AER Product Catalogue 2020
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
AER Product Catalogue 2020
Join the acoustic family:
Sound solutions for nearly every instrument.
Mouth Harp, Clarinet, Saxophone, Acoustic Guitar,
Trombone, Violin, Double Bass, Electric Bass, Electric
Guitar, Harmonica, Percussion, Keyboard, Voice,
Mandoline, Ukulele, Marimbaphone, Xylophone, Trumpet,
2
Oud, Harpsichord, Harp, Lute, Cister, Bouzouki,
Tzouras, Saz, Kemence, Banjo, Dulcimer, Sitar, ErHu,
BanHu, Cello, Electric Violine, Horn, German Flute,
Bassoon,
and many more.
3 For more information, please visit: www.aer-music.de
Alpha
The Alpha defines the starting point of professional Open sounding and quick in response, this amp
acoustic amplification at AER. Based on the success masters different ranges and is thus not afraid of
and the experience with the Compact 60 we develo- bigger instruments.
ped an even smaller lightweight model that has no
difficulties living up to the rigors of the road.
Input one combined XLR/6.3 mm (1/4”) Power amp 40 W / 4 ohms
jack socket as high-impedance
Analog signal subsonic filter,
line or balanced microphone
input, 48 V phantom power, processing adaptive peak limiter
gain control Speaker system 8” (200 mm) twin cone speaker
Input two 6.3 mm (1/4”) jack socket as
Features headphones, line out, DI-out,
high impedance line input with pad
(high/low attenuation), optional external parallel effect loop,
9 V phantom power and gain control footswitch, (internal/external effect
Equalizer three band tone controls on/off ), tuner out
Colour ‘mid-cut-treble-boost’-filter Dimensions 260 mm x 265 mm x 240 mm
Effects digital reverb (10.24“ x 10.43“ x 9.45“) HxWxD
Weight 6.2 kg (13.7 lbs)
input line gain input high gain colour bass middle treble efx level master
mic low clip power
input 1 input 2 alpha
IF_Alpha_20110621
Michael Fix 4 For more information, please visit: www.aer-music.de
Alpha Plus
The Alpha Plus is a complement to our Alpha, still 40 watts power amplifier, 8“-twin-cone speaker-
as professional and versatile as the Alpha itself, but system, 3-band equalization and reverb, the Alpha
provided with a bigger cabinet. Plus is applicable for the enhancement of a wide
With one channel but two independant input stages variety of instruments just as well as vocals.
(line and microphone/line), a dynamically controlled
Input one combined XLR/6.3 mm (1/4”)
jack socket as high-impedance Power amp 40 W / 4 ohms
line or balanced microphone Analog signal subsonic filter,
input, 48 V phantom power, processing adaptive peak limiter
gain control
Speaker system 8” (200 mm) twin cone speaker
Input two 6.3 mm (1/4”) jack socket as
high impedance line input with pad Features headphones, line out, DI-out,
(high/low attenuation), optional external parallel effect loop,
footswitch, (internal/external effect
9 V phantom power and gain control
on/off ), tuner out
Equalizer three band tone controls
Dimensions 260 mm x 325 mm x 240 mm
Colour ‘mid-cut-treble-boost’-filter (10.20“ x 12.80“ x 9.45“) HxWxD
Effects digital reverb Weight 7.0 kg (15.4 lbs)
input line gain input high gain colour bass middle treble efx level master
mic low clip power
input 1 input 2 alpha plus
IF_AlphaPlus_111217
Florian Babtan Varga 5 For more information, please visit: www.aer-music.de
Compact 604
The Compact 604 is a professional, compact and po- songwriter who requires outstanding reproduction of
werful amplifier system. Especially developed for the his/her instrument and vocals, yet needs a handy unit
enhancement of acoustic instruments it is nonethe- with gigbag which is easily portable (even via public
less suitable for other instruments, even electrical transport).
