An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915: Military, Commercial and Personal

 
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An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915: Military, Commercial and Personal
An Investigation of Maps
and Cartographic Artefacts
of the Gallipoli Campaign 1915:
Military, Commercial and Personal

William Cartwright

Abstract Producing maps and related representations of geography in warfare
provides information about the terrain and the positions of troops. They are also
used in strategic planning and as operational tools. They are an integral part of a
military campaign. Maps are provided by military topographic agencies as the
main resource for operations. However, many complementary products have been
produced by commercial map publishers and as support for newspaper articles
reporting on battles. As well, combatants produce many ‘informal’ maps and
diagrams before, during and after a campaign. These products can be considered to
be more personal and to provide a different ‘view’ of a battle than the official maps
provided by conventional publishing methods. An international collaborative
research project is studying the geographical information resources and geo-
graphical representations used for analysis, planning, conducting and post-event
analysis of large-scale operations. The research is focussing on the geographical
information resources used in the Gallipoli Campaign in World War 1, so as to
appreciate mapping resources used to visualise the political and physical geog-
raphy that contributed to the selection of the Gallipoli peninsula as a site for a
second front during World War 1, the determination of possible landing sites,
developing ‘at location’ troop deployment and movement plans and the eventual
evacuation of forces from Gallipoli. This chapter provides an insight into some of
the mapping and geographical artefacts that were found during research into the
availability of cartographic resources from the Dardenelles campaign of 1915.
These can generally be described as official, commercial and personal. It describes
samples of the maps and drawings that were found in historical map collections.
These products were published by the military, by commercial map producers and

W. Cartwright (&)
School of Mathematical and Geospatial Sciences, RMIT University,
Melbourne, Australia
e-mail: w.cartwright@rmit.edu.au

A. Moore and I. Drecki (eds.), Geospatial Visualisation,                          19
Lecture Notes in Geoinformation and Cartography,
DOI: 10.1007/978-3-642-12289-7_2,  Springer-Verlag Berlin Heidelberg 2013
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915: Military, Commercial and Personal
20                                                                      W. Cartwright

in newspapers. As well, soldiers recorded things like their journey to the Gallipoli
campaign, general observations of battle situations and field-drawn base maps and
pictorial representations of troop positions and emplacements.

Keywords Cartography       History  Gallipoli  Personal geographies

1 The Gallipoli Campaign

The Gallipoli campaign of 1915–1916 came about because of the deadlock on the
Western Front, which turned British eyes towards other possible theatres, plus
appeals for assistance from Russia early in January 1915 (Travers 2001a; Velsley
1997). A plan preferred by Winston Churchill, then the First Lord of the Admiralty
was to be a naval operation (Heffernan 1996). The original plan was for a com-
bined Anglo-Franco naval fleet, using mainly outdated battleships; to force the
Narrows, sail into the Sea of Marmara and then on to Istanbul. Once this was done,
three Divisions of the Greek Army would advance on Istanbul.
   However, this was later amended to be a naval engagement, after Russian
opposition to the use of Greek troops. The revised naval plan was to force the
Narrows, penetrate the Sea of Marmara and bombard Istanbul, compelling Turkey
to surrender (Sea Power Centre 2005). This was attempted on March 18, 1915,
with seventeen allied warships, supported by an assortment of other craft, like
mine sweepers (Millett 2000). Mine fields and hidden guns prevented the success
of this plan. Six battleships were sunk or severely damaged (Millett 2000). Some
military analysts considered that this plan would have never worked. I am still of
the opinion however, that the Royal Navy could not have ‘‘rushed’’ the Narrows
and go through in sufficient numbers to tackle the hostile fleet it would have met in
the Sea of Marmara (Aiguillette 1962, p 63). The entrance to the Dardanelles and
the Narrows is shown in Fig. 1.
   Then Britain prepared another plan, for a larger military operation that would
capture the Gallipoli Peninsula, allow the waters to be cleared of mines and
opening it for the fleet to sail to Istanbul (Sea Power Centre 2005). To support the
military operation, France provided a Division (the first division of the Corps
Expédition d’Orient made up of North African (Arab and European), Foreign
Legion and Sengalese troops (Hughes 2005)), Britain its 29th Division, Australian
and New Zealand troops (moved from Egypt) (Travers 2001a) and the Zion Mule
Corps. The stage was set for the invasion and subsequent landings on the beaches
of the Turkish Gallipoli (Chanakale) Peninsula by British, ANZAC and Indian
troops and at Kum Kale (on the Asiatic shore) by French troops (who acted as a
diversionary force by capturing a Turkish fort on the Eastern shores of the
Dardanelles (Millett 2000)) (who were moved to Cape Helles on 26 April, where
they held the eastern part of the Allied line) (Hughes 2005) on April 25, and the
Allied attacks of 28 April at Helles, 1915 (Travers 2001b).
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915: Military, Commercial and Personal
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915        21

