustable DI-out,
Effects 32 bit AER digital effect processor send, return, ser/par. effect loop, mic
with 100 presets input, effects-software
Power amp 120 W / 8 ohms, dynamic control Dimensions 330 mm x 330 mm x 265 mm
Analog signal subsonic filter, low distortion (13.00“ x 13.00“ x 10.40“), HxWxD
processing RMS limiter Weight 13,0 kg (28.7 lbs)
Lee Oskar Photo: Michael Weintrob 13 For more information, please refer to: www.aer-music.deMM200 Monte Montgomery Signature
Monte‘s playing is more than powerful, loud and reproduction that blends the
dynamic. He is making use of a lot of effect pedals - directness and attack with a
a rather electric/acoustic than acoustic/electric mild and melodic character.
sound – Monte’s sound!
A live amp, made for the
The volume, as well as the percussiveness and the stage (sic!) that works for
almost physical attack of the instrument within his style Monte as a soloist, as well as
needs a relaxed amp, with lots of headroom, effec- with the band, that supports him with
tive but “understated” dynamic control and a sound punch and intelligibility.
Channel 1 6.3 mm (1/4”) input jack socket as Power amp 2x 100 W / 4 ohms, dynamic control
high impedance line input stage
with pad (high/low attenuation) and Analog signal subsonic filter, low distortion
switchable 9 V phantom power, gain processing RMS limiter
control
Speaker system 2 x 8” (200 mm) extended range
Channel 2 combined XLR/6.3 mm (1/4”) input
Features adjustable aux in, tuner, line out,
jack socket as high-quality line or
adjustable DI-out, external effect loop
balanced microphone input stage via send/return, headphones
48 V phantom power, gain control footswitch for effects,
Equalizer three band tone controls for footswitch for mute
channel 1 and two band tone Dimensions Height: 420 mm (16.5”)
controls for channel 2 Width: 360 mm (14.2”)
Effects digital effect processor with Depth: 300 mm (11.8”)
4 presets: 2 x reverb, delay, chorus Weight 15 kg (33.1 lbs)
Monte Montgomery Photo: Andreas Falke 14 For more information, please refer to: www.aer-music.deCompact 604 Tommy Emmanuel Signature
If you ever heard Tommy‘s playing, you will The sound Tommy produces on-stage has to be sent
recognize that his sound is much more than loud exactly to the front-of-house PA system. A switchable
and dynamic. He does not use effect pedals - his pre/post efx DI provides the tone on and off the stage.
sound is a marriage between his fingers, his guitars
and his amplifier.
We are proud to create an amplifier exactly to
Tommy‘s needs. To reproduce the typical ‚initiation
tone‘ the on-board delay must be slightly changed.
Channel 1 6.3 mm (1/4”) input jack socket Digital effect processor with 4 presets:
as high impedance line 2 x reverb, delay, chorus
input stage with pad (high/low Power amp 60W / 4 ohms, dynamic control
attenuation) 9 V phantom
Speaker system 8” (200 mm) twin cone speaker
power (switchable) and gain control
Channel 2 combined XLR/6.3 mm (1/4”) input Features headphones, line out, pre/post effect
jack socket as high quality line or switchable DI-out,
balanced microphone external effect loop via send and
input stage 48 V, gain control return, footswitch
Equalizer three band tone controls (internal/external effect on/off ),
for channel 1 and 3,5 mm aux in jack socket
two band tone controls for channel 2 Dimensions 260 mm x 325 mm x 235 mm
Colour ‘mid-cut-treble-boost’-filter (10.20“ x 12.80“ x 9.25“), HxWxD
Weight 7,1 kg (15.6 lbs)
Tommy Emmanuel 15 For more information, please refer to: www.aer-music.deSpecials
Compact 604, white matte Compact 604, signal red, high gloss Compact 604, black, high gloss
Compact 604, white spattered Compact 604, british racing green Compact 604, chocolate brown