ones. Our design concept was focused on the singer/
Channel 1 6.3 mm (1/4”) jack socket as high- Digital effect processor with 4 presets:
impedance line input with pad 2 x reverb, delay, chorus
(high/low attenuation), Power amp 60 W / 4 ohms
9 V phantom power (switchable), Analog signal subsonic filter,
and gain control processing adaptive peak limiter
Channel 2 combined XLR/6.3 mm (1/4”) Speaker system 8” (200 mm) twin cone speaker
jack socket as high-impedance line
Features headphones, line out, pre/post effect
or balanced microphone input, switchable DI-out,
48 V, gain control external parallel effect loop,
Equalizer three band tone controls footswitch (internal/external effect
for channel 1 and on/off ), 3.5 mm aux in jack socket,
two band tone controls for channel 2 tuner out
Colour ‘mid-cut-treble-boost’-filter Dimensions 260 mm x 325 mm x 240 mm
(10.20“ x 12.80“ x 9.45“), HxWxD
Weight 7.1 kg (15.6 lbs)
Compact 604
Lorenzo Polidori 6 For more information, please visit: www.aer-music.de
Compact 604 Slope
Full functionality of the Compact 604 in • 8“ twin cone speaker system
a wedge design cabinet. • twin channel, 3 and 2 band EQ
• monitor-plus design • digital effect processor with 4 presets
• 60 watts, dynamic control • 7.2 kg (15.9 lbs)
Channel 1 6.3 mm (1/4”) jack socket Power amp 60 W / 4 ohms
as high-impedance line Analog signal subsonic filter,
input with pad (high/low processing adaptive peak limiter
attenuation), 9 V phantom power
Speaker system 8” (200 mm) twin cone speaker
(switchable), and gain control
Channel 2 combined XLR/6.3 mm (1/4”) jack Features headphones, line out, pre/post effect
socket as high-impedance line or switchable DI-out,
balanced microphone input, external parallel effect loop,
48 V, gain control footswitch (internal/external
Equalizer three band tone controls effect on/off ), 3.5 mm aux in jack
for channel 1 and socket, tuner out
two band tone controls for channel 2 Dimensions 260 mm x 330 mm x 335 mm
Colour ‘mid-cut-treble-boost’-filter (10.24“ x 12.99“ x 13.19“), HxWxD,
Digital effect processor with 4 presets: wedge angle: 45°
2 x reverb, delay, chorus Weight 7.2 kg (15.9 lbs)
Compact 604
Christina Lux Photo: Sebastian Niehoff 7 For more information, please visit: www.aer-music.de
Compact Mobile 2
Musicians often asked us for a system for acoustic play without the mains for three to four hours. The
instruments that provides AER sound and quality intelligent power control gives a warning and saves
everywhere … independent from the mains. you from lack of power during performance.
This is exactly what the Compact Mobile has been Moreover it prevents the batteries from being comple-
developed for. Based on the Compact 60, thus iden- tely discharged.
tical in sound, but with adapted technology, you can
Channel 1 6.3 mm (1/4”) jack socket as Power amp 60 W / 4 ohms
high-impedance line input with pad Analog signal subsonic filter,
(high/low attenuation), optional 9 V processing adaptive peak limiter
phantom power, and gain control
Battery type two high–power sealed lead–acid
Channel 2 combined XLR/6.3 mm (1/4”) jack batteries 6 V, 12 Ah for 3 – 4 hours of
socket as high-impedance line or
independant performance
balanced microphone input with
switchable 48 V phantom power, Speaker system 8” (200 mm) twin cone speaker
gain control Features adj. aux-in, headphones, line out,
Equalizer three band tone controls for DI-out, parallel effect loop,
channel 1 and footswitch (internal/external effect
two band tone controls for channel 2 on/off ), tuner out
Colour ‘mid-cut-treble-boost’-filter Dimensions 320 mm x 225 mm x 290 mm
Effects digital effect processor with (12.60“ x 12.80“ x 11.42“), HxWxD
4 presets: 2 x reverb, delay, chorus Weight 13.0 kg (29.0 lbs)
Shaun Hopper 8 For more information, please visit: www.aer-music.de
Compact Classic pro
The Compact Classic pro is aimed at classical players All the features combine perfectly for the finer tonal
and their instruments. Compared to the Compact 60, texture of a classical instrument throughout the full
the Compact Classic pro benefits from an improved audio band. It enhances the low frequency response
2-way speaker system, a more complex three band EQ without increasing feedback risk and creates beautiful
with parametric bass and digital effect processor with ambiences that enrich the tone.
carefully designed presets for classical instruments.