Fig. 1 The entrance to the Dardanelles to the straights. Source http://www.firstworldwar.com/
photos/graphics/gw_dardanellesdardanellesentr_01.jpg (free online download)

    The Allied forces fought ashore, but were unable to seize the strategic heights
which dominate the lower third of the Peninsula (the Sari Bair Ridge complex,
shown on the map in Fig. 2) (Millett 2000). The Australasian landings took place
at ‘‘Beach Z’’ and the Anglo French landings were at Cape Hellas, to the south.
The map in Fig. 2 shows the allied and Turkish positions on April 27, 1915, 2 days
after the landings.
    The campaign extended over a 10-month period (Millett 2000), until the final
evacuation in January 1916 (Mason 1936; Millett 2000).
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915: Military, Commercial and Personal
22                                                                              W. Cartwright

Fig. 2 Map of Allied operations at Gallipoli, 25 April to 30 May 1915. Source firstworldwar.com
(free online download) http://www.firstworldwar.com/photos/graphics/gw_gallipcampaign_01.jpg
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915: Military, Commercial and Personal
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915   23

2 Towards Gallipoli 2015 Project Overview

The initial overtures of a research project began in 2009. The project being
developed will study the geographical information resources and geographical
representations used for analysis, planning, conducting and post-event analysis of
large-scale operations. As well, the project will develop and assess methodologies
for analysing and visualising the accuracy of historical maps, imagery and
geographical artefacts related to strategic planning and decision-making.
   It aims to leverage on the combined strengths of an international research team
in cartography/geographical visualization, surveying and positioning, photo-
grammetry, remote sensing, Geographic Information Systems analysis and
modelling to undertake research and visualisation tool development that can be
used to determine the accuracy (and therefore usefulness) of maps, imagery and
geographical artefacts for strategic planning and operational management. Also,
the results of the research will have the additional benefit, whereby, due to the
study area selected, the results from the studies will be available to the Australian,
New Zealand, British, French and Turkish communities to better understand the
role that political geography had in sending troops to the Dardenelles in the first
place and how the terrain of the Gallipoli Peninsula impacted on the operation of
the campaign.

3 Exploring Collections to Determine the Availability
  of Maps and Geo-artefacts from the Gallipoli Campaign

Exploratory research to identify maps and geographical artefacts was undertaken
in mid to late 2009 at the Australian War Memorial, Canberra, the Imperial War
Museum, the British Library, the Royal Geographical Society map library and
archive, the Army Museum and archive, all in London, the Département des Cartes
et Plans, Bibliothèque nationale de France, and the Service Historique de la
Defense, Department de l’Armee de Terre Division, France in Paris.
   This initial research provided valuable information regarding the maps and
drawings available at the beginning of the Gallipoli campaign, maps used to plan
and execute military activities and maps and drawings published ‘at home’ by
commercial map publishers and newspapers. This paper provides an overview of
this ‘first cut’ of these investigations into maps and drawings produced for
Gallipoli and will illustrate the diversity and richness of the artefacts found. As
well, some of the maps sourced during research have been used to illustrate the
next section—The Gallipoli Campaign.
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915: Military, Commercial and Personal
24                                                                                  W. Cartwright