Compact 604, light grey Compact 604, solid oak-wood Compact 604, solid oak, mahogany stained
AER custom amplifiers:
(available only on request)
• solid wood
• special colours
• signature amplifier
Compact 604, plywood, mahogany stained AER Alpha, solid oak, mahogany stained
16 For more information, please refer to: www.aer-music.deBasic Performer 2
The Basic Performer 2 is a solution for bass and instru- with definition. High-end preamps, proper filters and
ments of the lower registers, based on the experience additional professional sound design make
of multiplying well proven AER acoustic systems. the Basic Performer 2 a multitalented all-round soluti-
Small twin-cone speakers are fast, provide a superior on. The sound characteristics are full range thus open
coverage for the critical mid-range and have enough and light yet breathing as well as grumbling and sur-
substance in the low end. prisingly appropriate for far more instruments
The AER band-pass/bass-reflex cabinet design sup- than the bass-related instruments, e. g. harp, cello,
ports the reproduction of even the lowest frequencies accordion…
Channel 1 6.3 mm (1/4”) jack socket as high Analog signal subsonic filter, low distortion
impedance line input with processing RMS limiter
switchable 9 V phantom power and Speaker system 2 x 8” (200 mm) dual cone full-range
high/low attenuator) speakers (front side) 2 x 8” (200 mm)
Channel 2 combo socket XLR + 6.3 mm (1/4”) woofers (inside)
jack as high-impedance line- or balan- dual-chamber bass reflex cabinet
ced microphone input with switchab- Features tape in, headphones, tuner, insert, line
le phantom power out, DI-out, send, return, footswitches
Equalizer three band tone controls for both (effect on/off,
channels solo/ensemble, mute channels)
Colour ‘mid-cut-treble-boost’-filter Dimensions 490 mm x 360 mm x 405 mm
Effects compressor, notch filter (19.30“ x 14.2 “ x 15.90“), HxWxD
Power amp 2 x 100 W / 8 ohms, dynamic control Weight 23,3 kg (51.4 lbs)
Franck Bedez 17 For more information, please refer to: www.aer-music.deAmp one
It seems like we have done it again … Based on a superb 10“ in a bass reflex enclosure, in com-
Over many years you have asked us for something small bination with a serious 200 watt power amp, more than
for electric bass – simple, powerful and with a perfor- sufficient power-supply and extended dynamic head-
mance hard to believe … room - not to forget Paul’s* helping hands and ears –
And there it is: the AER Amp one. it is finally done. * Paul Sipps from www.Bassmatters.nl
Input 6.3 mm (1/4”) input jack socket as Analog signal subsonic filter, low distortion
high impedance line input stage with processing RMS limiter
pad (high/low attenution).
Speaker system 10“ woofer neodymium magnet
Equalizer three band tone controls with
Features ground lift, headphones, line out, sub
middle parametric
out, footswitch (muting and effect
Colour ‘mid-cut-treble-boost’-filter
loop), send, return, insert pre/post EQ,
Tone balance the tone balance enables the bass-
aux in, adjustable DI-out
or treble emphasis or a combination
of both Dimensions 325mm x 375 mm x 295 mm
Effect compressor with ratio and threshold (12.80“ x 14.80“ x 11.60“), HxWxD
Power amp 200 W / 8 ohms, dynamic control Weight 13,3 kg (29.2 lbs)
Tom Launhardt Bass Headstock 18 For more information, please refer to: www.aer-music.deAmp two
Amp two is the second member of the Bottom Line funk to pop and rock to jazz.
combo bass amps. In line with Amp one, but with a As further difference to the Amp one the signal path is
more defined speakersystem and more power. A 12“ lead trough adjustable compression pre EQ to provide
neodymium woofer for quick and full bass response even more dynamic headroom.
