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heritage

Article
The Noninvasive Analysis of Paint Mixtures on
Canvas Using an EPR MOUSE
Elizabeth A. Bogart † , Haley Wiskoski † , Matina Chanthavongsay † , Akul Gupta † and
Joseph P. Hornak *
 Magnetic Resonance Laboratory, Center for Imaging Science, Rochester Institute of Technology, Rochester,
 NY 14623, USA; eab3609@rit.edu (E.A.B.); hew3641@rit.edu (H.W.); matina.chanth@gmail.com (M.C.);
 akulguptax@gmail.com (A.G.)
 * Correspondence: jphsch@rit.edu; Tel.: +1-585-475-2904
 † These authors contributed equally to this work.
                                                                                                     
 Received: 6 February 2020; Accepted: 8 March 2020; Published: 12 March 2020                         

 Abstract: Many artists create the variety of colors in their paintings by mixing a small number
 of primary pigments. Therefore, analytical techniques for studying paintings must be capable of
 determining the components of mixtures. Electron paramagnetic resonance (EPR) spectroscopy is
 one of many techniques that can achieve this, however it is invasive. With the recent introduction of
 the EPR mobile universal surface explorer (MOUSE), EPR is no longer invasive. The EPR MOUSE
 and a least squares regression algorithm were used to noninvasively identify pairwise mixtures of
 seven different paramagnetic pigments in paint on canvas. This capability will help art conservators,
 historians, and restorers to study paintings with EPR spectroscopy.

 Keywords: paint mixture analysis; electron paramagnetic resonance spectroscopy (EPR), low
 frequency electron paramagnetic resonance spectroscopy (LFEPR); EPR mobile universal surface
 explorer; EPR MOUSE; noninvasive EPR of paintings; unilateral EPR of paintings

1. Introduction
     Electron paramagnetic resonance (EPR) spectroscopy is one of a vast number of spectroscopic
analytical techniques [1–10] used by art conservators, historians, and restorers to study paintings.
EPR spectroscopy probes magnetic energy levels associated with unpaired electrons in matter, and
is therefore useful for investigating paramagnetic, ferro/ferrimagnetic, and free radical containing
pigments. The utility of EPR spectroscopy to the art community has been established. EPR spectroscopy
has been used to study rock paintings [11], wall paintings [12], and individual pigments [13–17].
EPR spectroscopy is particularly well suited for studying ancient pigments, as many of these were
either transition metal or free radical based. Conventional high frequency EPR (HFEPR) spectrometers
operate at 9 GHz and have a limit of detection of 1012 spins/mT of spectral linewidth [18], or 0.3 ppb
for a 1 mT linewidth sample. Unfortunately, HFEPR is invasive, limiting the utility of EPR in the
study of precious paintings. It is only recently that a low frequency EPR (LFEPR) spectroscopy was
developed that made EPR spectroscopy noninvasive for 30 cm wide paintings [19,20]. The more recent
development of an EPR mobile universal surface explorer (MOUSE) [21], has made EPR spectroscopy
truly noninvasive for all sample size paintings and made the instrument portable for true in situ
investigations. The EPR MOUSE performs a contact analysis of a bulk sample, obtaining a signal from
a 3 mm diameter, 1.5 mm thick disc on the surface.
     No single analytical technique alone can determine all possible paint analytes under all possible
conditions. Successful studies often rely on complementary techniques [22–26]. Mixtures of paints
make the determination of pigments more challenging for any technique. Artists often work with