Input 1 combined XLR/6.3 mm (1/4”) jack Analog signal subsonic filter, adaptive
socket switchable as piezo, line or processing peak limiter
mic input. Special P/M mode for
Speaker system 2-way speaker system, 8” (200 mm)
connecting a piezo pickup and an
active electret mic capsule directly. twin cone speaker plus tweeter
Switchable 9 or 48 V phantom power Features adjustable aux in, headphones, tuner
and gain control out, insert, line out, left/right out,
Input 2 6.3 mm (1/4”) input jack socket as line parallel effect loop and footswitch
input or piezo input, gain control (switch internal/external effect and
Equalizer three band tone controls with bass mute channels), adjustable DI-out
parametric and bandwidth-switch
(pre/post effect switchable),
(Q-factor)
presence control
Effects digital effect processor with
16 presets Dimensions 260 mm x 325mm x 240 mm
Power amp 60W / 4 ohms (10.20“ x 12.80“ x 9.45“), HxWxD
Weight 7.7 kg (16.9 lbs)
input 1 clip gain mute input 2 clip gain mode mute bass freq. band- middle treble pan level program power master
width
16 1 2
15 3
14 4
piezo 13 5
12 6
line
60 Hz 400 Hz 11 7
48 9 10 8
9
Classic professional
L M equalizer effect
P P/M
Compact
Katona Twins 9 For more information, please visit: www.aer-music.de
Compact XL
Another member of the Compact family. A discrete A beautiful sounding powerhouse for those who need
power amp design for additional dynamic headroom. more volume, a more defined tone and yet the loved
A speaker configuration for additional tonal range straightforwardness of the Compact 60.
and the continuation of the well proven features and
functionality of the Compact 60.
Channel 1 6.3 mm (1/4”) jack socket as high- Analog signal subsonic filter, low distortion
impedance line input with pad (high/ processing RMS limiter
low attenuation) and switchable 9 V Speaker system 2-way speaker system, 8” (200 mm)
phantom power, gain control
polypropylene low-midrange +
Channel 2 combined XLR/6.3 mm (1/4”) jack 1” dome tweeter, light-weight
socket as high-impedance line or
neodymium alloy magnets
balanced microphone input,
48 V phantom power, gain control Features ground lift, switchable 9 V phantom
Equalizer three band tone controls for power, adjustable aux in, footswitch
channel 1 and two band tone (effects on/off ), tuner, line out,
controls for channel 2 adjustable DI-out, parallel effect loop,
Colour ‘mid-cut-treble-boost’-filter headphones
Effects digital effect processor with Dimensions 320 mm x 325 mm x 285 mm
4 presets: 2 x reverb, delay, chorus 12.60“ x 12.80“ x 11.22“), HxWxD
Power amp 200 W / 8 ohms Weight 9.8 kg (22.6 lbs)
Eric Johnson 10 For more information, please visit: www.aer-music.deDomino 2A
The Domino started out as multi-channel acoustic we decided to multiply the soundsystems. Thus the
solution for bigger stages. It allows 4 signals at Domino is equipped with two 8“ twin-cone speakers
the same time and is fully equipped to work as an plus dome tweeter and two combined 60 watts amps
orchestra system for small and medium sized venues, working as a power unit (limited to 100 watts). This
especially in combination with the active extensions gives him the accuracy in the midrange and the attack
AS 281. To maintain almost the same sound quality for a realistic and vivid sound.
Input 1 and 4 6.3 mm (1/4”) jack socket as high- Analog signal subsonic filter, adaptiver
impedance line input with pad (high/ processing peak limiter
low attenuation)
Speaker system 2 x 8“ twin cone speaker system
Input 2 and 3 combined XLR/6.3 mm (1/4”) jack
plus dome tweeter
socket as high-impedance line or
balanced microphone input, 48 V Features rec out, aux in, headphones, tuner, L/R
phantom power, gain control out, insert, line out, DI-out, parallel
Equalizer three band tone controls effect loop, footswitch (internal/exter-
Colour ‘mid-cut-treble-boost’-filter nal effect on/off, mute channels)
Effects digital effect processor with
Dimensions 360 mm x 410 mm x 295 mm
16 presets, individual effect sends
per channel (14.17“ x 16.14“ x 11.61“), HxWxD
Power amp 2 x 60 W / 4 ohms Weight 13.2 kg (29.1 lbs)
input mute attn. clip gain colour bass middle treble eff. send input mute line/mic clip gain colour bass middle treble eff. send
Domino 2.A
channel one channel two
input mute line/mic gain input mute attn. clip gain colour bass middle treble eff. send 48V stereo sim. select return aux effect 2 pre power master
return return master
16 1 2
15 3
14 4
13 5
12 6
11 7
channel three + four 10 9 8
effect master
John Goldie 11 For more information, please visit: www.aer-music.deDomino 3
What was supposed to be an update turned into a Two independent effect units, with 16 presets each,
different class – Domino 3. Now partially* stereo, with separately address pairs of the four equally equipped
two twin-cone speakers and high performance power channels (1, 2 and 3, 4).
amps. * stereo aux, headphone out.