4 Maps and Geo-located Artefacts from the Gallipoli
  Campaign

World War I generated an unprecedented demand for maps at scales from 1:200,
for detailed trench maps (Chasseaud 1999; cited in Collier 2002), to 1:1,000,000
and smaller for strategic planning maps (Heffernan 1996; cited in Collier 2002).
On the Western Front mapping was provided via proven channels of information
provision.
   The campaign in the Dardanelles needed accurate maps to depict the terrain
where landings would take place. This would be difficult terrain to traverse and
maps were needed for assessment of possible landing sites and for later strategic
deliberations. Due to the hurried planning of the Gallipoli campaign, very few
maps were available for planning and the execution of landings in the Dardanelles.
   According to Piersig (1994) the lack of accurate maps caused many problems,
including:
• Tactical planning
• Use of naval firepower; and
• Communication between ground units.
  Many references were made to this in Moorhead’s book, Gallipoli (Moorhead
1997).
     In the absence of maps staff officers scoured the shops (of Alexandra and Cairo) for
     guidebooks’’ (p 99). … ‘‘There was a shortage of almost everything …’’ (p 99). ‘‘… and
     the maps which were supplied to the officers were incomplete and downright inaccurate’’
     (p 113). ‘‘… the Gaba Tepe region, where the ANZAC troops were to land, was unmapped
     and almost wholly unknown (p 113).

     Piersig (1994) also made comments about the problems:
     Intelligence at the tactical level was woefully inadequate—for example, accurate maps
     were not available’’ (p 4). Hamilton’s plan hinged on effective communication and
     coordination between his forces ashore and the forces at sea. Poor communications were
     caused by equipment problems; by doctrinal and language difficulties … and the lack of
     accurate maps hindered the operation (p 18). ‘‘Lacking reliable ship-to-shore communi-
     cations and accurate maps, the army was unable to utilize the fleet’s firepower effectively
     (p 18).

   But, in time accurate maps were obtained (Piersig 1994).
   As the campaign continued the number of maps and drawings produced
increased, and the range of artefacts widened. These were produced at Gallipoli, to
support troop movements, ‘at home’ by commercial map producers and newspa-
pers for a civilian population eager for news from the front and geographical
depictions of the campaign area. Some of these products are outlined in the
following sections.
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915: Military, Commercial and Personal
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915   25

4.1 Maps

Sinclair (1999) studying maps of the Gallipoli campaign stored at the National
Library of Australia and the Australian War Memorial archive identified a number
of map types:
•   Maps produced by Australian Staff Officers;
•   Captured German maps;
•   Situation maps;
•   Field sketches;
•   Artillery maps;
•   Intelligence maps; and
•   Administrative maps.
   As well as the military topographic maps identified by Sinclair (1999), addi-
tional geospatial artefacts were found during research at the Australian and
European archives listed earlier in this paper. These include:
• 3D perspective drawings from British and French map publishers and
  newspapers;
• General maps for consumption ‘at home’ that described the conflict in the
  Dardenelles;
• Field interpretations and sketches reproduced via diazo printing methods;
• Field perspective drawings;
• Newspaper maps;
• Trench maps;
• ‘Marked-up’ topographic maps;
• Air photographs;
• Glass lantern slides used to brief troop commanders; and
• Annotated maps—hand annotations of commercially-published ‘general
  purpose’ maps.