Heritage 2020, 3, 140–151; doi:10.3390/heritage3010009                          www.mdpi.com/journal/heritage
The Noninvasive Analysis of Paint Mixtures on Canvas Using an EPR MOUSE - MDPI
Heritage 2020,33 FOR PEER REVIEW
Heritage2020,                                                                                                       1412

 small palette of primary paint colors and mix them to produce the many unique colors in their
apaintings.
   small palette   of primary
             For example,       paintMonet
                             Claude    colors had
                                              andamix   them
                                                    palette  ofto
                                                                sixproduce
                                                                    primarythe     many
                                                                                colors  thatunique   colors
                                                                                              he mixed       in their
                                                                                                         to produce
paintings.   For  example,   Claude   Monet  had  a palette  of six primary    colors  that   he
 the many colors in his masterpieces [27]. Deconvolution of complex spectral line components frommixed  to  produce
the many colors
 mixtures           in his performed
            is routinely   masterpieces   [27].
                                       with     Deconvolution
                                             HFEPR    spectroscopyof complex
                                                                       [28–30], spectral
                                                                                 but it has line components
                                                                                               never            from
                                                                                                      been reported
mixtures   is routinely   performed    with HFEPR    spectroscopy     [28–30],   but it has   never
 using the surface coil and unilateral magnet combination found in the EPR MOUSE. Demonstrating      been  reported
using  the surface
 the ability  of the coil
                      EPRand   unilateral
                           MOUSE          magnetmixtures
                                     to analyze   combination     found ininthe
                                                            of pigments           EPRonMOUSE.
                                                                               paint               Demonstrating
                                                                                           canvas will  provide art
the ability of the
 conservators,       EPR MOUSE
                   historians,  andtorestorers
                                       analyze mixtures    of pigments
                                                 with another               in paint on
                                                                    noninvasive,          canvas will provide
                                                                                     complementary                art
                                                                                                           analytical
conservators,   historians,  and restorers with  another  noninvasive,     complementary       analytical
 technique for studying paintings [31,32]. This study specifically answers the question; can the EPR      technique
for studying
 MOUSE          paintings
           be used         [31,32]. the
                     to determine   Thiscomponents
                                         study specifically   answers
                                                      of a paint  mixturethespectrum?
                                                                              question; can the EPR MOUSE be
used to determine the components of a paint mixture spectrum?

2. Background
 2. Background
      Electron paramagnetic resonance spectroscopy is based on the absorption of photons of energy E
      Electron paramagnetic resonance spectroscopy is based on the absorption of photons of energy
and Larmor frequency ν by matter with unpaired electrons when placed in an external magnetic field
 E and Larmor frequency ν by matter with unpaired electrons when placed in an external magnetic
(B). The relationship between ν and B is given by Equation (1) and depicted in Figure 1, where β and h
 field (B). The relationship between ν and B is given by Equation (1) and depicted in Figure 1, where
are physical constants known as the Bohr magneton and Planck’s constant, respectively, and the Landé
 β and h are physical constants known as the Bohr magneton and Planck’s constant, respectively, and
g factor is an intrinsic constant of matter containing unpaired electrons.
 the Landé g factor is an intrinsic constant of matter containing unpaired electrons.
                                                  EE==hhνν==ggββ BB                                                 (1)
                                                                                                                   (1)
      Therelationship
     The  relationshipbetween
                        betweenννand andBBisismore
                                               morecomplex
                                                      complex      when
                                                                when   thethe  atoms
                                                                            atoms     have
                                                                                   have     unpaired
                                                                                         unpaired      nuclear
                                                                                                    nuclear   spinspin
                                                                                                                     or
 or multiple  unpaired  electrons, but Equation    (1) will suffice   for an  understanding   of our
multiple unpaired electrons, but Equation (1) will suffice for an understanding of our presentation.  presentation.
      Continuouswave
     Continuous     waveEPR
                          EPRspectra
                               spectraare
                                        arerecorded
                                             recordedby bysending
                                                            sendingaafixed
                                                                         fixedννinto
                                                                                  intothe
                                                                                       thesample
                                                                                           samplewhile
                                                                                                    whilescanning
                                                                                                            scanning
 B.AAspectral
B.    spectralabsorption
                absorptionappears
                            appearswhen
                                      whenEquation
                                              Equation(1)(1)isissatisfied.
                                                                 satisfied. Spectral
                                                                             Spectral absorptions
                                                                                       absorptions appear
                                                                                                     appear as as first
                                                                                                                   first
 derivatives  of an absorption as  a function  of B because     magnetic   field  modulation  and   phase
derivatives of an absorption as a function of B because magnetic field modulation and phase sensitive       sensitive
 detection at
detection  at the
               the modulation
                   modulation frequency
                               frequency areare employed
                                                employed to    to improve
                                                                   improvethe thesignal-to-noise
                                                                                  signal-to-noise ratio
                                                                                                   ratio (SNR)
                                                                                                          (SNR) in in aa
 spectrum[33].
spectrum    [33].