Channel 1 – 4 combined XLR/6.3 mm (1/4”) jack Analog signal subsonic filter, low distortion
socket switchable for instruments, processing RMS limiter
line-level sources, or microphones. Speaker system 2 x 8“ twin-cone speaker system
48 V phantom power. 9 V phantom
Features switchable phantom power, ground
power in channel 1 and channel 3
lift, rec out, aux in, parallel effect loop,
Equalizer three band tone controls headphones, tuner, footswitch (inter-
for each channel nal effect on/off ), adjustable DI-out,
Colour ‘mid-cut-treble-boost’-filter 4 channel mute, L/R out, insert, active
Effects digital effect processor with speaker out
16 presets Dimensions 365 mm x 415 mm x 300 mm
Power amp 2 x 100 W / 4 ohms (14.37“ x 16.34“ x 11.81“), HxWxD
Weight 15.5 kg (34.2 lbs)
16 1 2
15 3
14 4
13 5
12 6
11 7
10 9 8
16 1 2
15 3
14 4
13 5
12 6
11 7
10 9 8
Lionel Loueke Photo: Jimmy Katz 12 For more information, please visit: www.aer-music.deAcoustiCube 3
This is where it all started and it is undoubtedly response and much lighter, more sparkling reproduc-
regarded as the reference system for acoustic instru- tion of the complete range up to finest texture.
ments and the best that we can do in a small box like Cube 3 is a full two channel version now allowing
this – the ultimate solution for a soloist. In its 3rd identical features on both channels. It needed a face-
generation now we have implemented advanced lift for more operational clarity and to allow additional
dynamic control technology and extended the important controls on the front panel.
dynamic range substantially. In essence we have combined all the suggestions of
The new 2-way speaker system is an incredible impro- Cube enthusiasts over the years with all our know-
vement too! It allows a much clearer and defined bass ledge and experience– without compromise –
and we are more than pleased.
Input 1, 2 6.3 mm (1/4”) multi-purpose input, Speaker system 2-way speaker system with
jack socket with mode select (piezo, 8“ bass and neodymium tweeter
line, mic, E/P mode) Features tuner, headphones, sub, line out, L/R-
Equalizer three band tone controls for out, record, master insert, adjustable
both channels aux in, presence, adjustable DI-out,
Colour ‘mid-cut-treble-boost’-filter parallel or serial effect loop, additional
Effects 32 bit AER digital effect processor XLR mic input socket.
with 100 presets Dimensions 325 mm x 335 mm x 260 mm
Power amp 120 W / 8 ohms (12.80“ x 13.19“ x 10.24“), HxWxD
Analog signal subsonic filter, low distortion Weight 13.0 kg (28.7 lbs)
processing RMS limiter
Lee Oskar Photo: Michael Weintrob 13 For more information, please visit: www.aer-music.deMM200 Monte Montgomery Signature
Monte‘s playing is more than powerful, loud and duction that blends the directness
dynamic. He is making use of a lot of effect pedals - and attack with a mild and melodic
a rather electric/acoustic than acoustic/electric character.
sound – Monte’s sound! A live amp, made for the stage (sic!)
The volume, as well as the percussiveness and the that works for Monte as a soloist, as
almost physical attack of the instrument within his style well as with the band, that supports him with
needs a relaxed amp, with lots of headroom, effective punch and intelligibility.