4.1.1 Allied Topographic Maps

The allies needed a topographic map of the Dardenelles. To produce this map they
used 1:25,000 Turkish maps, captured in a previous Balkans war, and reduced the
information therein to produce their 1:50,000 topographic map—the ‘‘Orograph-
ical map of the Dardanelles’’ (Fig. 3).
   Further topographic maps were made available, like the Survey of Egypt
1:20,000 series maps (Fig. 4).
   The first attempts to use aerial photography to construct original mapping took
place during the Gallipoli campaign. However, this was not entirely successful
(Dowson 1921; cited in Collier 2002). However, by the end of World War I aerial
26                                                                              W. Cartwright

Fig. 3 Orographical map of the Dardanelles 1:50,000. Source National Library of Australia (free
online download). http://nla.gov.au/nla.map-f238
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915      27

Fig. 4 0939 Map of Gallipoli-Kurija Dere-Koja Dere 1915. Scale 1:20,000. Source MAPCO—
Map and Plan Collective Online http://archivemaps.com/mapco/kurijadere/kurijadere.htm (free
online download)

photography had become the accepted source material for map revision on the
Western Front (MacLeod 1919; Jack 1920; Chasseaud 1999; all cited in Collier
2006).

4.1.2 German Military Topographic Maps

The German forces supporting Turkey had access to small-scale Military mapping
from Austria Hungary. This was the 3rd Military Mapping Survey of Austria-
Hungary, produced in 1910 and covering the Austria-Hungary Empire and areas of
military interest to Austria-Hungary. An example map, covering the Dardanelles,
is provided in Fig. 5. Whilst small-scale maps were not appropriate for engaging in
close military operations, the existence of the Austria-Hungary map series reflects
the geographical intelligence had by Turkey and its allies and the lack of such
information by the Anglo-French military planners.
28                                                                            W. Cartwright

Fig. 5 Third military mapping survey Austria-Hungary 1910 sheet 44-40 (Gallipoli). Source
Department of Cartography, Eötvös University, Budapest, Hungary. http://lazarus.elte.hu/hun/
digkonyv/topo/200e/44-40.jpg (free online download)

4.1.3 Sketch Maps

Sinclair (Sinclair 1999) notes that there were few military maps of Gallipoli in
existence in 1915. As a result, Australian Staff Officers at Gallipoli had to produce
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915    29

Fig. 6 ANZAC position, Gallipoli, drawn by W. J. Warneford, General Staff, Australian and
New Zealand Army Corps, in June 1915. Scale: 6 inches to 1 mile. Source Sinclair Sinclair
1999, p 2

their own maps until military surveyors produced suitable maps. Figure 6 shows a
typical type map of this type, drafted two months after the landing.

4.1.4 Combined Forces Maps

As well, since these was one of the earliest combined naval/land engagements, a
new type of map was required. Whilst the military campaign took centre stage for
the remainder of the campaign, at its peak 250 British and French ships were
involved (Sea Power Centre 2005). According to the Sea Power Centre (2005) this
30                                                                            W. Cartwright

Fig. 7 Fire support plans for initial ANZAC landings at Gaba Tepe, 25 April 1915. Source Sea
Power Centre 2005, p 56

Fig. 8 Diagram of British
and Turkish lines of Gallipoli
campaign—glass lantern
slide transparency
(8.5 9 8.5 cm). Source State
Library of Victoria. http://
catalogue.slv.vic.gov.au/
vwebv/holdingsInfo
?bibId=1787764

needed the coordination of land, sea and air assets, which demanded the generation
of new drawings like fire support plans (Fig. 7), which did not exist prior to these
combined operations.
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915       31

Fig. 9 Section of British topographic map with mark-ups—detail. Source Service Historique de
la Defense, Department de l’Armee de Terre Division, Château de Vincennes, Paris

4.2 Diagrams, Drawings and Marked-up Maps

Diagrams and drawings were produced to provide intelligence and to map military
installations, trenches, etc. The examples that follow show a field sketch of trench
positions produced as a glass lantern slide transparency (8.5 9 8.5 cm) (Fig. 8),
marked-up annotations of key facilities on pre- colour topographic maps (Fig. 9),
hand-drawn diagrams showing the positions of troop emplacements (Fig. 10) and
spirit ‘quick print’ perspective views (Fig. 11).