     Figure 1. EPR Energy level diagram depicting the relationship between the absorbed energy, first
     derivative signal, and magnetic field.
     Figure 1. EPR Energy level diagram depicting the relationship between the absorbed energy, first
     derivative
     The  size ofsignal, and magnetic
                   the EPR   signal is field.
                                        related to the population difference between the two spin levels
and given by Boltzmann statistics [33]. The greater the population difference, the larger the signal.
     The size of the EPR signal is related to the population difference between the two spin levels
and given by Boltzmann statistics [33]. The greater the population difference, the larger the signal.
Heritage 2020, 3                                                                                       142

Defining N− and N+ as the respective number of electron spins in the upper and lower energy levels, k
as Boltzmann’s constant, and T as the absolute temperature of the sample,

                                              N−       hν
                                                 = e−( kT )                                            (2)
                                              N+
      HFEPR spectrometers operate at ν = 9 GHz and scan B between approximately 100 and 600 mT.
LFEPR spectrometers generally operate at ν < 500 MHz and scan 0 < B < 50 mT. Equation (2) tells us
that HFEPR has a larger signal and thus smaller limit of detection than LFEPR.
      Continuous wave EPR spectra are recorded by sending a fixed ν into the sample while scanning
B. A spectral absorption appears when Equation (1) is satisfied. Spectral absorptions appear as first
derivatives of an absorption as a function of B because magnetic field modulation and phase sensitive
detection at the modulation frequency are employed to improve the SNR in a spectrum [33].
      It can be inferred from Equation (2) that the EPR signal is proportional to the number of spins [33].
Lifetime effects and spatial inhomogeneity in B give width to an EPR signal. All other acquisition
factors being constant, the number of spins is proportional to the area under an absorption peak. For
equal spin concentration samples, the one with the narrowest linewidth will have the lower LOD. EPR
spectra of mixtures of equal molar concentrations of two different spin types with different linewidths
will retain the relative LOD due to linewidth differences. In pigments, this may be further complicated
by the signal being due to an impurity as in Victoria green [34], or a non-stoichiometric free radical as
in charcoal [35].
      Paramagnetic materials are distinguished from each other by their g factor, peak-to-peak linewidth
(ΓPP ), and any splitting pattern from interactions between electron and nuclear spins. The g factor and
ΓPP are more challenging to quantify with LFEPR because the ΓPP is often approximately equal to the
sweep width of B and a clear estimation of the signal baseline is not always available to determine the
g factor. Additionally, samples with nuclear spin and/or multiple unpaired electrons create spectra that
are more challenging to interpret.
      The invasive nature of HFEPR spectroscopy and the poorer limit of detection of LFEPR spectroscopy
may have hindered the development of EPR for studying paintings. Advances in electronics and the
introduction of the EPR MOUSE, which can examine any 3 mm diameter spherical cap shaped area of
an infinite size painting, changes the viability of EPR for studying paintings. Demonstrating the ability
of the EPR MOUSE to identify mixtures of two pigments will further advance the viability of EPR
spectroscopy for studying paintings.