but “understated” dynamic control and a sound repro-
Channel 1 6.3 mm (1/4”) jack socket as high Analog signal subsonic filter,
impedance line input with pad (high/ processing low distortion
low attenuation) and switchable 9 V Speaker system 2 x 8” (200 mm) twin-cone speakers
phantom power, gain control
Features adjustable aux in, tuner, line out,
Channel 2 combined XLR/6.3 mm (1/4”) jack adjustable DI-out, external effect
socket as high-impedance line or loop, headphones,
balanced microphone input, footswitch for effects,
48 V phantom power, gain control footswitch for mute
Equalizer three band tone controls for Dimensions 420 mm x 360 mm x 300 mm
channel 1 and two band tone (16.54 x 14.17 x 11.81”), HxWxD
controls for channel 2 Weight 15.0 kg (33.1 lbs)
Effects digital effect processor with
4 presets: 2 x reverb, delay, chorus
Power amp 2x 100W / 4 ohms
Monte Montgomery 14 For more information, please visit: www.aer-music.deCompact 604 Tommy Emmanuel Signature
If you ever heard Tommy play, you will We are very proud to create an amplifier exactly to
recognize that his sound is much more than loud Tommy‘s needs. To reproduce the typical ‚initiation
and dynamic. He does not use effect pedals - his tone‘ the on-board delay had to be slightly changed.
sound is a marriage between his fingers, his guitars
and his amplifier. The sound Tommy produces on-stage has to be sent
exactly to the front-of-house PA system. A switchable
pre/post efx DI provides the tone on and off the stage.
Channel 1 6.3 mm (1/4”) input jack as high Power amp 60 W / 4 ohms
impedance line input with pad Analog signal subsonic filter,
(high/low attenuation), processing adaptive peak limiter
9 V phantom power (switchable),
Speaker system 8” (200 mm) twin-cone speaker
and gain control
Features headphones, line out, pre/post effect
Channel 2 combined XLR/6.3 mm (1/4”)
switchable DI-out,
jack socket as high-impedance line
external parallel effect loop,
or balanced microphone
footswitch
input, 48 V, gain control
(internal/external effect on/off ),
Equalizer three band tone controls 3.5 mm aux in jack socket, tuner out
for channel 1 and
Dimensions 260 mm x 325 mm x 240 mm
two band tone controls for channel 2
(10.20“ x 12.80“ x 9.45“), HxWxD
Colour ‘mid-cut-treble-boost’-filter
Weight 7.1 kg (15.6 lbs)
Digital effect processor with 4 presets:
2 x reverb, delay, chorus
(Effect #3 is a delay with
213.5 beats-per-minute).
Compact 604
Tommy Emmanuel 15 For more information, please visit: www.aer-music.deSpecials
Compact 604, white, matte Compact 604, signal red, high gloss Compact 604, black, high gloss
Compact 604, white spattered Compact 604, british racing green spattered Compact 604, chocolate brown spattered
Compact 604, light grey spattered Compact 604, solid oak-wood Compact 604, solid oak, mahogany stained
AER custom amplifiers:
(available only on request)
• solid wood
• special colours
• signature amplifier
Compact 604, plywood, mahogany stained AER Alpha, solid oak, mahogany stained
16 For more information, please visit: www.aer-music.deBasic Performer 2
The Basic Performer 2 is a solution for bass and instru- with definition. High-end preamps, proper filters and
ments of the lower registers, based on the experience additional professional sound design make
of multiplying well proven AER acoustic systems. the Basic Performer 2 a multitalented all-round soluti-
Small twin-cone speakers are fast, provide a superior on. The sound characteristics are full range thus open
coverage for the critical mid-range and have enough and light yet breathing as well as grumbling and sur-
substance in the low end. prisingly appropriate for far more instruments
The AER band-pass/bass-reflex cabinet design sup- than the bass-related instruments, e. g. harp, cello,
ports the reproduction of even the lowest frequencies accordion…
Channel 1 6.3 mm (1/4”) jack socket as high Analog signal subsonic filter, low distortion
impedance line input with processing RMS limiter
switchable 9 V phantom power and Speaker system 2 x 8” (200 mm) dual cone full-range
high/low (attenuator) switch speakers (front side), 2 x 8” (200 mm)
Channel 2 combo socket XLR + 6.3 mm (1/4”) woofers (inside), dual-chamber bass
jack as high-impedance line or reflex cabinet
balanced microphone input with
Features aux in, headphones, tuner, insert,
switchable phantom power
line out, DI-out, parallel effect loop,
Equalizer three band tone controls for both footswitches (effect on/off,