combined with a 4“ mid-high direct radiating speaker
for gentle trebles allows a wider range of sounds from
Input 6.3 mm (1/4”) input jack socket as Speaker system 12“ (300 mm) woofer neodymium alloy
high impedance line input stage with magnet 4“ (100 mm) mid-high direct-
pad (high/low attenution). radiating 2-way speaker system
Equalizer three band tone controls with Features headphones, line out pre/post master
middle parametric
switchable, sub out, footswitch (mu-
Colour ‘mid-cut-treble-boost’-filter
ting and effect on/off ), send, return,
Bass boost +10 dB / 55 Hz insert pre/post EQ, adjustable aux in,
Tone balance the tone balance enables the bass- tuner, adjustable hf level, adjustable
or treble emphasis or a combination
pre/post EQ DI-out, ground lift
of both
Effect compressor with ratio and threshold Dimensions 500mm x 420 mm x 350 mm
(19.70“ x 16.60“ x 13.80“), HxWxD
Power amp 240 W / 8 ohms, dynamic control
Analog signal subsonic filter, low distortion Weight 24,2 kg (53.35 lbs)
processing RMS limiter
Ø1 10
2 x9
Tom Launhardt Fretless Bass 19 For more information, please refer to: www.aer-music.deAmp three
Amp three follows the concept of Amp one, being Equipped with 2 x 8“ heavy duty bass-speakers, it
small, rich and powerful based on a one way speaker- enhances the low mids and offers a more open, trans-
system. It also offers a superb mix between size and parent tone with the neccessary strength and focus to
power and features for professional use. cut through.
Input 6.3 mm (1/4”) input jack socket as high Power amp 200 W / 8 ohms, dynamic control
impedance line input stage with pad Analog signal subsonic filter, low distortion
(high/low attenution) processing RMS limiter
Equalizer three band tone controls with Speaker system 2 x 8“ heavy-duty bass-speakers
middle parametric Features ground lift, headphone outputs, line
Colour ‘mid-cut-treble-boost’-filter out, sub out, footswitch (muting and
Bass boost +10 dB / 55 Hz effect loop), send, return, insert pre/
Tone balance the tone balance enables the bass- post EQ, aux in, adjustable DI-out
or treble emphasis or a combination Dimensions 365 mm x 420 mm x 300 mm
of both (14.40“ x 16.60“ x 11.80“), HxWxD
Effect compressor with ratio and threshold Weight 15,8 kg (34.38 lbs)
Bassbridge 20 For more information, please refer to: www.aer-music.deAG 83
The AG 83 Active Monitor is a professional, compact, and which make it also usable as a stand-alone amplifier
powerful active monitor loudspeaker. system.
Thanks to its slanted cabinet shape and the 35 mm All AER systems employ dynamic range control, which
(1.375“) tripod stand adapter it can be set up variably. ensures reliability and low distortion even at high volu-
Besides a balanced line input it offers mixable aux and me despite strikingly small size and light weight.
microphone inputs (also with 48 V phantom power),
Inputs Balanced or unbalanced line input Speaker system 8” (200 mm) full-range speaker in
Combo socket, XLR + jack ¼“ (6.35 bass reflex cabinet
mm), balanced microphone input Features insert pre/post EQ, ground lift,
Combo socket, XLR + jack ¼“ (6.35
adjustable line, mic and Aux
mm), auxiliary stereo input, e.g. for
CD, 3.5 mm stereo jack socket Dimensions 269 mm x 335 mm x 260 mm
Equalizer two band tone controls (10.59“ x 13.19“ x 10.24“), HxWxD
Power amp 60W / 4 ohms, dynamic control Weight 7,8 kg (17.1 lbs)
Analog signal Subsonic filter, adaptive peak limiter,
processor speaker eq with harmonics exciter
Push Push
master treble bass mic aux line
power
ground lift
clip
mic in
line out XLR = P48 link line in
aux in
pre out
power
on
off
Made in Germany
21 For more information, please refer to: www.aer-music.deAS 2814
AS 2814 is a small full range 2 way active system vers 100 watts at 8 ohm with substantial power reser-
in D’Appolito construction, based on 2x8“ low mid ve due to oversized power supply.