3. Materials and Methods
     Seven pigments were chosen to make the paints used in this study: charcoal (C) (Kingsford),
Egyptian blue (EB) (CaOCuO(SiO2 )4 , Kremer Pigments), Han blue (HB) (BaOCuO(SiO2 )4 , Kremer
Pigments), rhodochrosite (RC) (MnCO3 , Kremer Pigments), terracotta red (TCR) (clay flowerpot),
ultramarine (UM) (Na8 Al6 Si6 O24 S3 , Old Holland), and blue vitriol (BV) (CuSO4 ·5H2 O, J.T. Baker).
Ultramarine and charcoal are respectively sulfur and carbon centered free radicals. Han blue and
Egyptian blue are isomorphs, differing only in the presence of barium or calcium ions, and contain
paramagnetic Cu(II) ions. Blue vitriol is also a paramagnetic Cu(II) ion pigment. Even though these
three pigments contain Cu(II) ions, their EPR properties are very different. Rhodochrosite and terracotta
red contain paramagnetic Mn(II) and Fe(III), respectively. These pigments were selected because they
have a known LFEPR signal. [20] The set contains pigments with a variety of g factors, ΓPP values, and
signal amplitudes, as it is these properties and not colors that matter in EPR spectroscopy analysis.
These properties represent the range of possible values and determine the ease of distinguishing
between any two pigments in a mixture spectrum.
     The pigments were used for seven standard paints. The Ultramarine blue was a premixed,
commercial linseed oil-based paint. The Han Blue, Egyptian Blue, and Rhodochrosite powders were
used as is, while the blue vitriol, charcoal, and terracotta red were crushed and sieved to have particles
Heritage 2020, 3                                                                                                    143
Heritage 2020, 3                                                                                          144

where kc is a constant for a given coil. For the MOUSE surface coil kc = 2.65 mm−1 , and S reaches 95%
of its maximum value by 1.15 mm. This signal profile drove our use of more impasto-like swatches.
The spectral acquisition parameters for all standards and mixtures are summarized in Table 1. All spectra
for a swatch were reproducible. All aspects of the spectrometer were controlled by LabVIEW® (National
Instruments) code. Spectra were imported into Microsoft Excel for display and analysis.

                            Table 1. EPR MOUSE spectral acquisition parameters.

                                        Parameter                     Value
                                     Spectral Points                   1000
                                      Dwell Time                    215 ms/pt
                                     Time Constant                     0.3 s
                                      Sweep Start                    0.05 mT
                                       Sweep End                    50.48 mT
                                        Step Size                  0.05048 µT
                                 Operating Frequency (ν)           421.8 MHz
                                  Modulation Frequency               10 kHz
                                 Modulation Amplitude                0.22 mT
                                  Number of Averages                   4-10

     The analysis of the mixtures consisted of first creating standard spectra (Si (x)) where i represents
the standard number and x the data point in the spectrum for each of the standard swatches. These
spectra were a result of averaging at least four individual, x = 1000 point spectra together to achieve a
desirable SNR. Spectra of the mixture swatches (Mj,k (x)) for each of the 21 pairwise mixtures (j,k) of the
seven pigments. Additional single mixture spectra were recorded where j=k to check the performance
of the algorithm.
     The algorithm calculated a trial mixture spectrum (T(x)) defined by Equation (4), where Ai is the
amount of the ith spectrum contributing to the trial spectrum.
                                              X
                                      T (x) =     (Ai Si (x)) + So (x)                                   (4)
                                                   i

So (x) is a term added to the summation of Equation (4) to account for the possibility of a small linear
baseline drift during the acquisition of the mixture spectrum. This term has the form So (x) = mx+b
where m is the slope and b the intercept.
      The sum of the square of the residuals between each point of Mj,k (x) and T(x) is given by Equation (5).
                                              X                    2
                                         R=       M j,k (x) − T (x)                                       (5)
                                               x

The algorithm determines the combination of Ai , m, and b necessary to minimize R, giving a least
squares method. The algorithm was implemented in Microsoft® Office Excel and the Ai values
determined for each mixture spectrum using the Solver option with the Generalized Reduced Gradient
(GRG) nonlinear solving method selected. The Solver was constrained to keep Ai ≥ 0, seeded with
Ai = m = b = 0, and terminated with a constraint precision of 0.00001. Excel was chosen because its
availability and widespread use on personal computers. The fraction of each standard paint swatch
spectrum in a mixture swatch spectrum was reported as
                                                         A
                                                   fi = P i                                               (6)
                                                         i Ai