channels solo/ensemble, mute channels), sub
Colour ‘mid-cut-treble-boost’-filter out, ground lift
Effects compressor, notch filter Dimensions 485 mm x 360 mm x 405 mm
Power amp 2 x 100W / 8 ohms (19.09“ x 14.17 “ x 15.94“), HxWxD
Weight 23.3 kg (51.4 lbs)
Franck Bedez 17 For more information, please visit: www.aer-music.deAmp one
It seems like we have done it again … Based on a superb 10“ in a bass reflex enclosure, in com-
Over many years you have asked us for something small bination with a serious 200 watts power amp, more than
for electric bass – simple, powerful and with a perfor- sufficient power-supply and extended dynamic head-
mance hard to believe … room - not to forget Paul’s* helping hands and ears –
And there it is: the AER Amp one. it is finally done. * Paul Sipps from www.Bassmatters.nl
Input 6.3 mm (1/4”) jack socket as high Analog signal subsonic filter, low distortion
impedance line input with pad (high/ processing RMS limiter
low attenuation) Speaker system 10“ woofer, neodymium magnet
Equalizer three band tone controls with
Features ground lift, headphones, line out, sub
parametric middle
out, footswitch (muting and effect
Colour ‘mid-cut-treble-boost’-filter
loop), parallel effect loop, insert pre/
Bass boost +10 dB / 55 Hz
post EQ, adjustable aux in, adjustable
Tone balance the tone balance enables bass or
DI-out
treble emphasis or a combination
of both Dimensions 345mm x 375 mm x 298 mm
Effect compressor with ratio and (13.58“ x 14.76“ x 11.73“), HxWxD
threshold controls Weight 13.5 kg (29.8 lbs)
Power amp 200 W / 8 ohms
Oliver Lang Bass 18 For more information, please visit: www.aer-music.deAmp two
Amp two is the second member of the Bottom Line funk to pop and rock to jazz.
combo bass amps. In line with Amp one, but with a As further difference to the Amp one the signal path is
more defined speaker system and more power. A 12“ led trough adjustable compression pre EQ to provide
neodymium woofer for quick and full bass response even more dynamic headroom.
combined with a 4“ mid-high direct radiating speaker
for gentle trebles allows a wider range of sounds from
Input 6.3 mm (1/4”) jack socket as high- Speaker system 12“ (300 mm) woofer, neodymium
impedance line input with pad (high/ alloy magnet, 4“ (100 mm) mid-high
low attenuation) direct-radiating 2-way speaker system
Equalizer three band tone controls with Features headphones, line out pre/post mas-
parametric middle
ter switchable, sub out, footswitch
Colour ‘mid-cut-treble-boost’-filter
(muting and effect on/off ), parallel
Bass boost +10 dB / 55 Hz effect loop, insert pre/post EQ, ad-
Tone balance the tone balance enables bass justable aux in, tuner, adjustable hf
or treble emphasis or a combination level, adjustable pre/post EQ DI-out,
of both
ground lift
Effect compressor with ratio and
threshold controls Dimensions 515mm x 420 mm x 350 mm
(20.28“ x 16.54“ x 13.78“), HxWxD
Power amp 240 W / 8 ohms
Analog signal subsonic filter, low distortion Weight 24.2 kg (53.35 lbs)
processing RMS limiter
Ø1
6x5
3x3.2
2 10
x9
.8
Tom Launhardt Fretless Bass 19 For more information, please visit: www.aer-music.deAmp three
Amp three follows the concept of Amp one, being Equipped with 2 x 8“ heavy duty bass-speakers, it
small, rich and powerful based on a one way speaker- enhances the low mids and offers a more open, trans-
system. It also offers a superb mix between size and parent tone with the neccessary strength and focus to
power and features for professional use. cut through.
Input 6.3 mm (1/4”) jack socket as high im- Analog signal subsonic filter, low distortion
pedance line input with pad (high/low processing RMS limiter
attenuation)
Speaker system 2 x 8“ heavy-duty bass-speakers
Equalizer three band tone controls with
Features ground lift, headphones, line out, sub
parametric middle
out, footswitch (muting and effect
Colour ‘mid-cut-treble-boost’-filter
loop), parallel effect loop, insert pre/
Bass boost +10 dB / 55 Hz
post EQ, adjustable aux in, adjustable
Tone balance the tone balance enables bass DI-out
or treble emphasis or a combination
of both Dimensions 385 mm x 415 mm x 300 mm
(15.16“ x 16.34“ x 11.81“), HxWxD
Effect compressor with ratio and threshold
controls Weight 15.8 kg (34.38 lbs)
Power amp 200 W / 8 ohms
Sebastian Stolz 20 For more information, please visit: www.aer-music.deAG 83
The AG 83 Active Monitor is a professional, compact, and which make it also usable as a stand-alone amplifier
powerful active monitor loudspeaker. system.