speakers with polypropylen cone embracing a bi- It is a stand alone system for general reinforcement/
radial horn (LM-H-LM). The main advantage of the installation purposes or any monitor application. It is
D‘Appolito-concept is constant directivity especially perfectly matched to complement AER products as
in the ‘hang over’ range of the speakers. It is equipped the AcoustiCube 3 or the Dominos 2/3 into full stereo
with a high-quality hybrid power amplifier that deli- systems. In combination with Combi SUB 12/15 it
Inputs electronically balan- Speaker system 2 x 8“ polypropylene
aux in ced, 10 kOhm XLR- low-midrange spea-
aux in
connector
level
ker, biradial horn
input Frequency frequency response (1 tweeter
watt @1m):
-6dB: 65 Hz -20 kHz Features speaker out, link,
link
axial sensivity: 97 dB ground lift, dynamic
parallel
link
SPL, 1 watt @ 1m bass boost
Crossover passive, 5 kHz, 18 dB/
-6
-8 -4
Dimensions 560 x 260 (front) x 135
-10 -3
-14 -2 gain
-20
∞
-1
Oct.
(back) x 285 mm
- 0
clip
bass boost
Power amp 100 W / 8 ohms, dyna-
GND-lift trapezoid angle 50°
mic control
(22.0“ x 10.2“ x 5.31“ x
Analog signal subsonic filter, low
11.22“)
distortion
processing RMS limiter Weight 15,0 kg (33.1 lbs)
AS 2814
ATTENTION
CAUTION
RISK OF ELECTRICAL SHOCK
DO NOT OPEN
RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR
power on mains mains
OUT IN
fuse
22 For more information, please refer to: www.aer-music.deCombi SUB
Long-awaited, often asked for – here it is: It offers a wide range of features to enhance low-end
The Combi SUB 12“ and 15“ – a subwoofer as bass-ex- and avoid feedback: ground-lift, adjustable crossover,
tension to a whole range of AER amps: Domino2.A/3, notch-filter and phase-inversion. Its power-amp with
AcoustiCube3, Compact XL, BassCube2, Basic Perfor- 200 W (250 W) and 8 Ohms delivers more than enough
mer, Amp one, Amp three … just try it out and let it pressure in nearly all stage-situations and may then
convince you. again even turn your AER amp into a standalone PA for
small up to medium-sized events.
Input combo socket, XLR female Power amp Combi SUB 12: 200 W / 8 ohms,
and 6.3 mm (1/4”) jack Combi SUB 15: 250 W / 8 ohms
Link XLR male socket Analog signal subsonic filter, low distortion
Features gnd. lift on-/off-switch, processing RMS limiter
ground loop prevention
Speaker Combi SUB 12: 12“ (300 mm) woofer
Crossover determination of ‚ƒcrossover-
Combi SUB 15: 15“ (380 mm) woofer
frequency between 70Hz and 200Hz
Dimensions Combi SUB 12:
Notch filter on-/off-switch plus frequency
control, narrow band frequency re- 430 x 490 x 350 mm
duction between 50Hz and 300Hz (16.9“ x 19.3“ x 13.8“), HxWxD
Phase inversion on-/off-switch Combi SUB 15:
490 x 560 x 440 mm
input link
level cross notch
power on
(19.29“ x 22.05“ x 17.32“), HxWxD
over freq.
gnd. lift clip notch phase
off/on off/on norm./inv.
Weight Combi SUB 12: 19,5 kg (41.1 lbs)
power
100Hz 300Hz 50Hz 300Hz
Combi SUB 15: 31,3 kg (69.0 lbs)
combi
SUB
12“
C AU T I O N
15“
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AT T E N T I O N
RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR
Made in Germany by B
23 For more information, please refer to: www.aer-music.dePocket tools
are professional audio tools, designed and manufactu- of natural acoustic sound. A lifetime spent listening
red to the highest pro audio technical specifications; to and working with acoustic instruments helps us to
capable of shaping, maximizing and delivering the to- create and refine the very best devices available; to
nal character of your instrument. At AER our complete enable you to craft your own unique acoustic identity.
focus, some say obsession, is on the ‘true’ reproduction Make your instrument the very best it can be ...
The dual mix is a high-quality „two-
Dual mix 2 channel“ preamplifier for instrument/line
or microphone signals. The unit offers
simple, efficient features just like a small
mixing console.