     To convert fi to a mole fraction, it is necessary to know the molar concentration of each standard
paint swatch and either have equal swatch thicknesses or in the case of unequal thicknesses, knowledge
of the spatial signal per unit quantity of sample of sensitivity of the MOUSE surface coil. This was not
attempted because of the need to know the exact spatial sensitivity of the MOUSE and the challenge of
making swatches with equal thickness.
Heritage 2020, 3                                                                                        145

4. Results
      The seven standard spectra recorded with the EPR MOUSE are presented in Figure 3, and the ΓPP
and zero crossing of the spectra are presented in Table 2. The standards contain spectra with similar and
different ΓPP and zero crossing, thus providing a good test of the algorithm. The ΓPP values are slightly
different than those reported by Javier and Hornak [20]. The differences are attributed to the (1) ν = 421
MHz for the MOUSE and ν = 271 MHz for the 2 cm surface coil, and (2) less homogeneous B of the
Heritage 2020, 3 FOR PEER REVIEW                                                                         8
unilateral magnet on the MOUSE compared to the solenoidal magnet used with the 2 cm surface coil.

      Figure 3. LFEPR spectra of the seven standard paint samples recorded at 421.8 MHz using the
      Figure
      EPR    3. LFEPR spectra of the seven standard paint samples recorded at 421.8 MHz using the EPR
          MOUSE.
      MOUSE.

               Table 4. fi values for the calculated spectral components of two component swatches.*.
Heritage 2020, 3                                                                                                  146

                            Table 2. Spectral properties of the seven standard spectra.

                               Pigment                 Zero Crossing (mT)              ΓPP (mT)
                          Ultramarine Blue                     14.79                         2.56
                              Han Blue                         14.53                         3.66
                           Egyptian Blue                       13.96                        10.85
                           Terracotta Red                      13.05                         6.19
                           Rhodochrosite                       10.48                        23.63
                              Charcoal                         15.07                        0.92
                             Blue Vitriol                      13.75                         7.31

     These seven spectra were used as the standard spectra in the analysis algorithm. The results from
the analysis are separated into two groups. The first is when the mixture spectrum Mj,k is composed of
a single pigment (j=k). Table 3 summarizes the fi values for each of the seven possible components
in the seven Mj,k spectra. This group served as a test of the algorithm that was designed to identify
multiple components to identify single component spectra.

             Table 3. f i values for the calculated spectral components of single component swatches *.

                                                                   Component
              Swatch Spectra        C          TCR          HB           EB          RC             UM     BV
                 Charcoal          0.99         0.00        0.00        0.00         0.00           0.00   0.00
              Terracotta Red       0.00         0.99        0.00        0.00         0.00           0.00   0.01
                Han Blue           0.00         0.00        1.00        0.00         0.00           0.00   0.00
              Egyptian Blue        0.00         0.00        0.00        0.99         0.01           0.00   0.01
              Rhodochrosite        0.00         0.00        0.00        0.04         0.96           0.00   0.00
               Ultramarine         0.01         0.00        0.00        0.00         0.00           0.99   0.00
               Blue Vitriol        0.02         0.00        0.02        0.04         0.00           0.00   0.92
                                          * fi values rounded to the nearest 0.01.

      For this single component (j = k) group, the algorithm identified the correct component by
returning a fraction greater than 0.92 in all cases. In five of the cases, the fraction was greater than or
equal to 0.99. In the remaining two cases, rhodochrosite and blue vitriol, the fractions were respectively
0.96 and 0.92. Since all of these swatches were made from single component paints, the deviation from
1.0 must be attributed to the presence of low frequency spectral noise mimicking the spectra of minor
components. To the eye, all spectra fit adequately with f = 1.0 for the actual component, but minor
differences caused by noise cause a better fit with a few percent of other spectra.
      The results from the second group of mixture spectrum Mj,k occur when j , k. Table 4 summarizes
the fi values for each of the seven possible components in the 21 Mj,k spectra.
      For the 21 swatches in the two-component j , k group, the algorithm correctly identified the two
primary components in all cases. In six of the 21 mixtures, only the two components were found. In five
mixtures, a single extra component was found. In seven mixture spectra, there were two extra minor
components; in two mixture spectra, there were three extra minor components; in a single mixture
spectrum, there were four extra minor components. The presence of these extra minor components
in the fit was again attributed to spectral noise. As with all spectral deconvolution techniques, SNR
affects the ability to discriminate between analytes with similar spectral characteristics. The larger
the noise and closer its frequency to that of the signal frequency, the more difficult the discrimination
between analytes. The two mixtures with the smallest component ΓPP difference, UM-HB and TCR-BV,
had no minor components identified. There was no correlation with zero crossing similarity and
extra components. Both of these observations are characteristic of a random noise process. It should
be possible to decrease the noise by using additional signal averaging as well as increasing the time
constant and dwell time acquisition parameters, thus increasing the scan time of a spectrum.
Heritage 2020, 3                                                                                              147