4.3 Mapping the War at Home

The ‘man and woman in the street’ was interested in gaining an appreciation of the
battlefronts in World War I. Commercial map publishers and newspapers satisfied
this need for geographically-placed information. English map publisher Stannard
and Son produced a map showing a perspective view of European and Asiatic
Turkey, Russia, Austria and Persia. It showed …the whole of the seaboard, rail-
ways, rivers and probable points of attack/compiled from the latest official sources
by Alfred Concanen. The map is shown in Fig. 12.
32                                                                             W. Cartwright

Fig. 10 Spirit print, French troop emplacements 22 September 1915. Source Service Historique
de la Defense, Department de l’Armee de Terre Division, Château de Vincennes, Paris

Fig. 11 Spirit print, French Perspective Drawing Post 169, 15 August 1915. Source Service
Historique de la Defense, Department de l’Armee de Terre Division, Château de Vincennes, Paris

   Standford Geographic published a black and white map of Anzac Cove
(Fig. 13) and The Strand Coloured Detail map of the Dardanelles, Constantinople,
&c., &c. was published by George Newman Ltd., London.
   As well as publishing their own maps, several cartographic companies
produced maps for newspapers. London-based cartographic company Geographia
produced maps for The Daily Telegraph—‘‘The Daily Telegraph War Map No.
12’’ (Fig. 14).
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915      33

Fig. 12 Stannard and Son’s perspective view of European and Asiatic Turkey, Russia, Austria
and Persia. Source National Library of Australia. http://nla.gov.au/nla.map-f246

   Newspapers also produced more artistic views of the battle, and these were sold
as supplements to newspapers. The example shown in Fig. 15 is the Daily Mail.
   French newspaper, Le Matin was also a prolific publisher of maps in its
editions. A sample map—‘‘Les Dardenelles’’—is shown in Fig. 16.

4.4 Personal Artefacts Representing the ‘Geography of Warfare’

During research in 2009 at the Service Historique de la Defense, Department de
l’Armee de Terre Division, Château de Vincennes in Paris the author was provided
with one particular archive publication: Inventaire Sommaire des Archives de al
Guerre 1914–1918, Ministere d’etat Charge de la Defense Nationale (Nicot et al.
1972), a general reference to the Service Historique de la Defense, Department de
l’Armee de Terre Division collection might provide the key to accessing appropriate
documentation stored in the archive. The publication provided a comprehensive
catalogue to artefacts in the archive up to 1972. This included maps and other
geographically-related documents. The section of interest to research into the French
involvement in the Gallipoli campaign was ‘‘Grandes Unites Françaises d’Orient and
Commandement des Armees Allies en Orient—Corps Expeditionnaire d’Orient
34                                                                       W. Cartwright

Fig. 13 Standfords geographic—map of Anzac Cove. Source Heritage history http://
www.heritage-history.com/books/masefield/gallipoli/zpage136.gif (free online download)

(C.E.O.) (22 February to 4 October 1915) puis Corps Expeditionnaire des Dardan-
elles (C.E.D) (4 October 1915 to 6 January 1916).’’
   Recorded in the Inventaire Sommaire des Archives de la Guerre 1914–1918
was the contents of all of the archive boxes stored at the Service Historique de la
Defense, Department de l’Armee de Terre Division at Château de Vincennes.
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915          35

Fig. 14 The daily telegraph war map no. 12, 1915? Source National Library of Australia. http://
nla.gov.au/nla.map-gmod1

I was provided with five dust-covered boxes from the archive that held maps and
other documents. One particular box—Box 20N33—contained official military
maps, sketches and reports. But this box also contained one additional document—
a commercially-produced Colour map of Europe and Turkey, folded and rein-
forced with linen at the folds.
36                                                                       W. Cartwright

Fig. 15 ‘‘Scene of the landing operations at the Dardanelles’’, Daily Mail map of the
Dardanelles. Source MAPCO—Map and Plan Collective Online (free online download) http://
archivemaps.com/mapco/gallipmail/cover.htm

   This map had been annotated with ‘travel line’ from Paris to Marseilles to the
Dardanelles by its possible owner, H. Barrot. (This name was noted on the verso).
The map had a pencil line drawn over the shipping lines that were included in the
map. It traced his journey from Paris to the Dardenelles. It was a record of Barrot’s
involvement in the preliminary movement of troops before the landings at
Gallipoli. The map is shown in Fig. 17. Detail from this map is shown in Fig. 18.
   The discovery of this particular map led to a related field of research—‘‘Per-
sonal Geographies of Warfare’’—which will examine how individuals geograph-
ically recorded their wartime experiences using everyday artefacts.