Thanks to its slanted cabinet shape and the 35 mm All AER systems employ dynamic range control, which
(1.375“) tripod stand adapter it can be set up variably. ensures reliability and low distortion even at high volu-
Besides a balanced line input it offers mixable aux and me despite strikingly small size and light weight.
microphone inputs (also with 48 V phantom power),
Inputs balanced or unbalanced line input, Speaker system 8” (200 mm) full-range speaker in
combo socket, XLR + jack ¼“ (6.35 bass reflex cabinet
mm), balanced microphone input
combo socket, XLR + jack ¼“ (6.35 Features line out, pre out, ground lift,
mm), auxiliary stereo input, e.g. for adjustable line, mic and aux in
CD, 3.5 mm stereo jack socket
Dimensions 269 mm x 335 mm x 260 mm
Equalizer two band tone controls
(10.59“ x 13.19“ x 10.24“), HxWxD
Power amp 60 W / 4 ohms
wedge angle: 45°
Analog signal subsonic filter, adaptive peak limiter,
processing speaker eq with harmonics exciter Weight 7.8 kg (17.1 lbs)
Push Push
master treble bass mic aux line
power
ground lift
clip
mic in
line out XLR = P48 link line in
aux in
pre out
power
on
off
Made in Germany
21 For more information, please visit: www.aer-music.deAS 2814
AS 2814 is a small full range 2-way active system It is a stand alone system for general reinforcement/
in D’Appolito construction, based on 2x8“ low mid installation purposes or any monitor application. It is
speakers with polypropylene cone embracing a perfectly matched to complement AER products as
bi-radial horn (LM-H-LM). The main advantage of the the AcoustiCube 3 or the Dominos 2/3 into full stereo
D‘Appolito-concept is constant directivity especially systems. In combination with Combi SUB 12/15 it
in the ‘cross over’ range of the speakers. It is equipped forms a PA-system for small clubs and/or acoustic, jazz
with a high-quality power amplifier that delivers or fusion ensembles.
200 watts at 8 ohm with substantial power reserve.
line in XLR/jack combo Features link, ground lift,
aux in socket switchable bass
aux in
aux in 3.5 mm jack socket boost, gain control,
level
input
Frequency 80 Hz – 20 kHz aux in
range (60 Hz with bass Dimensions 560 x 261 x 285 mm
link boost)
(22.05“ x 10.28“ x
parallel
Crossover passive, 5 kHz, 11.22“), HxWxD
link
18 dB/Oct.
-8
-6
-4
wedge angle: 40°
Power amp 200 W / 8 ohms,
-10 -3
-14 -2 gain
Weight
-1
15.0 kg (33.1 lbs)
-20
dynamic control
- ∞ 0
clip
bass boost
GND-lift Analog signal subsonic filter, low
processing distortion
RMS limiter
Speaker system 2 x 8“ polypropylene
low-midrange
speaker, biradial
horn tweeter
AS 2814
ATTENTION
CAUTION
RISK OF ELECTRICAL SHOCK
DO NOT OPEN
RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR
power on mains mains
OUT IN
fuse
22 For more information, please visit: www.aer-music.deNeedful things
AER Bags
Padded Dustcover
Domino, BassCube,
Amp two, Slope,
Basic Performer,
Sub 12/15, …
Shoulderbag
Alpha, Alpha plus,
Compact 60, TE, Classic,…
Bags for
Compact XL, Mobile, …
Zipperbag
Amp one, Amp three, …
AER Tilt system
The Gigbag compatible ampstand
(Slippery safe rubberfeet)
and skidproof rubberpad for your amp.
Foldable with Velcro®
23 For more information, please visit: www.aer-music.dePocket tools
are professional audio tools, designed and manufactu- of natural acoustic sound. A lifetime spent listening
red to the highest pro audio technical specifications; to and working with acoustic instruments helps us to
capable of shaping, maximizing and delivering the to- create and refine the very best devices available; to
nal character of your instrument. At AER our complete enable you to craft your own unique acoustic identity.
focus, some say obsession, is on the ‘true’ reproduction Make your instrument the very best it can be ...