              Table 4. fi values for the calculated spectral components of two component swatches *.

                                                                             Component
                   Swatch Spectra                 C        TCR        HB          EB     RC     UM     BV
           Rhodochrosite-Charcoal (1)            0.68       0.00      0.00        0.00   0.32   0.00   0.00
              Han Blue-Charcoal (2)              0.66       0.00      0.19        0.05   0.00   0.07   0.03
           Egyptian Blue-Charcoal (3)            0.32       0.00      0.00        0.68   0.00   0.00   0.00
           Terracotta Red-Charcoal (4)           0.43       0.55      0.00        0.00   0.00   0.01   0.01
        Rhodochrosite-Terracotta Red (5)         0.00       0.61      0.00        0.00   0.38   0.00   0.01
           Han Blue-Terracotta Red (6)           0.00       0.67      0.33        0.00   0.00   0.00   0.00
          Egyptian Blue-Blue Vitriol (7)         0.00       0.00      0.00        0.70   0.02   0.00   0.28
           Ultramarine-Blue Vitriol (8)          0.00       0.00      0.00        0.27   0.05   0.03   0.65
            Ultramarine-Han Blue (9)             0.00       0.00      0.60        0.00   0.00   0.40   0.00
            Blue Vitriol-Charcoal (10)           0.43       0.00      0.00        0.00   0.00   0.00   0.57
            Ultramarine-Charcoal (11)            0.53       0.00      0.00        0.00   0.01   0.46   0.00
          Rhodochrosite-Han Blue (12)            0.00       0.02      0.37        0.06   0.51   0.05   0.00
        Egyptian Blue-Rhodochrosite (13)         0.00       0.01      0.00        0.40   0.58   0.00   0.01
         Blue Vitriol-Rhodochrosite (14)         0.00       0.02      0.00        0.00   0.44   0.00   0.55
         Rhodochrosite-Ultramarine (15)          0.00       0.03      0.01        0.00   0.83   0.14   0.00
          Han Blue-Egyptian Blue (16)            0.00       0.00      0.49        0.27   0.05   0.00   0.19
            Han Blue-Blue Vitriol (17)           0.00       0.00      0.29        0.00   0.03   0.04   0.64
        Egyptian Blue-Terracotta Red (18)        0.03       0.63      0.00        0.31   0.00   0.00   0.03
         Egyptian Blue-Ultramarine (19)          0.00       0.01      0.02        0.56   0.02   0.28   0.10
         Terracotta Red-Blue Vitriol (20)        0.00       0.59      0.00        0.00   0.00   0.00   0.41
         Terracotta Red-Ultramarine (21)         0.00       0.78      0.00        0.00   0.00   0.16   0.06
                                       * fi values rounded to the nearest 0.01.