5 Further Research: Personal Geographies of Warfare

The unfortunate consequence of any military engagement is the loss of life. Those
individuals whose sacrifice is generally lost in the accounting and reporting gen-
eralization of warfare ‘disappear’ without their contribution to a battle—and the
individual’s departure from family and loved ones, related training, preparation,
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915          37

Fig. 16 Map ‘Les Dardanelles’ from Le Matin depicting aspects of the failed naval action trying
to force a passage through ‘The Narrows’. Source Département des Cartes et Plans, Bibliothèque
nationale de France, Paris

transportation, preparation for battle and aftermath. Their stories are not recorded
on maps produced to represent a campaign—these maps are impersonal.
   The ‘geography’ of military campaigns can be represented by the assembly of
many personal geographies of that campaign—the assembled experiences of
military and civilian populations that were directly involved in action or personally
effected by the outcome—either directly or indirectly. But how best to ‘map’ these
personal geographies of warfare?
   The geography portrayed in most maps of military campaigns does not provide
any information about the personal geographies of a campaign or battle. These
38                                                                          W. Cartwright

Fig. 17 Annotated map of Europe and Asia Minor.1. Source Service Historique de la Defense,
Department de l’Armee de Terre Division, Château de Vincennes, Paris. Photograph William
Cartwright

elements are missing. Personalisation is impossible when immediate geographical
information is required to be represented prior to a battle or afterwards, as a record
of the actual clash and its aftermath.
    Personal geographies can be used to give an insight into the human stories of
traveling to battle, the preliminary movements, the battle itself and combatant’s
reflections on what has happened. Mapping personal geographies can be done by
assembling a montage of geographically-related artefacts, notes, annotations and
maps that individuals have used to record their thoughts, feelings and reflections.
Further, related research on this topic is being undertaken by the author.

6 Conclusion

The investigation of geographical artefacts and maps related to the Gallipoli
campaign in World War I found rich resources in online archives, in map col-
lections and in military archives. The products range from professionally-produced
topographic maps to hand-drawn maps from field observations. The military,
commercial map publishers and newspapers produced documents. Occasionally
individuals produced maps themselves, where no ‘official’ map was available.
An Investigation of Maps and Cartographic Artefacts of the Gallipoli Campaign 1915         39

Fig. 18 End of Barrot’s voyage from Paris to Marseilles to Asia Minor—at a point (marked ‘E’,
by hand), just to the east of Lemnos. Source Service Historique de la Defense, Department de
l’Armee de Terre Division, Château de Vincennes, Paris. Photograph: William Cartwright

   As well as illustrating the wide range of maps and drawings generated during
the campaign, what was most evident was the different printing methods
employed—lithographic to spirit printing. Here, it is assumed that the less time-
consuming replication methods were employed when time was of the essence and
‘rapid response’ mapping was needed.
   As noted in the introduction, this paper reports on the findings from the first
stage of the project Towards Gallipoli 2015. It provides an overview of the maps
and geo-located artefacts that can be accessed for further investigation and
analysis.

Acknowledgments Research was funded by a grant from the School of Mathematical and
Geospatial Sciences, RMIT. Research at archives in London and Paris was supported by Research
Sabbatical leave from RMIT. Thank you to research assistants who sourced references and online
40                                                                                   W. Cartwright

map archives. My thanks to staff at the archives and map repositories that were visited during this
research. Without this invaluable assistance this stage of the research could not have been
completed. Thank you to the two anonymous reviewers whose comments provided valuable input
for improving the manuscript.

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