Dual mix 2 The dual mix is a high-quality „two-channel“
preamplifier for instrument/line or microphone
signals. The unit offers simple, efficient features
just like a small mixing console.
24V phantom power line out DI
ch. 1 1 = gnd
out 2 = pos
3 = neg
ch. 2 ch. 1
level
dc 24V mute
fs ch. 1/2 ch. 2
Colourizer 2
The AER Colourizer is a preamplifier for
instrument or microphone (vocal or
instrument microphone). You insert it into
the signal chain between source and next
point in the audio path (e.g. amplifier or
mixing desk) to produce sound improve-
ment – your signal will be stronger, richer
bypass
and more stable.
colourizer 2 Made in Germany by AER
dc 24 V
Dual para eq The dual para eq is a compact, parame-
tric 2-band-equalizer, which you can
apply to a signal chain to lift or lower
certain frequencies. Parametric means
not only lifting or lowering, but also
adjusting separately position and width
of frequency bands.
line out
dc 24 V
input
power
24 For more information, please visit: www.aer-music.deAER AK15 plus
The AK15 plus is a two source system, piezo crystal It has been a developing goal to come up with an easy
plus electret condenser microphone integrated in the to use, versatile pickup system that captures the true
endpin socket. The microphone level is adjustable at sound of the instrument with a maximum of dynamic
the preamp and controlled with the soundhole control range .
(SHC).
The AK15 plus is a very powerful system that combines a
strong piezo signal with an additional microphone
signal, designed to blend the microphone to the pickup for
overtones and more liveliness. The AK15 plus system is not
made for “microphone only“ performance! You will find a
surprisingly warm yet strong and clear tone from the piezo
due to a suitable electronic environment. The microphone
will add definition, vitality and authenticity as well as an
„acoustic ambience“, that make the sound more natural.
AK 15 plus
Endpin Preamp with built-in microphone,
The AK 15 plus packaging. under-saddle-piezos (2 versions, classic and steel-
Contains endpin preamp with built-in microphone, string) and soundhole control
2 x under-saddle-piezo (classic and steelstring),
soundhole control, battery bag (for 9V batteries,
included) and mounting material.
AK 15 plus SHC
The soundhole control with Master Volume and low AK 15 plus
battery indicator, the Mic wheel allows you to add the Endpin Preamp with built-in microphone.
microphone signal to the tone. You can choose the microphone position for treble or
bass-side. (Dreadnought, Jumbo or smallbody guitars)
25 For more information, please visit: www.aer-music.deSpare parts
Bar handle Bar handle Logo sign for handle.
Aluminium without screws (without ABS without screws (without Logo sign made of acrylic. Self glued.
Logosign) Logosign) For AER handles
Reducing thread Connector plate Rubber foot
with 5/8“ inner thread and 3/8“ (f. eg. Alpha, Alpha plus, for AER amps (with screw)
outer thread, zinc Compact 60XX)
on request
Poti-knob Frontfoam
replacement for AER-amps. with AER logo
For axis potentiometers
26 For more information, please visit: www.aer-music.de27 For more information, please visit: www.aer-music.de
Address & service
Service & support
Phone: +49 (0) 2051 60721 – 41
From Mo. til Fr. 07:00 - 15:00 Uhr UTC (GMT)
E-Mail: service@aer-music.de
Sales Sales
Europe Africa, America, Asia, Oceania
aer music gmbh aer amplifier gmbh
Haberstrasse 46 Haberstrasse 46
D-42551 Velbert D-42551 Velbert
Phone: +49 (0) 20 51 60721 –13 Phone: +49 (0) 20 51 60721 – 40
Fax: +49 (0) 20 51 60721 –78 Fax: +49 (0) 20 51 60721 – 78
E-Mail: info@aer-music.de E-Mail: info@aer-amplifier.com
www.aer-music.de www.aer-music.de
Imprint
aer music gmbh
Haberstrasse 46
D-42551 Velbert
Phone: +49 (0) 20 51 607 21 –36
Fax: +49 (0) 20 51 607 21 –78
E-Mail: info@aer-music.de
https://www.facebook.com/AERAcousticPeople/
https://www.instagram.com/aer_acousticpeople/
28 For more information, please visit: www.aer-music.de
www.youtube.com/channel/AER - The Acoustic PeopleYou can also read