     Quantitative EPR is challenging [37], and quantitative EPR with a surface coil and unilateral
magnet, such as found in the EPR MOUSE, is most challenging process. For this reason, the focus is not
on attaining fi ≈ 0.5 for two component mixtures. Instead, the metric of success is correctly identifying
the two components of a mixture having the two largest fi values.
     Three examples of the fit to the mixture spectra are presented in Figure 4. These examples were
chosen from three general classes of results: (1) only two major fi value, (2) two major and other minor fi
values, and (3) two major and one significant minor fi value. The first example is the mixture spectrum
for ultramarine and Han blue and the best-fit spectrum consisting of the depicted standard spectra
of ultramarine and Han blue. The algorithm found that only the two components were necessary to
attain the best fit. Perhaps the need for only two standard spectra is attributed to the slightly larger
signal and narrow ΓPP values of the components.
     The second example is the mixture spectrum for rhodochrosite and ultramarine and the best-fit
spectrum consisting of the depicted standard spectra of ultramarine and Han blue. The algorithm found
that four components were necessary to attain the best fit: two major components 0.83 rhodochrosite
and 0.14 ultramarine, and two minor components 0.03 terracotta red and 0.01 Han blue. The need for
the minor components is attributed to the noise level in the spectrum.
     The final example is the mixture of Han Blue and Egyptian Blue. The regression algorithm found
0.49 Han blue, 0.27 Egyptian blue, 0.05 rhodochrosite, and 0.19 blue vitriol. The primary components
found were the correct ones, but the 0.19 blue vitriol value was unexpectedly large. Perhaps there is
some abnormal background baseline drift noise that is best fit with the combination of the wider ΓPP
blue vitriol and rhodochrosite contributions. In either event, it is difficult to tell the difference between
the best fit with these four components and just Han Blue and Egyptian Blue by using the naked eye.
The least squares fit shows that the fit with all four is slightly better.
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Heritage  2020,33 FOR PEER REVIEW                                                                                10
                                                                                                               148

     Figure 4. LFEPR analysis spectra of the mixtures (a) ultramarine-Han blue, (b) rhodochrosite-
      Figure 4. LFEPR
     ultramarine, and (c) analysis spectra of blue.
                          Han blue–Egyptian    the mixtures   a) ultramarine-Han
                                                    Each plot compares the mixture,blue,  b) and
                                                                                    best fit, rhodochrosite-
                                                                                                 individual
      ultramarine,
     component     and c) Han blue–Egyptian blue. Each plot compares the mixture, best fit, and individual
                spectra.
      component spectra. .
     The under-layer results are presented in Table 5. They show that the MOUSE and algorithm were
able toThe under-layer
        identify the tworesults  are presentedultramarine
                          major components:       in Table 5. and
                                                              Theycharcoal.
                                                                     show that  the MOUSE
                                                                            Knowing           and
                                                                                       that the    algorithm
                                                                                                swatch  was
 were  able to identify the two  major  components:   ultramarine   and charcoal. Knowing    that
clearly blue, one would conclude that there had to be a charcoal under layer. As with many of the the swatch
 was clearly
other         blue,
       swatches,     one would
                  it appears     conclude
                             as noise       that
                                       in the    there had
                                              spectrum     to bean
                                                        caused    a erroneous fi = 0.03
                                                                    charcoal under  layer. As for
                                                                                        value  with  many of
                                                                                                  terracotta
 the which
red, other was
            swatches,   it appears
                 not present  in the as noise in the spectrum caused an erroneous fi = 0.03 value for
                                     sample.
 terracotta red, which was not present in the sample.
            Table 5. fi values for the calculated components of ultramarine over charcoal swatch *.