24V phantom power line out DI
ch. 1 1 = gnd
out 2 = pos
3 = neg
ch. 2 ch. 1
level
dc 24V mute
fs ch. 1/2 ch. 2
Colourizer 2
The AER Colourizer is a preamplifier for in-
strument or microphone (vocal or instru-
ment microphone). You insert it into the
signal chain between source a nd next
point in the audio path (e.g. amplifier or
mixing desk) to produce sound improve-
ment – your signal will be stronger, richer
bypass
and more stable.
colourizer 2 Made in Germany by AER
dc 24 V
Dual para eq The dual para eq is a compact, parame-
tric 2-band-equalizer, which you can
apply to a signal chain to lift or lower
certain frequencies. Parametric means
not only lifting or lowering, but also
adjusting separately position and width
of frequency bands.
line out
dc 24 V
input
power
24 For more information, please refer to: www.aer-music.deAER AK15 plus
The AK15 plus is a two source system, piezo crystal It has been a developing goal to come up with an easy
plus electret condenser microphone integrated in the to use, versatile pickup system that captures the true
endpin pickup. The two levels are adjustable at the sound of the instrument with a maximum of dynamic
preamp and controlled with the soundhole control range – even if it exceeds the dynamic range of the
(SHC, volume plus added microphone). instrument.
The AK15 plus is a very powerful system, that combines
a strong piezo signal with an additional microphone si-
gnal. Designed to blend the microphone to the pickup
for overtones and more liveliness. The AK15 plus sys-
tem is not made for “microphone only“ performance!
You will find a surprisingly warm yet strong and clear
tone from the piezo due to a suitable electronic envi-
ronment. The microphone will add definition, vitality
and authenticity as well as an „acoustic ambience“, that
make the sound more natural.
The AK 15 plus packaging. AK 15 plus
Contains endpin preamp with built-in microphone, Endpin Preamp with built-in microphone, under-
under-saddle-piezo, soundhole control, battery bag saddle-piezo and soundhole control
(for 9V batteries, included) and mounting material.
(Also available for classical guitars)
AK 15 plus SHC
The soundhole control with Master Volume and low
battery indicator, the Mic wheel allows you to add the
microphone signal to the tone. AK 15 plus
Endpin Preamp with built-in microphone.
You can choose the microphone position for treble or
bass-side. (Dreadnought, Jumbo or smallbody guitars)
25 For more information, please refer to: www.aer-music.deNeedful things
AER Bags
Padded Dustcover
Domino, BassCube,
Amp two, Slope,
Basic Performer,
Sub 12/15, …
Shoulderbag
Alpha, Alpha plus,
Compact 60, TE, Classic,…
Bags for
Compact XL, Mobile, …
Zipperbag
Amp one, Amp three, …
AER Tilt system
The Gigbag compatible ampstand
(Slippery safe rubberfeet)
and skidproof rubberpad for your amp.
Foldable with Velcro®
26 For more information, please refer to: www.aer-music.de27 For more information, please refer to: www.aer-music.de
Address & service
Service & support
Phone: +49 (0) 2051 60721 –41
From Mo. til Fr. 07:00 - 15:00 Uhr UTC (GMT)
E-Mail: service@aer-music.de
Sales Sales
Europe Africa, America, Asia, Oceania
aer music gmbh aer amplifier gmbh
Haberstrasse 46 Haberstrasse 46
D-42551 Velbert D-42551 Velbert
Phone: +49 (0) 20 51 60721 –13 Phone: +49 (0) 20 51 60721 – 40
Fax: +49 (0) 20 51 60721 –78 Fax: +49 (0) 20 51 60721 – 78
E-Mail: info@aer-music.de E-Mail: info@aer-amplifier.com
www.aer-music.de www.aer-music.de
Imprint
aer music gmbh
Haberstrasse 46
D-42551 Velbert
Phone: +49 (0) 20 51 607 21 –36
Fax: +49 (0) 20 51 607 21 –78
E-Mail: info@aer-music.de
28 For more information, please refer to: www.aer-music.deYou can also read