                                                                  Component
             Table 5. fi values for the calculated components of ultramarine over charcoal swatch.*.
                Swatch Spectra                C      TCR    HB        EB      RC     UM        BV
                                                                           Component
           Ultramarine Over Charcoal       0.37     0.03    0.00     0.00    0.00  0.60 0.00
                     Swatch Spectra                      C     TCR HB EB RC UM BV
                                  * fi values rounded to the nearest 0.01.
                Ultramarine Over Charcoal              0.37 0.03 0.00 0.00 0.00 0.60 0.00
                                     * fi values rounded to the nearest 0.01.
     The technique will work equally well on these pigments in paintings, provided there is a reasonable
      Theno
SNR and    technique
             reactionswill workorequally
                       between              well onofthese
                                   decomposition             pigmentsin in
                                                      the pigments       thepaintings, provided
                                                                             mixture [38]. Thickerthere
                                                                                                    impastois a
 reasonable
technique    SNR and
           paintings    no reactions
                      should be easierbetween   or decomposition
                                       than thinner                  of theaspigments
                                                     paint applications,                in the
                                                                              there is more     mixture
                                                                                             pigment   in [38].
                                                                                                          the
 Thicker
active   impasto
       volume      technique
               of the MOUSEpaintings    should
                              surface coil. The be easier than
                                                technique       thinner
                                                            works  well paint  applications, asequal-volume
                                                                        with approximately      there is more
 pigmentofinpigments.
mixtures       the active  volume
                        Future      of can
                               studies   thedetermine
                                             MOUSE the  surface   coil.
                                                            limit of    The technique
                                                                     detection            works
                                                                                and spatial       well with
                                                                                            sensitivity  with
 approximately
more              equal-volume
      disproportionate  mixtures.mixtures of pigments. Future studies can determine the limit of
 detection and spatial sensitivity with more disproportionate mixtures.
5. Conclusions
       Our results demonstrate that by using the EPR MOUSE and the least-squares regression algorithm,
it5.isConclusions
       possible to identify from a library of seven spectra the correct single or mixture of two pigments
that areOurpresent
             resultsin demonstrate
                       a 3 mm diameter
                                     that and  up to 1.5
                                          by using   themm
                                                         EPRthick regionand
                                                               MOUSE       of athe
                                                                                painting. Additionally,
                                                                                   least-squares        the
                                                                                                 regression
algorithm, it is possible to identify from a library of seven spectra the correct single or mixture of two
Heritage 2020, 3                                                                                                        149

approach was demonstrated on one under layer, showing that the pigments do not need to be mixed or
have a visible surface presence. The MOUSE is nondestructive and because it can look at any sample
size, the size of a painting is not an issue and the technique is noninvasive. A single spectrum that is
representative of the components in a sample is recorded in as little as four minutes.
      The construction cost of the EPR MOUSE and spectrometer was approximately 40,000 USD, or at
the lower end of the price of analytical instruments used to study paintings. The analysis does not
require purchase of expensive mathematical programming and analysis packages, as the algorithm is
implemented in Microsoft® Excel.
      Although not explicitly demonstrated, there are two features of the MOUSE worth mentioning.
First, it is portable and therefore can examine paintings in situ. Second, it can be used for spectral
imaging by rastering the MOUSE across a painting [21,39].
      Two negatives of the EPR MOUSE are that it is a contact analysis and its current low SNR.
The former cannot be changed, but latter can be improved by signal averaging and improvements
to the hardware. Random lower frequency noise may affect the algorithm’s ability to discriminate
between two pigments with similar g factors and ΓPP values.
      There is still a need for further technique development work to answer the following questions:
Is the technique quantitative such that specific mole fractions of pigments can be determined within
a mixture? Will it work equally well on mixtures of three or four pigments? Will it work equally
well on a larger set of standard spectra? These questions can best be answered by partnering with
art conservators, historians, and restorers. Despite these questions, the analysis works for one or two
paramagnetic pigments with an LFEPR signal, so it will complement techniques that are more suitable
for organic based pigments.

Author Contributions: Conceptualization, J.P.H.; Data curation, E.A.B., H.W., M.C., A.G. and J.P.H.; Formal
analysis, E.A.B., H.W., M.C., A.G. and J.P.H.; Funding acquisition, J.P.H.; Investigation, E.A.B., H.W., M.C.,
A.G. and J.P.H.; Methodology, J.P.H.; Project administration, J.P.H.; Resources, E.A.B. and J.P.H.; Software, J.H.;
Supervision, J.P.H.; Validation, E.A.B., H.W., M.C., A.G. and J.P.H.; Visualization, E.A.B., H.W., M.C., A.G. and
J.P.H.; Writing – original draft, J.P.H.; Writing – review & editing, E.A.B., H.W., M.C. and J.P.H. All authors have
read and agreed to the published version of the manuscript.
Funding: This research received no external funding. M. Chanthavongsay acknowledged support from the
National Science Foundation REU program under project 1658806.
Conflicts of Interest: The authors declare no conflict of interest.

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